Catalogue of the Pictures by old Masters of the Italian, French, and Dutch Schools; Fine Works of the Early English School and Drawings PDF Download
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Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385307260
Category : Fiction
Languages : en
Pages : 18
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Book Description
Reprint of the original, first published in 1883.
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385307260
Category : Fiction
Languages : en
Pages : 18
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Book Description
Reprint of the original, first published in 1883.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 226
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Book Description
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1130
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
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Book Description
Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Anna Thomson Dodge, heiress to the automotive fortune, built a great home and decorated it with one of the finest groups of 18th-century French decorative arts in America. Here are more than 130 pieces of furniture, sculpture, metalwork, tapestries, Sevres porcelain, and paintings, many from royal collections.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 698
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1392
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 654
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Book Description
Author: William Laidlaw Purves
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Meaghan Clarke
Publisher: Routledge
ISBN: 135102776X
Category : Art
Languages : en
Pages : 233
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Book Description
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects. Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition. This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.
