Deaccessioning and Its Discontents

Deaccessioning and Its Discontents PDF Author: Martin Gammon
Publisher: MIT Press
ISBN: 0262345218
Category : Art
Languages : en
Pages : 445

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Book Description
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.

Deaccessioning and Its Discontents

Deaccessioning and Its Discontents PDF Author: Martin Gammon
Publisher: MIT Press
ISBN: 0262345218
Category : Art
Languages : en
Pages : 445

Get Book Here

Book Description
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700

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Annual Reports

Annual Reports PDF Author: Carnegie Institute
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 302

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Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.

Bulletin of the Museum of Fine Arts

Bulletin of the Museum of Fine Arts PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 364

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Museum of Fine Arts Bulletin

Museum of Fine Arts Bulletin PDF Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 534

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Catalogue[s of Engravings, Etchings, Lithographs, Prints, Woodcuts, Etc.]

Catalogue[s of Engravings, Etchings, Lithographs, Prints, Woodcuts, Etc.] PDF Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 800

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Boston Museum Bulletin

Boston Museum Bulletin PDF Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 828

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Bulletin of the Museum of Fine Arts

Bulletin of the Museum of Fine Arts PDF Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104

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Boston Museum Bulletin

Boston Museum Bulletin PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 398

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Library Catalog of the Metropolitan Museum of Art, New York

Library Catalog of the Metropolitan Museum of Art, New York PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060

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