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Author: Martinus Nijhoff
Publisher: Springer
ISBN: 9789401529525
Category : Music
Languages : en
Pages : 42
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Book Description
Author: Martinus Nijhoff
Publisher: Springer
ISBN: 9789401529525
Category : Music
Languages : en
Pages : 42
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Book Description
Author: University of Minnesota. College of Science, Literature, and the Arts. Dept. of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
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Book Description
Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354
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Book Description
Author: Liverpool (England). Public Libraries, Museums, and Art Gallery. Music Library
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
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Book Description
Author: Oscar George Theodore Sonneck
Publisher: Wentworth Press
ISBN: 9781010195436
Category : History
Languages : en
Pages : 316
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Library of Congress Music Division
Publisher: Palala Press
ISBN: 9781378860861
Category :
Languages : en
Pages : 152
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Julia Gregory
Publisher: Forgotten Books
ISBN: 9781330370469
Category : Music
Languages : en
Pages : 318
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Book Description
Excerpt from Catalogue of Early Books on Music (Before 1800) The "musical renaissance" movement is placing ever increasing treasures of olden time music before us in the form of "Denkmaler" and similar, more or less, monumental publications, edited by competent musical scholars. Thus the old masters of music are again accessible to libraries which could not and can not acquire them in the very costly and scarce original editions, and this remark applies for obvious reasons to practically all American libraries. While therefore the evolution of modern music may be fairly well reconstructed through the medium of these modern editions of old music, it is entirely different with the old books on music in which there lies stored such a great wealth of historical suggestion and fact. They are not accessible in reprint, if we except certain works by standard authors - I mention at random Altenburg, Agricola, St. Augustine, Bach, Blankenburgh, Boethius, Diruta, Glarean, Hawkins, Mattheson, Parfaict, Praetorius, Quantz, Ramos de Pareja, Schlick, Virdung, Zacconi. Confronted by this fact, the Library of Congress, immediately after the reorganization of the Music Division in 1902, undertook systematically to collect the old books on music in the original (because practically, only available) editions. In the short space of ten years it was, of course, impossible to acquire every rare book of moment and in some instances this was due less to rarity than to prohibitive cost. Fortunately, a few such books are available either in modern reprints at the Library of Congress, or they found their way years ago, when prices were less exasperating, to other American libraries, principally the Boston Public, the New York Public and the Newberry Library of Chicago. It would be unsafe to assume that an old book on music is not to be found in America because it happens to be wanting here in the largest American collection of the kind. Possibly, if fortune favors us, certain annoying gaps in our own collections, annoying because of the otherwise comprehensive character of the collections, will gradually disappear. But, whether or not fortune will so favor us, it was felt that the publication of a catalogue of the old books on music already in the Library of Congress - probably more than a third of the entire output before 1800 - had become advisable in the interest of musicology at home and abroad. One point, however, should not be overlooked. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Julia Gregory
Publisher: Forgotten Books
ISBN: 9780484073011
Category : Music
Languages : en
Pages : 318
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Book Description
Excerpt from Catalogue of Early Books on Music: Before 1800 Abercorn, James Hamilton, 7th earl of, 1685 - 1744. See pepusch, J. C. A short treatise on harmony, 1730. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: American Music Center (New York, N.Y.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 23
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Book Description
Author: James B. Sinclair
Publisher: Yale University Press
ISBN: 0300076010
Category : Music
Languages : en
Pages : 784
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Book Description
This catalogue of the music of Charles Ives contains 728 entries covering all of the prolific composer's works. James Sinclair's book presents information produced by recent Ives scholarship and generous commentary on each of Ives's compositions. It completes the work begun by musicologist John Kirkpatrick in 1955, when Ives's music manuscripts were deposited in the Yale Music Library. Ives's works are arranged alphabetically by title within genres. Whenever possible, each entry includes the main title and any other titles the composer may have used; the forces required; the duration; headings of movements; publication history; citation of the first known performance and first recording; the derivation of the work, listing music on which it may be modeled or from which it may borrow material; the principal literature treating the piece; and commentary on these and other matters. The catalogue also provides musical incipits for all Ives's extant works, seven appendixes (covering his work lists, 'Quality Photo' lists, his songbooks, a chronology of his life, recordings made by Ives, and his private publications and commercial publishers), three concordances, and four extensive indexes (addresses, names, titles, and musical borrowings).
