Catalogue of Augener & Co's. Universal Circulating Musical Library with Supplements PDF Download
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Author: Augener & Co
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1404
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Book Description
Author: Augener & Co
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1404
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 888
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 886
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Book Description
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 888
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Book Description
Author:
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 619
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Book Description
Author:
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 692
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Book Description
Author: W.J Baltzell
Publisher: BoD – Books on Demand
ISBN: 3752405325
Category : Fiction
Languages : en
Pages : 458
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Book Description
Reproduction of the original: A Complete History of Music by W.J Baltzell
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3382500124
Category : Fiction
Languages : en
Pages : 606
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Book Description
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: James Huneker
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
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Book Description
Author: Erik Levi
Publisher: Springer
ISBN: 1349245828
Category : History
Languages : en
Pages : 316
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Book Description
In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.
