Author: Marjorie Devon
Publisher: UNM Press
ISBN: 9780826320735
Category : Art
Languages : en
Pages : 222
Book Description
An essential addition to the library of anyone concerned with contemporary printmaking.
Tamarind
Author: Marjorie Devon
Publisher: UNM Press
ISBN: 9780826320735
Category : Art
Languages : en
Pages : 222
Book Description
An essential addition to the library of anyone concerned with contemporary printmaking.
Publisher: UNM Press
ISBN: 9780826320735
Category : Art
Languages : en
Pages : 222
Book Description
An essential addition to the library of anyone concerned with contemporary printmaking.
Art in Posters
Author: Fernand Mourlot
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 262
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 262
Book Description
Set in Stone
Author: Christine Giviskos
Publisher: Hirmer Verlag GmbH
ISBN: 9783777429946
Category : Lithography, French
Languages : en
Pages : 0
Book Description
Known for its collection of French prints and posters, the Zimmerli Art Museum at Rutgers University has rich holdings of lithographs made over the course of the 1800s, including examples from lithography?s early years in Paris to iconic color posters from the 1890s. Invented around 1796, lithography introduced a new process and new opportunities for the creation and circulation of printed images. Artists, printers, and publishers embraced the new medium for its relative ease and economic advantages as compared with the established printmaking media of woodcut, engraving, and etching. Taking root in Paris around 1815 after the fall of Napoleon?s empire, the art and industry of lithography grew in tandem with the city, as it became Europe?s artistic and urban capital over the course of the nineteenth century. Lithographs played a distinct role in both documenting and advancing (and often satirizing) the various and competing art movements of the period as publishers responded to the unprecedented demand for printed images of all types.00Exhibition: Zimmerli Art Museum/Rutgers University, New Brunswick, USA (20.1. - 29.7.2018).
Publisher: Hirmer Verlag GmbH
ISBN: 9783777429946
Category : Lithography, French
Languages : en
Pages : 0
Book Description
Known for its collection of French prints and posters, the Zimmerli Art Museum at Rutgers University has rich holdings of lithographs made over the course of the 1800s, including examples from lithography?s early years in Paris to iconic color posters from the 1890s. Invented around 1796, lithography introduced a new process and new opportunities for the creation and circulation of printed images. Artists, printers, and publishers embraced the new medium for its relative ease and economic advantages as compared with the established printmaking media of woodcut, engraving, and etching. Taking root in Paris around 1815 after the fall of Napoleon?s empire, the art and industry of lithography grew in tandem with the city, as it became Europe?s artistic and urban capital over the course of the nineteenth century. Lithographs played a distinct role in both documenting and advancing (and often satirizing) the various and competing art movements of the period as publishers responded to the unprecedented demand for printed images of all types.00Exhibition: Zimmerli Art Museum/Rutgers University, New Brunswick, USA (20.1. - 29.7.2018).
Plate Lithography
Author: Paul Croft
Publisher: A&C Black
ISBN: 9780713657975
Category : Lithography
Languages : en
Pages : 160
Book Description
This Printmaking Handbook is a companion volume to Paul Croft's previous book, Stone Lithography. The author guides the reader through all aspects of plate lithography with step-by-step instructions accompanied by clear, colour photographs. The author also includes amazing work by well-known practitioners from around the world. This beautifully illustrated, yet practical guide, is essential for all those interested in lithography.
Publisher: A&C Black
ISBN: 9780713657975
Category : Lithography
Languages : en
Pages : 160
Book Description
This Printmaking Handbook is a companion volume to Paul Croft's previous book, Stone Lithography. The author guides the reader through all aspects of plate lithography with step-by-step instructions accompanied by clear, colour photographs. The author also includes amazing work by well-known practitioners from around the world. This beautifully illustrated, yet practical guide, is essential for all those interested in lithography.
Catalogues of the Berenson Library of the Harvard University Center for Italian Renaissance Studies at Villa I Tatti, Florence, Italy
Author: Berenson Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 702
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 702
Book Description
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 996
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 996
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 740
Book Description
Antoni Tàpies in Print
Author: Deborah Wye
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
California Design, 1930-1965
Author: Wendy Kaplan
Publisher: MIT Press
ISBN: 0262298090
Category : Design
Languages : en
Pages : 368
Book Description
The first comprehensive examination of California's mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was “not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way.” California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California's mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames's plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.
Publisher: MIT Press
ISBN: 0262298090
Category : Design
Languages : en
Pages : 368
Book Description
The first comprehensive examination of California's mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was “not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way.” California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California's mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames's plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.
Catalogue of the Reference Library
Author: Birmingham Public Libraries
Publisher:
ISBN:
Category :
Languages : en
Pages : 1344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1344
Book Description