Author: Sir John Charles Robinson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 54
Book Description
Catalogue of a Valuable Collection of Objects of Art Chiefly of the 16th, 17th & 18th Centuries
Author: Sir John Charles Robinson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 54
Book Description
Collection of Approximately 1,350 Catalogues
Author: Christie, Manson & Woods
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1186
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1186
Book Description
“The” Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Book Description
Dictionary Catalog of the Art and Architecture Division
Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 806
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 806
Book Description
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 582
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 582
Book Description
Directory of Museums
Author: Kenneth Hudson
Publisher: Springer
ISBN: 1349014885
Category : Social Science
Languages : en
Pages : 864
Book Description
Publisher: Springer
ISBN: 1349014885
Category : Social Science
Languages : en
Pages : 864
Book Description
The Athenaeum
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 918
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 918
Book Description
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Subject Index of Modern Books Acquired 1881/1900-.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 654
Book Description
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 654
Book Description
Austria
Author: Karl Baedeker (Firm)
Publisher:
ISBN:
Category : Austria
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Austria
Languages : en
Pages : 592
Book Description