Author: Caroline A. Jones
Publisher: Univ of California Press
ISBN: 9780520068421
Category : Art
Languages : en
Pages : 258
Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Bay Area Figurative Art, 1950-1965
Author: Caroline A. Jones
Publisher: Univ of California Press
ISBN: 9780520068421
Category : Art
Languages : en
Pages : 258
Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Publisher: Univ of California Press
ISBN: 9780520068421
Category : Art
Languages : en
Pages : 258
Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Annual Reports
Author: Carnegie Institute
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 336
Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 336
Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Annual Report
Author: Cincinnati Museum Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 718
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 718
Book Description
The Argus
Author:
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 742
Book Description
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 742
Book Description
The Society of Six
Author: Nancy Boas
Publisher: Univ of California Press
ISBN: 9780520210547
Category : Art
Languages : en
Pages : 232
Book Description
"The Oakland Six may constitute the most important modernist development that occurred in this country during the 1920s."--William H. Gerdts, author of American Impressionism
Publisher: Univ of California Press
ISBN: 9780520210547
Category : Art
Languages : en
Pages : 232
Book Description
"The Oakland Six may constitute the most important modernist development that occurred in this country during the 1920s."--William H. Gerdts, author of American Impressionism
Jacques Schnier, Art Deco and Beyond
Author: Jacques Schnier
Publisher: Mills College or Art Museum
ISBN:
Category : Art
Languages : en
Pages : 102
Book Description
Publisher: Mills College or Art Museum
ISBN:
Category : Art
Languages : en
Pages : 102
Book Description
Bruce Conner
Author: Rudolf Frieling
Publisher: Univ of California Press
ISBN: 0520290569
Category : Art
Languages : en
Pages : 384
Book Description
"This book is published by the San Francisco Museum of Modern Art on the occasion of the exhibition Bruce Conner: It's All True, co-curated by Stuart Comer, Rudolf Frieling, Gary Garrels, and Laura Hoptman, with Rachel Federman"--Colophon.
Publisher: Univ of California Press
ISBN: 0520290569
Category : Art
Languages : en
Pages : 384
Book Description
"This book is published by the San Francisco Museum of Modern Art on the occasion of the exhibition Bruce Conner: It's All True, co-curated by Stuart Comer, Rudolf Frieling, Gary Garrels, and Laura Hoptman, with Rachel Federman"--Colophon.
Collection of Exhibition Catalogs
Author: Archives of American Art
Publisher: Boston : G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 876
Book Description
Publisher: Boston : G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 876
Book Description
National Art Library Catalogue : Victoria and Albert Museum, London, England : Catalogue of Exhibition Catalogues
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
Book Description
Victor Arnautoff and the Politics of Art
Author: Robert W. Cherny
Publisher: University of Illinois Press
ISBN: 0252099249
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter. Robert W. Cherny's masterful biography of Arnautoff braids the artist's work with his increasingly leftist politics and the tenor of his times. Delving into sources on Russian émigrés and San Francisco's arts communities, Cherny traces Arnautoff's life from refugee art student and assistant to Diego Rivera to prominence in the New Deal's art projects and a faculty position at Stanford University. As Arnautoff's politics moved left, he often incorporated working people and people of color into his treatment of the American past and present. In the 1950s, however, his participation in leftist organizations and a highly critical cartoon of Richard Nixon landed him before the House Un-American Activities Committee and led to calls for his dismissal from Stanford. Arnautoff eventually departed America, a refugee of another kind, now fleeing personal loss and the disintegration of the left-labor culture that had nurtured him, before resuming his artistic career in the Soviet Union that he had fought in his youth to destroy.
Publisher: University of Illinois Press
ISBN: 0252099249
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter. Robert W. Cherny's masterful biography of Arnautoff braids the artist's work with his increasingly leftist politics and the tenor of his times. Delving into sources on Russian émigrés and San Francisco's arts communities, Cherny traces Arnautoff's life from refugee art student and assistant to Diego Rivera to prominence in the New Deal's art projects and a faculty position at Stanford University. As Arnautoff's politics moved left, he often incorporated working people and people of color into his treatment of the American past and present. In the 1950s, however, his participation in leftist organizations and a highly critical cartoon of Richard Nixon landed him before the House Un-American Activities Committee and led to calls for his dismissal from Stanford. Arnautoff eventually departed America, a refugee of another kind, now fleeing personal loss and the disintegration of the left-labor culture that had nurtured him, before resuming his artistic career in the Soviet Union that he had fought in his youth to destroy.