National Gallery of Art, Washington, Samuel H. Kress Collection of Renaissance Bronzes PDF Download
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Author: Seymour de Ricci
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Seymour de Ricci
Publisher:
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Category :
Languages : en
Pages :
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Author: Frances C. Weale
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 92
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Author: John Denison Champlin
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 448
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Author: Louis Moreri
Publisher: Routledge
ISBN: 9780415200462
Category :
Languages : en
Pages :
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Author: Henrik Bjerre
Publisher:
ISBN:
Category : Picture frames and framing
Languages : en
Pages : 256
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Author: Francis John Bagott Watson
Publisher:
ISBN:
Category : Miniature painting
Languages : en
Pages : 34
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Author: Rodrigo Rey Rosa
Publisher: Yale University Press
ISBN: 0300196105
Category : Fiction
Languages : en
Pages : 159
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Originally published as La Orilla Africana. F&G Editores.
Author: A.W. Pugin
Publisher: Gracewing Publishing
ISBN: 9780852446119
Category : Architecture
Languages : en
Pages : 188
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Book Description
True Principles of Pointed or Christian Architecture was first published in 1841, when Pugin was 29 years old. Here he presents coherent arguments for the revival of the Gothic style, the case for which he had made pictorally in his sensational book Contrasts (1836). For Pugin, the Gothic Revival was 'not a style, but a principle' and this he laid down in his most influential architectural treatise, True Principles, which introduced functionalist and rationalist as well as moral criteria into architectural discourse, much of it still resonant in the twentieth-century Modern Movement. It is reprinted together with his Apology for the Revival of Christian Architecture, first printed in 1843. Much of his thought here is on architectural education, and in shuffling off the straitjacket of neoclassical architectural principles Pugin exercised a great influence in mid-Victorian architecture and the applied arts, and in a wider design reform movement. These two seminal books, presented in one volume, are introduced by the architectural historian and Pugin authority Dr Roderick O'Donnell
Author: Michael Fried
Publisher: University of Chicago Press
ISBN: 9780226262178
Category : Art
Languages : en
Pages : 696
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"Fried put forward a highly original, beholder-centered account of the evolution of a central tradition in French painting from Chardin to Courbet."--P. [4] of cover.
Author: Noam M. Elcott
Publisher: University of Chicago Press
ISBN: 022632897X
Category : Art
Languages : en
Pages : 319
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Book Description
This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.
