Catalogue de tableaux des écoles de Flandre, de Hollande, d'Italie et de France, groupes et bustes en marbre, vases grecs, porcelaine montée, dessins encadrés et en feuille, provenant en grande partie du Château de J., et achetés dans les années 1810 à 1815 [1838]. PDF Download
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![Catalogue de tableaux des écoles de Flandre, de Hollande, d'Italie et de France, groupes et bustes en marbre, vases grecs, porcelaine montée, dessins encadrés et en feuille, provenant en grande partie du Château de J., et achetés dans les années 1810 à 1815 [1838]. PDF](https://books.google.com/books/content/images/frontcover/CkL5jgEACAAJ?fife=w150-h200)
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Languages : fr
Pages : 22
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![Catalogue de tableaux des écoles de Flandre, de Hollande, d'Italie et de France, groupes et bustes en marbre, vases grecs, porcelaine montée, dessins encadrés et en feuille, provenant en grande partie du Château de J., et achetés dans les années 1810 à 1815 [1838]. PDF](https://books.google.com/books/content/images/frontcover/CkL5jgEACAAJ?fife=w80-h100)
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Languages : fr
Pages : 22
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![Catalogue de tableaux des écoles d'Italie, de Flandres, de Hollande et de France, dessins, estampes montées, en feuilles et en recueiils, terres cuites, figures et vases en marbre, figures et pendules en bronze doré, Ivoire sculpté, pièces en albâtre et meubles curieux [1817]. PDF](https://books.google.com/books/content/images/frontcover/RknrjgEACAAJ?fife=w80-h100)
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Languages : fr
Pages : 31
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Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
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Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
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![Catalogue de tableaux precieux des écoles d'Italie, de Flandre, de Hollande et de France; bustes en marbre, gouaches montées, dessins en feuilles, riches meubles de marqueteries, par Boulle, et vieux laque; montres et pendules curieuses, pièces d'optique et d'astronomie, bijoux divers, etc. etc.; composant le cabinet de feu M. de Choiseul Praslin [1808]. PDF](https://books.google.com/books/content/images/frontcover/l13UjgEACAAJ?fife=w80-h100)
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Author: Elizabeth A. H. Cleland
Publisher: Metropolitan Museum of Art
ISBN: 0300208057
Category : Art
Languages : en
Pages : 416
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Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.
Author: British museum. Dept. of printed books
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Languages : en
Pages : 496
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![Catalogue des tableaux des écoles d'Italie, de Flandre, de Hollande et de France, dessins, recueils d'estampes... du cabinet de feu Mme ***... [Forestier]... Vente 27 nov. [1816]. PDF](https://books.google.com/books/content/images/frontcover/1beatwAACAAJ?fife=w80-h100)
Author: Madame Forestier
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Languages : fr
Pages : 24
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![Catalogue de tableaux des écoles d'Italie, de Flandres, de Hollande et de France; gouaches; dessins montés & non-montés, des trois écoles; estampes montées & en volumes ... & autres objets; formant le cabinet de M. de V... V... [1788]. PDF](https://books.google.com/books/content/images/frontcover/ctgNjwEACAAJ?fife=w80-h100)
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Languages : fr
Pages : 94
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Languages : en
Pages : 44
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