Library Catalog

Library Catalog PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060

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Library Catalog

Library Catalog PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060

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Book Description


Library Catalog of the Metropolitan Museum of Art, New York

Library Catalog of the Metropolitan Museum of Art, New York PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704

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The National Union Catalog, Pre-1956 Imprints

The National Union Catalog, Pre-1956 Imprints PDF Author:
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712

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Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700

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Catalog of Catalogs

Catalog of Catalogs PDF Author: William L. Gross
Publisher:
ISBN: 9789004398566
Category : Ausstellungskatalog
Languages : en
Pages : 0

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Book Description
Catalog of Catalogs documents nearly 2,300 temporary exhibition catalogs, 1876-2018, that include objects of Judaica. It provides highly-detailed indices of these publications' subjects, exhibited objects and geographical foci.

Répertoire Des Inventaires

Répertoire Des Inventaires PDF Author: Inventaire général des monuments et des richesses artistiques de la France
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 172

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The Spectacular Past

The Spectacular Past PDF Author: Maurice Samuels
Publisher: Cornell University Press
ISBN: 1501729837
Category : Literary Criticism
Languages : en
Pages : 297

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Book Description
Struggling to make sense of the Revolution of 1789, the French in the nineteenth century increasingly turned to visual forms of historical representation in a variety of media. Maurice Samuels shows how new kinds of popular entertainment introduced during and after the Revolution transformed the past into a spectacle. The wax display (in which visitors circulated amid life-size statues of historical figures), the phantasmagoria show (in which images of historical personages were projected onto smoke or invisible screens), and the panorama (in which spectators viewed giant circular canvases depicting historical scenes) employed new optical technologies to entice crowds of spectators. Such entertainments, Samuels asserts, provided bourgeois audiences with an illusion of mastery over the past, allowing them to picture their new role as historical agents.Samuels demonstrates how the spectacular mode of historical representation pervaded historiography, drama, and the novel during the Romantic period. He then argues that the early Realist fiction of Balzac and Stendhal emerged as a critique of the spectacular historical imagination. By investigating how postrevolutionary France envisioned the past, Samuels illuminates a vital moment in the cultural history of modernity.

The Historical Imagination

The Historical Imagination PDF Author: Robin George Collingwood
Publisher:
ISBN:
Category : Historiography
Languages : en
Pages : 30

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Biblical Antiquities

Biblical Antiquities PDF Author: Cyrus Adler
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 592

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Dutch Jewry in a Cultural Maelstrom, 1880-1940

Dutch Jewry in a Cultural Maelstrom, 1880-1940 PDF Author: Judith Frishman
Publisher: Amsterdam University Press
ISBN: 9052602689
Category : Social Science
Languages : en
Pages : 215

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Book Description
Not only the Jews but Dutch society at large was caught up in a cultural maelstrom between 1880 and 1940. In failing to form a separate pillar in a period when various population groups were doing just that, the Jews were certainly unlike contemporary Catholics or Protestants. In fact, the Jews were not trying to gain entrance in a pre-existing culture but were involved with non-Jews in constructing a new culture. The complexity of Dutch Jewish history once again becomes evident if not new. Judith Frishman is professor in the Faculty of Catholic Theology of Tilburg University (the Netherlands). Hetty Berg is curator and museum affairs manager of the Jewish Historical Museum, Amsterdam (the Netherlands).