Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1062
Book Description
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1062
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1062
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1292
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1292
Book Description
French Rococo Ébénisterie in the J. Paul Getty Museum
Author: Gillian Wilson
Publisher: J. Paul Getty Museum
ISBN: 9781606066300
Category : Design
Languages : en
Pages : 0
Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Publisher: J. Paul Getty Museum
ISBN: 9781606066300
Category : Design
Languages : en
Pages : 0
Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
The Canino Connections
Author: Ruurd Halbertsma
Publisher:
ISBN: 9789088905001
Category : Archaeology
Languages : en
Pages : 0
Book Description
Starting in the year 1828, Lucien Bonaparte, Prince of Canino, unearthed more than 2000 Greek vases on his estate near the ancient Etruscan town of Vulci. The vases were restored and found their way to archaeological collections all around the world. This volume publishes 10 papers by scholars of international repute dealing with these ceramics. The papers were presented in 2015 at a colloquium in the National Museum of Antiquities in Leiden, which acquired 96 vases from the Bonaparte collection in 1839. Specialists in the fields of museum history, Greek vase-painting, restoration and 19th century collecting practices from the Netherlands, France, Germany, Denmark, Austria, Italy and Russia have contributed to this volume, which offers the newest insights into the person of Lucien Bonaparte, his excavation practices, the history of restorations and the selling and buying of Greek ceramics in the 19th century. The results have helped to extend our knowledge of the collectors, traders and scholars, who were concerned with Greek vases during the 19th century. Their activities took place in a pivotal period, in which the black- and red figure ceramics, which had come to light in Italy during the previous centuries, were finally assigned to Greek craftsmanship instead of to Etruscan manufacture. The book also contains a concise photographic catalogue illustrating the highlights of the Leiden Canino collection.
Publisher:
ISBN: 9789088905001
Category : Archaeology
Languages : en
Pages : 0
Book Description
Starting in the year 1828, Lucien Bonaparte, Prince of Canino, unearthed more than 2000 Greek vases on his estate near the ancient Etruscan town of Vulci. The vases were restored and found their way to archaeological collections all around the world. This volume publishes 10 papers by scholars of international repute dealing with these ceramics. The papers were presented in 2015 at a colloquium in the National Museum of Antiquities in Leiden, which acquired 96 vases from the Bonaparte collection in 1839. Specialists in the fields of museum history, Greek vase-painting, restoration and 19th century collecting practices from the Netherlands, France, Germany, Denmark, Austria, Italy and Russia have contributed to this volume, which offers the newest insights into the person of Lucien Bonaparte, his excavation practices, the history of restorations and the selling and buying of Greek ceramics in the 19th century. The results have helped to extend our knowledge of the collectors, traders and scholars, who were concerned with Greek vases during the 19th century. Their activities took place in a pivotal period, in which the black- and red figure ceramics, which had come to light in Italy during the previous centuries, were finally assigned to Greek craftsmanship instead of to Etruscan manufacture. The book also contains a concise photographic catalogue illustrating the highlights of the Leiden Canino collection.
The Private Collection of Edgar Degas
Author: Julie A. Steiner
Publisher: Abrams
ISBN:
Category : Architecture
Languages : en
Pages : 160
Book Description
This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998.
Publisher: Abrams
ISBN:
Category : Architecture
Languages : en
Pages : 160
Book Description
This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998.
The Work of Art
Author: Anthea Callen
Publisher: Reaktion Books
ISBN: 178023418X
Category : Art
Languages : en
Pages : 338
Book Description
In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.
Publisher: Reaktion Books
ISBN: 178023418X
Category : Art
Languages : en
Pages : 338
Book Description
In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.
The Symbolist Roots of Modern Art
Author: Professor Michelle Facos
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472419626
Category : Art
Languages : en
Pages : 265
Book Description
The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472419626
Category : Art
Languages : en
Pages : 265
Book Description
The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Beyond Babylon
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392953
Category : Art, Ancient
Languages : en
Pages : 554
Book Description
This important volume describes the art created in the second millennium B.C. for royal palaces, temples, and tombs from Mesopotamia, Syria, and Anatolia to Cyprus, Egypt, and the Aegean.
Publisher: Metropolitan Museum of Art
ISBN: 1588392953
Category : Art, Ancient
Languages : en
Pages : 554
Book Description
This important volume describes the art created in the second millennium B.C. for royal palaces, temples, and tombs from Mesopotamia, Syria, and Anatolia to Cyprus, Egypt, and the Aegean.
Delacroix and the Rise of Modern Art
Author: Patrick J. Noon
Publisher: National Gallery London
ISBN: 9781857095753
Category : Art
Languages : en
Pages : 0
Book Description
A handsome volume exploring Delacroix's works, his artistic contemporaries, and the generations of great artists he inspired Eugène Delacroix (1789-1863), a dominant figure in 19th-century French art, was a complex and contradictory painter whose legacy is deep and enduring. This important, beautifully illustrated book considers Delacroix in his own time, alongside contemporaries such as Courbet, Fromentin, and the poet Charles Baudelaire, as well as his significant influence on successive generations of artists. Delacroix's paintings and his posthumously published Journals laid crucial groundwork for immediate successors including Cézanne, Degas, Manet, Monet, and Renoir. Later admirers including Seurat, Gauguin, Moreau, Redon, Van Gogh, and Matisse renewed the obsession with his work. Through essays and catalogue entries, the authors demonstrate how Delacroix became mentor and archetype to younger generations who sought direction for their own creative experiments, and found inspiration in Delacroix's brilliant use of color, audacious technique, and rebellious nature. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: Minneapolis Institute of Arts (10/18/15-01/10/16) National Gallery, London (02/17/16-05/22/16)
Publisher: National Gallery London
ISBN: 9781857095753
Category : Art
Languages : en
Pages : 0
Book Description
A handsome volume exploring Delacroix's works, his artistic contemporaries, and the generations of great artists he inspired Eugène Delacroix (1789-1863), a dominant figure in 19th-century French art, was a complex and contradictory painter whose legacy is deep and enduring. This important, beautifully illustrated book considers Delacroix in his own time, alongside contemporaries such as Courbet, Fromentin, and the poet Charles Baudelaire, as well as his significant influence on successive generations of artists. Delacroix's paintings and his posthumously published Journals laid crucial groundwork for immediate successors including Cézanne, Degas, Manet, Monet, and Renoir. Later admirers including Seurat, Gauguin, Moreau, Redon, Van Gogh, and Matisse renewed the obsession with his work. Through essays and catalogue entries, the authors demonstrate how Delacroix became mentor and archetype to younger generations who sought direction for their own creative experiments, and found inspiration in Delacroix's brilliant use of color, audacious technique, and rebellious nature. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: Minneapolis Institute of Arts (10/18/15-01/10/16) National Gallery, London (02/17/16-05/22/16)