Catalogue des objets d'art et d'antiquité

Catalogue des objets d'art et d'antiquité PDF Author: Lucien Wiener
Publisher:
ISBN:
Category :
Languages : fr
Pages : 28

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Catalogue des objets d'art et d'antiquité

Catalogue des objets d'art et d'antiquité PDF Author: Lucien Wiener
Publisher:
ISBN:
Category :
Languages : fr
Pages : 28

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Book Description


Catalogue

Catalogue PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028

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Catalogue of Works on the Fine Arts

Catalogue of Works on the Fine Arts PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388

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A Catalogue of Rare and Valuable Books on the Fine Arts

A Catalogue of Rare and Valuable Books on the Fine Arts PDF Author: Bernard Quaritch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 68

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CATALOGUE OF WORKS ON THE FINE ARTS

CATALOGUE OF WORKS ON THE FINE ARTS PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 394

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A Catalogue of ... [books] ...

A Catalogue of ... [books] ... PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1044

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Catalogues of Works on the Fine Arts... by Bernard Quaritch

Catalogues of Works on the Fine Arts... by Bernard Quaritch PDF Author: Bernard Quaritch
Publisher:
ISBN:
Category :
Languages : en
Pages : 384

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Castellani and Italian Archaeological Jewelry

Castellani and Italian Archaeological Jewelry PDF Author: Susan Weber Soros
Publisher: Yale University Press
ISBN: 0300104618
Category : Art
Languages : en
Pages : 436

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Book Description
During the nineteenth century in Rome, three generations of the Castellani family created what they called “Italian archaeological jewelry,” which was inspired by the precious Etruscan, Roman, Greek, and Byzantine antiquities being excavated at the time. The Castellani jewelry consisted of finely wrought gold that was often combined with delicate and colorful mosaics, carved gemstones, or enamel. This magnificent book is the first to display and discuss the jewelry and the family behind it. International scholars discuss the life and work of the Castellani, revealing the wide-ranging aspects of the family’s artistic and cultural activities. They describe the making and marketing of the jewelry, the survey collection of all periods of Italian jewelry on display in the Castellani’s palatial store, and the Castellani’s activities in the trade of antiquities, as they sponsored excavations, and restored, dealt, and exhibited antiques. They also recount the family’s involvement in the cultural and political life of their city and country.

Guide to Reprints

Guide to Reprints PDF Author:
Publisher:
ISBN:
Category : Editions
Languages : en
Pages : 988

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Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries

Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries PDF Author: Annetta Alexandridis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110757966
Category : Art
Languages : en
Pages : 620

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Book Description
Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.