Author: France. Groupe permanent interministériel sur l'enfance maltraitée
Publisher:
ISBN:
Category :
Languages : fr
Pages : 75

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Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0

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Author: Pierre Bourdieu
Publisher: Polity
ISBN: 0745646956
Category : History
Languages : en
Pages : 398

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In the late 1950s, like tens of thousands of young men of his generation, Pierre Bourdieu, having recently passed the agrégation in philosophy, found himself immersed in the Algerian war. Motivated by an impulse that, as he himself says, ‘was civic rather than political’, nothing seemed more important to him than to understand the Algerian situation and provide the elements that would enable others to come to an informed judgement about it. In extremely tough conditions and along with a small group of students, Bourdieu undertook a series of studies across an Algeria that was tightly patrolled by the army, leading him to discover the shocking reality of the resettlement camps and to analyse the mechanisms of destruction of Algerian society of which they were emblematic. To achieve the objectives he had set himself, Bourdieu had to carry out a genuine intellectual conversion, acquiring an ethnographic understanding of Algerian society, learning sociological analysis at a breakneck pace and inventing new instruments - both theoretical and empirical - that would enable him to understand the relations of domination specific to colonialism. These new tools also enabled him to analyse the nature of the crisis that the war had both produced and manifested. This unique volume brings together the first texts written by Bourdieu in the midst of the Algerian conflict, as well as later writings and interviews in which he returns to the topic of Algeria and the decisive role it played in the development of his work.

Author: Pierre Bourdieu
Publisher: John Wiley & Sons
ISBN: 0745681654
Category : Social Science
Languages : en
Pages : 456

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Much orthodox economic theory is based on assumptions which are treated as self-evident: supply and demand are regarded as independent entities, the individual is assumed to be a rational agent who knows his interests and how to make decisions corresponding to them, and so on. But one has only to examine an economic transaction closely, as Pierre Bourdieu does here for the buying and selling of houses, to see that these abstract assumptions cannot explain what happens in reality. As Bourdieu shows, the market is constructed by the state, which can decide, for example, whether to promote private housing or collective provision. And the individuals involved in the transaction are immersed in symbolic constructions which constitute, in a strong sense, the value of houses, neighbourhoods and towns. The abstract and illusory nature of the assumptions of orthodox economic theory has been criticised by some economists, but Bourdieu argues that we must go further. Supply, demand, the market and even the buyer and seller are products of a process of social construction, and so-called ‘economic' processes can be adequately described only by calling on sociological methods. Instead of seeing the two disciplines in antagonistic terms, it is time to recognize that sociology and economics are in fact part of a single discipline, the object of which is the analysis of social facts, of which economic transactions are in the end merely one aspect. This brilliant study by the most original sociologist of post-war France will be essential reading for students and scholars of sociology, economics, anthropology and related disciplines.

Author: Manthia Diawara
Publisher: Indiana University Press
ISBN: 9780253207074
Category : History
Languages : en
Pages : 212

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Manthia Diawara provides an insider's account of the history and current status of African cinema. African Cinema: Politics and Culture is the first extended study in English of Sub-Saharan cinema. Employing an interdisciplinary approach which draws on history, political science, economics, and cultural studies, Diawara discusses such issues as film production and distribution, and film aesthetics from the colonial period to the present. The book traces the growth of African cinema through the efforts of pioneer filmmakers such as Paulin Soumanou Vieyra, Oumarou Ganda, Jean-René Débrix, Jean Rouch, and Ousmane Sembène, the Pan-African Filmmakers' Organization (FEPACI), and the Ougadougou Pan-African Film Festival (FESPACO). Diwara focuses on the production and distribution histories of key films such as Ousmane Sembène's Black Girl and Mandabi (1968) and Souleymane Cissé's Fine (1982). He also examines the role of missionary films in Africa, Débrix's ideas concerning 'magic, ' the links between Yoruba theater and Nigerian cinema, and the parallels between Hindu mythologicals in India and the Yoruba-theater - inflected films in Nigeria. Diawara also looks at film and nationalism, film and popular culture, and the importance of FESPACO. African Cinema: Politics and Culture makes a major contribution to the expanding discussion of Eurocentrism, the canon, and multi-culturalism.

Author: Pierre Bourdieu
Publisher: Polity
ISBN: 0745635261
Category : Social sciences
Languages : en
Pages : 129

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Over the past four decades, French sociologist Pierre Bourdieu produced one of the most imaginative and subtle bodies of social theory of the postwar era. When he died in 2002, he was considered to be the most influential sociologist in the world and a thinker on a par with Foucault and Levi-Strauss - a public intellectual as important to his generation as Sartre was to his. Sketch for a Self-Analysis is the ultimate outcome of Bourdieu's lifelong preoccupation with reflexivity. Vehemently not an autobiography, this unique book is instead an application of Bourdieu's theories to his own life and intellectual trajectory; along the way it offers compelling and intimate insights into the most important French intellectuals of the time - including Foucault, Sartre, Aron, Althusser, and de Beauvoir - as well as Bourdieu's own formative experiences at boarding school and his moral outrage at the colonial war in Algeria.

Author: Thierry Smolderen
Publisher: Univ. Press of Mississippi
ISBN: 1617039098
Category : Literary Criticism
Languages : en
Pages : 175

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In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Töpffer, Gustave Doré, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images—satirical images in particular—were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form.

Author: Jean-François Bizot
Publisher:
ISBN: 9780500286050
Category : Black power
Languages : en
Pages : 255

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Book Description
Packed with words and graphics, this nostalgic tour de force illustrates and celebrates the 60s and 70s heyday of alternative magazine publishing in Europe and America, reproducing images from magazines both seminal and obscure whose influence continues to reverberate through culture, politics and society. It will be a must-buy for retro graphics fans and for anyone interested in 60s counterculture.

Author: Albert Memmi
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 205

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Book Description
In this memoir and extended meditation on Jewish identity and anti-Semitic stereotypes written in France in the early 1960s, Albert Memmi paints a portrait of himself as a secular Jew. The book has been compared to Rousseau’s Confessionsbecause of its meticulous self-examination. Written only 15 years after the end of the Nazi occupation and just over a decade after the establishment of the State of Israel,Portrait of a Jew is a snapshot in time as well as a work of psychology and sociology. It both questions prevailing myths about the Jews of his time and describes the reality Memmi sees. Its sequel is The Liberation of the Jew. Portrait of a Jew and The Liberation of the Jew “form a whole: the beginning and the outcome of a passionate quest. The first offers a diagnosis, the second a remedy. [...] Both are written with moving sincerity [...] As a personal document, Memmi’s introspective study is valuable. Thought-provoking and disturbing in the best sense of the word, it allows us to look into the tormented mind and soul of a distinguished Jewish writer who aspires to live honestly while belonging simultaneously to two worlds. His doubts and affirmations carry the weight of testimony.” — Elie Wiesel, The New York Times “Portrait of a Jew and The Liberation of the Jew [are] filled with a Jewish existentialism marked by quest for identity and self-affirmation far more psychological and sociological than traditionally religious.” — Richard Locke, The New York Times “A bitter, plangent autobiography written in dark colors and minor chords. It is purgative and painful reading, for it angers, outrages, and reduces the reader to lonely verbal combats. But when the din and dust has died away, the questions and statements are still there asserting themselves.” — Henrietta Buckmaster, The Christian Science Monitor

Author: Nikos E Mastorakis
Publisher: World Scientific
ISBN: 9814544280
Category :
Languages : en
Pages : 426

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Book Description
Recent Advances in Information Science and Technology brings you a balanced, state-of-the-art presentation of the latest concepts, methods, algorithms, techniques, procedures and applications of the fascinating field of Computer Science and Engineering. Written by eminent, leading, international experts, the contributors provide up-to-date aspects of topics discussed and present fresh, original insights into their own experience with Information Science and Technology.This rich “anthology of papers” which compose this volume, contains the latest developments and reflects the experience of many eminent researchers working in different environments (universities, research centers and industry).The book is composed of five parts:• Software Engineering in which new trends and recent scientific results in software engineering, data structures, algorithms, knowledge based systems, VLSI design, computer languages and industrial computer applications are presented.• Signal Processing in which modern topics in signal processing, identification, recognition, speech processing and detection are included.• Multi-Dimensional (m-D) Systems Theory and Applications which contains new research results in m-D systems theory and impressive applications of multidimensional systems mainly in signal processing.• Communication Systems containing modern topics of communication as Digital systems of communication, computer networks theory, ATM networks, optical networks, hybrid fibber coaxial networks, Internet etc.• Modern Numerical Techniques and Related Topics which covers some aspects of the modern computation science and technology.