Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 480

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Author: Thomas Rodd
Publisher: BoD – Books on Demand
ISBN: 3385615437
Category : Fiction
Languages : en
Pages : 610

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Reprint of the original, first published in 1837.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 616

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Author: Oliver Wunsch
Publisher: Penn State Press
ISBN: 0271096683
Category : Art
Languages : en
Pages : 191

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Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter, Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period’s reconceptualization of art. Drawing on sources ranging from eighteenth-century artists’ writings to twenty-first-century laboratory analyses, Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century’s end reimagined as the irreducible essence of art’s autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art’s meaning and purpose.

Author: sir John Charles Robinson
Publisher:
ISBN:
Category :
Languages : en
Pages : 348

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Author: George Watson-Taylor
Publisher:
ISBN:
Category :
Languages : en
Pages : 156

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Author: Anna Tummers
Publisher: Amsterdam University Press
ISBN: 9089640320
Category : Art
Languages : en
Pages : 192

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The question of whether seventeenth-century painters such as Rembrandt and Rubens were exclusively responsible for the paintings later sold under their names has caused many a heated debate. Despite the rise of scholarship on the history of the art market, much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed during this period, which leads to several provocative questions: did contemporary connoisseurs expect masters such as Rembrandt to paint works entirely by their own hand? Who was credited with the ability to assess paintings as genuine? The contributors to this engaging collection—Eric Jan Sluijter, Hans Van Miegroet, and Neil De Marchi, among them—trace these issues through the booming art market of the seventeenth and eighteenth centuries, arriving at fascinating and occasionally unexpected conclusions.

Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 784

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Author: Rochelle Ziskin
Publisher: Penn State Press
ISBN: 0271037857
Category : Art
Languages : en
Pages : 392

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"Explores the role of private art collections in the cultural, social, and political life of early eighteenth-century Paris. Examines how two principal groups of collectors, each associated with a different political faction, amassed different types of treasures and used them to establish social identities and compete for distinction"--Provided by publisher.

Author: J. Lewine
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 722

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