Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category : Painting
Languages : en
Pages : 256
Book Description
French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 2, Nineteenth Century
Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category : Painting
Languages : en
Pages : 256
Book Description
Publisher: Metropolitan Museum of Art
ISBN:
Category : Painting
Languages : en
Pages : 256
Book Description
Catalogue of the Pepys Library at Magdalene College, Cambridge III
Author: Eric Chamberlain
Publisher: Boydell & Brewer
ISBN: 9780859913324
Category : History
Languages : en
Pages : 296
Book Description
This volume consists primarily of a descriptive catalogue of the threealbums which Pepys entitled My Collection of Heads in Taille-Douce& Drawings...' (2978-2980), put together, according to the title-page, in 1700, three years before he died. To this has been added a catalogue of the much larger number of portraits to be found elsewhere in the Library, principally in the printed books. For convenience of reference this stray material has been conflated with the subject index of the albums. In this way all portraits in the Library are catalogued without obscuring the principles on which the albums were designed.ERIC CHAMBERLAIN was formerly keeper of prints at the Fitzwilliam Museum, Cambridge.
Publisher: Boydell & Brewer
ISBN: 9780859913324
Category : History
Languages : en
Pages : 296
Book Description
This volume consists primarily of a descriptive catalogue of the threealbums which Pepys entitled My Collection of Heads in Taille-Douce& Drawings...' (2978-2980), put together, according to the title-page, in 1700, three years before he died. To this has been added a catalogue of the much larger number of portraits to be found elsewhere in the Library, principally in the printed books. For convenience of reference this stray material has been conflated with the subject index of the albums. In this way all portraits in the Library are catalogued without obscuring the principles on which the albums were designed.ERIC CHAMBERLAIN was formerly keeper of prints at the Fitzwilliam Museum, Cambridge.
Peter Stent, London Printseller
Author: Alexander V. Globe
Publisher: UBC Press
ISBN: 0774841419
Category : Art
Languages : en
Pages : 354
Book Description
From the 15th century on, engravings influenced European culture almost as profoundly as books. Like stained glass windows in the Middle Ages or television today, popular prints were designed to reach even the lowest orders of society. In the 17th century, Peter Stent, whose shop stood outside Newgate, was England's most prolific seller of popular prints, maps, and copybooks to the working and rising middle classes. His inventory of copper plates reflected the shifts of popular tastes during this period and commented directly on the turbulent events of the day. In documenting Stent's output, Alexander Globe studied the printsellers' advertising catalogues as external controls for reconstructing inventories as well as indices to contemporary tastes. From these and other contemporary sources, Globe cites every engraving and book attributable to Stent, breaking down the material into types: portraits, maps, miscellaneous sheets, and books (including works on handwriting, politics, natural history, anatomy, costume, and architecture). References and additions are made to the catalogues of Donald Wing and A.M. Hind. Globe takes the history of engraving beyond Hind by including prints from the Commonwealth, Protectorate, and early Restoration periods. Eight appendices supplement the catalogue information. They provide evidence for print identificiation, discuss paper sizes, and list Stent's artists, suppliers, and business associates. All the collectiions in which Stent items may be found are named. The volume concludes with a bibliography and indices of subject as well as post-17th century authors. Globe's introduction to Stent's work is concerned with the social, political, and economic conditions leading to the emergence of a popular printseller who catered to a different clientele from that usually studied by art historians. Stent's career illustrates the mid-17th century commercial revolution which saw the artisan's customers change from the wealthy leisure class to the worker who wanted mass-produced cheap goods. Drawing on material in a hundred libraries and museums around the world, the catalogue describes over fifteen hundred engravings, including 319 sheets and five books of portraits, 42 maps, 102 miscellaneous prints and sets (with religious, classical, heeraldic, and satirical subjects), and 86 books (on handwriting, politics, military training, natural history, figure sketches, costume, architecture, and ornament). Richly illustrated with 319 plates, Peter Stent will prove valuable not only to print dealers, art historians, museums, and libraries, but also to social, cultural, and political historians.
Publisher: UBC Press
ISBN: 0774841419
Category : Art
Languages : en
Pages : 354
Book Description
From the 15th century on, engravings influenced European culture almost as profoundly as books. Like stained glass windows in the Middle Ages or television today, popular prints were designed to reach even the lowest orders of society. In the 17th century, Peter Stent, whose shop stood outside Newgate, was England's most prolific seller of popular prints, maps, and copybooks to the working and rising middle classes. His inventory of copper plates reflected the shifts of popular tastes during this period and commented directly on the turbulent events of the day. In documenting Stent's output, Alexander Globe studied the printsellers' advertising catalogues as external controls for reconstructing inventories as well as indices to contemporary tastes. From these and other contemporary sources, Globe cites every engraving and book attributable to Stent, breaking down the material into types: portraits, maps, miscellaneous sheets, and books (including works on handwriting, politics, natural history, anatomy, costume, and architecture). References and additions are made to the catalogues of Donald Wing and A.M. Hind. Globe takes the history of engraving beyond Hind by including prints from the Commonwealth, Protectorate, and early Restoration periods. Eight appendices supplement the catalogue information. They provide evidence for print identificiation, discuss paper sizes, and list Stent's artists, suppliers, and business associates. All the collectiions in which Stent items may be found are named. The volume concludes with a bibliography and indices of subject as well as post-17th century authors. Globe's introduction to Stent's work is concerned with the social, political, and economic conditions leading to the emergence of a popular printseller who catered to a different clientele from that usually studied by art historians. Stent's career illustrates the mid-17th century commercial revolution which saw the artisan's customers change from the wealthy leisure class to the worker who wanted mass-produced cheap goods. Drawing on material in a hundred libraries and museums around the world, the catalogue describes over fifteen hundred engravings, including 319 sheets and five books of portraits, 42 maps, 102 miscellaneous prints and sets (with religious, classical, heeraldic, and satirical subjects), and 86 books (on handwriting, politics, military training, natural history, figure sketches, costume, architecture, and ornament). Richly illustrated with 319 plates, Peter Stent will prove valuable not only to print dealers, art historians, museums, and libraries, but also to social, cultural, and political historians.
The Wrightsman Pictures
Author: Jayne Wrightsman
Publisher: Metropolitan Museum of Art
ISBN: 1588391442
Category : Art
Languages : en
Pages : 454
Book Description
This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.
Publisher: Metropolitan Museum of Art
ISBN: 1588391442
Category : Art
Languages : en
Pages : 454
Book Description
This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.
engraving in england in the sizteenth & seventeenth centuries- a descriptive catalogue with introductions
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 534
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 534
Book Description
Nadar: Collection Michel Et Michèle Auer
Author: Maria Morris Hambourg
Publisher: Metropolitan Museum of Art
ISBN: 0870997351
Category : Celebrities
Languages : en
Pages : 286
Book Description
Nadar, whose real name was Felix Tournachon (1820-1910), was a conspicuous, even astonishing presence in nineteenth-century France. Engaging and quick-witted, he invented himself over and over as a bohemian writer, a journalist, a romantic utopian, a caricaturist, a portrait photographer, a balloonist, an entrepreneur, a prophet of aeronautics. The name "Nadar" was on everyone's lips. Today, it is Nadar's photography that is remembered. His sitters, who were often his friends, included the great men and women of his time: Dumas, Rossini, Baudelaire, Sarah Bernhardt, Daumier, Berlioz, George Sand, Delacroix. Nadar's legendary name has been attached not only to his original photographs but to reprints, copies and a great deal of studio work. For that reason, this volume exactingly reproduces some one hundred photographs from the years 1854-60, the period of his earliest and finest photography, allowing viewers to become familiar with the subtle light and balanced, velvety tones that distinguish Nadar's original work. Accompanying the photographs are essays that shed new light on the many facets of Nadar.
Publisher: Metropolitan Museum of Art
ISBN: 0870997351
Category : Celebrities
Languages : en
Pages : 286
Book Description
Nadar, whose real name was Felix Tournachon (1820-1910), was a conspicuous, even astonishing presence in nineteenth-century France. Engaging and quick-witted, he invented himself over and over as a bohemian writer, a journalist, a romantic utopian, a caricaturist, a portrait photographer, a balloonist, an entrepreneur, a prophet of aeronautics. The name "Nadar" was on everyone's lips. Today, it is Nadar's photography that is remembered. His sitters, who were often his friends, included the great men and women of his time: Dumas, Rossini, Baudelaire, Sarah Bernhardt, Daumier, Berlioz, George Sand, Delacroix. Nadar's legendary name has been attached not only to his original photographs but to reprints, copies and a great deal of studio work. For that reason, this volume exactingly reproduces some one hundred photographs from the years 1854-60, the period of his earliest and finest photography, allowing viewers to become familiar with the subtle light and balanced, velvety tones that distinguish Nadar's original work. Accompanying the photographs are essays that shed new light on the many facets of Nadar.
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 980
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 980
Book Description
National Art Library Catalogue, Victoria and Albert Museum, London, England
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 814
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 814
Book Description
The World of the Haitian Revolution
Author: David Patrick Geggus
Publisher: Indiana University Press
ISBN: 0253220173
Category : History
Languages : en
Pages : 439
Book Description
These essays deepen our understanding of Haiti during the period from 1791 to 1815. They consider the colony's history and material culture as well as it 'free people of colour' and the events leading up to the revolution and its violent unfolding.
Publisher: Indiana University Press
ISBN: 0253220173
Category : History
Languages : en
Pages : 439
Book Description
These essays deepen our understanding of Haiti during the period from 1791 to 1815. They consider the colony's history and material culture as well as it 'free people of colour' and the events leading up to the revolution and its violent unfolding.
Catalogue
Author: Hispanic Society of America. Library
Publisher:
ISBN:
Category : Brazilian literature
Languages : en
Pages : 1022
Book Description
Publisher:
ISBN:
Category : Brazilian literature
Languages : en
Pages : 1022
Book Description