Author: William Billings
Publisher: Belknap Press
ISBN: 9780674188303
Category :
Languages : en
Pages : 220
Book Description
Title: The continental harmony: containing a number of anthems, fuges, and chorusses in several parts: never before published.Author: William BillingsPublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP03901200CollectionID: CTRG02-B215PublicationDate: 17940101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: Includes index. Error in paging: p. 168 misnumbered 198.Collation: 199, 1] p., 1] leaf of plates: ill., music; 13 x 23 cm
The Continental Harmony
Catalog of the Musical Works of William Billings
Author: Karl Kroeger
Publisher: Greenwood
ISBN: 031327827X
Category : Music
Languages : en
Pages : 0
Book Description
William Billings (1746-1800) was the most important native-born composer of the American colonial and Federal eras. He wrote hundreds of choral compositions, which were set to sacred or devotional texts for use by church choirs, singing schools, and musical societies. Extremely popular in his own time, Billings's music was denigrated during the nineteenth century when European styles governed American musical tastes. In the twentieth century his genius was recognized, and his music is widely sung and studied. Originally published in six tunebooks, the 338 extant pieces were issued in a scholarly edition by the American Musicological Society and The Colonial Society of Massachusetts as The Complete Works of William Billings (4 vols., 1977-1990). The present catalog complements the Complete Works by serving as a guide to its contents and providing a wealth of additional data. Included for each composition are exact title; text source; first line; technical information on length, meter, key, and melody; manuscript sources and contemporaneous reprints; bibliography and modern recordings. An extensive list of works cited is followed by five indexes providing access to the material in the catalog by first line of text, Billings's anthem titles, text sources, musical form (tune types), and musical incipits. The catalog provides for Billings's music information similar to that found in Schmeider's listings for Bach and Koechel's listings for Mozart.
Publisher: Greenwood
ISBN: 031327827X
Category : Music
Languages : en
Pages : 0
Book Description
William Billings (1746-1800) was the most important native-born composer of the American colonial and Federal eras. He wrote hundreds of choral compositions, which were set to sacred or devotional texts for use by church choirs, singing schools, and musical societies. Extremely popular in his own time, Billings's music was denigrated during the nineteenth century when European styles governed American musical tastes. In the twentieth century his genius was recognized, and his music is widely sung and studied. Originally published in six tunebooks, the 338 extant pieces were issued in a scholarly edition by the American Musicological Society and The Colonial Society of Massachusetts as The Complete Works of William Billings (4 vols., 1977-1990). The present catalog complements the Complete Works by serving as a guide to its contents and providing a wealth of additional data. Included for each composition are exact title; text source; first line; technical information on length, meter, key, and melody; manuscript sources and contemporaneous reprints; bibliography and modern recordings. An extensive list of works cited is followed by five indexes providing access to the material in the catalog by first line of text, Billings's anthem titles, text sources, musical form (tune types), and musical incipits. The catalog provides for Billings's music information similar to that found in Schmeider's listings for Bach and Koechel's listings for Mozart.
The Suffolk Harmony,
Author: William Billings
Publisher:
ISBN:
Category : Anthems
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Anthems
Languages : en
Pages : 72
Book Description
Music Theory Resource Book
Author: Harold Owen
Publisher: Oxford University Press, USA
ISBN: 9780195115390
Category : Music
Languages : en
Pages : 260
Book Description
"Music Theory Resource Book covers topics not usually found in standard theory texts including basic acoustics, contrapuntal techniques, jazz harmony, musics from non-Western cultures, and music since 1950."--BOOK JACKET.
Publisher: Oxford University Press, USA
ISBN: 9780195115390
Category : Music
Languages : en
Pages : 260
Book Description
"Music Theory Resource Book covers topics not usually found in standard theory texts including basic acoustics, contrapuntal techniques, jazz harmony, musics from non-Western cultures, and music since 1950."--BOOK JACKET.
Historical Dictionary of Music of the Classical Period
Author: Bertil van Boer
Publisher: Scarecrow Press
ISBN: 0810873869
Category : Music
Languages : en
Pages : 665
Book Description
When we speak of “classical music” it often refers rather loosely to serious “art” music but at the core is really the music of the classical period running from about 1730 to 1800, give or take. This was truly one of the most glorious periods for both composition and performance and it is this classical music which is still at the core of today’s repertoire. Obvious names connected with this period are Haydn, Mozart and Beethoven, but there were many more still reasonably well known like Gluck and C.P.E Bach, and dozens more who are regrettably little known today. This Historical Dictionary of Music of the Classical Period includes not only these composers, but also eminent conductors and performers, patrons, and publishers. There are also dictionary entries on major centers of music-making, typical instruments, important technical terms, and emerging musical forms, including the symphony and opera. Indeed, with a 1,000 cross-referenced entries, there is information on most matters of interest. This is prefaced by an extensive chronology, tracing the course of this period from year to year, and an introduction taking a careful look at the period as a whole. Finally, there is a substantial bibliography. Surely, this is a book which will appeal not only to students and researchers but all music-lovers.
Publisher: Scarecrow Press
ISBN: 0810873869
Category : Music
Languages : en
Pages : 665
Book Description
When we speak of “classical music” it often refers rather loosely to serious “art” music but at the core is really the music of the classical period running from about 1730 to 1800, give or take. This was truly one of the most glorious periods for both composition and performance and it is this classical music which is still at the core of today’s repertoire. Obvious names connected with this period are Haydn, Mozart and Beethoven, but there were many more still reasonably well known like Gluck and C.P.E Bach, and dozens more who are regrettably little known today. This Historical Dictionary of Music of the Classical Period includes not only these composers, but also eminent conductors and performers, patrons, and publishers. There are also dictionary entries on major centers of music-making, typical instruments, important technical terms, and emerging musical forms, including the symphony and opera. Indeed, with a 1,000 cross-referenced entries, there is information on most matters of interest. This is prefaced by an extensive chronology, tracing the course of this period from year to year, and an introduction taking a careful look at the period as a whole. Finally, there is a substantial bibliography. Surely, this is a book which will appeal not only to students and researchers but all music-lovers.
Mavericks and Other Traditions in American Music
Author: Michael Broyles
Publisher: Yale University Press
ISBN: 0300127898
Category : Music
Languages : en
Pages : 397
Book Description
From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself. Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music—classical, popular, and jazz—and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.
Publisher: Yale University Press
ISBN: 0300127898
Category : Music
Languages : en
Pages : 397
Book Description
From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself. Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music—classical, popular, and jazz—and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.
The American Musical Landscape
Author: Richard Crawford
Publisher: Univ of California Press
ISBN: 0520224825
Category : Biography & Autobiography
Languages : en
Pages : 403
Book Description
"This book reflects a breakthrough in American music studies, an unrecognized field among traditional musicologists until the past few decades, during which enormous progress has been made in documenting three centuries of American musical activities and figures. Time and effort had to be expended exclusively on the development of basic historical studies. The time has come for a new phase, one that can take a creative, interpretive approach. Professor Crawford's study will introduce this higher level of scholarship into the field of American music studies."—Vivian Perlis, author of Charles Ives Remembered "A major statement by a senior scholar on what American musicology is all about. . . These themes are also topical; they come at a time when much more research is being done in American music, but little thought is being given to the big picture, the vision, the philosophy, and the implications of historical research. Now is the time for a synthesis, and there are few scholars better equipped to do that in American music than Richard Crawford."—Michael Broyles, author of Music of the Highest Class
Publisher: Univ of California Press
ISBN: 0520224825
Category : Biography & Autobiography
Languages : en
Pages : 403
Book Description
"This book reflects a breakthrough in American music studies, an unrecognized field among traditional musicologists until the past few decades, during which enormous progress has been made in documenting three centuries of American musical activities and figures. Time and effort had to be expended exclusively on the development of basic historical studies. The time has come for a new phase, one that can take a creative, interpretive approach. Professor Crawford's study will introduce this higher level of scholarship into the field of American music studies."—Vivian Perlis, author of Charles Ives Remembered "A major statement by a senior scholar on what American musicology is all about. . . These themes are also topical; they come at a time when much more research is being done in American music, but little thought is being given to the big picture, the vision, the philosophy, and the implications of historical research. Now is the time for a synthesis, and there are few scholars better equipped to do that in American music than Richard Crawford."—Michael Broyles, author of Music of the Highest Class
The Singing Book
Author: Cynthia Vaughn
Publisher: W. W. Norton
ISBN: 9780393937923
Category : Recorded accompaniments (Voice)
Languages : en
Pages : 0
Book Description
Taking a "Sing First, Talk Later" approach, The Singing Book gets students singing from the very first day. Combining a simple introduction to basic vocal technique with confidence-building exercises and imaginative repertoire--with 30 new songs--The Singing Book teaches beginners the vocal skills they need to get started, gives them exciting music to sing, and provides the tools they need to develop the voice and keep it healthy. A new recordings disc included free with every new book provides the melodies and accompaniments for all 78 songs for practice and performance.
Publisher: W. W. Norton
ISBN: 9780393937923
Category : Recorded accompaniments (Voice)
Languages : en
Pages : 0
Book Description
Taking a "Sing First, Talk Later" approach, The Singing Book gets students singing from the very first day. Combining a simple introduction to basic vocal technique with confidence-building exercises and imaginative repertoire--with 30 new songs--The Singing Book teaches beginners the vocal skills they need to get started, gives them exciting music to sing, and provides the tools they need to develop the voice and keep it healthy. A new recordings disc included free with every new book provides the melodies and accompaniments for all 78 songs for practice and performance.
Sourcebook for Research in Music, Third Edition
Author: Allen Scott
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
The Sacred Harp
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description