Casual Cosplay PDF Download
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Author: Krystal Everdeen
Publisher: Simon and Schuster
ISBN: 1982150599
Category : Crafts & Hobbies
Languages : en
Pages : 144
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Book Description
"Channel your favorite movie character and add a little magic to your everyday wardrobe with this enchanting and illuminating guide to casual cosplay"--
Author: Krystal Everdeen
Publisher: Simon and Schuster
ISBN: 1982150599
Category : Crafts & Hobbies
Languages : en
Pages : 144
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Book Description
"Channel your favorite movie character and add a little magic to your everyday wardrobe with this enchanting and illuminating guide to casual cosplay"--
Author: Andrew Liptak
Publisher: Simon and Schuster
ISBN: 1534455841
Category : Social Science
Languages : en
Pages : 368
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Book Description
A history of the colorful and complex kingdom of cosplay and fandom fashion by Andrew Liptak, journalist, historian, and member of the legendary fan-based Star Wars organization the 501st Legion. In recent years, cosplay—the practice of dressing up in costume as a character—has exploded, becoming a mainstream cultural phenomenon. But what are the circumstances that made its rise possible? Andrew Liptak—a member of the legendary 501st Legion, an international fan-based organization dedicated to the dark side of Star Wars—delves into the origins and culture of cosplay to answer this question. Cosplay: A History looks at the practice’s ever-growing fandom and conventions, its roots in 15th-century costuming, the relationship between franchises and the cosplayers they inspire, and the technology that brings even the most intricate details in these costumes to life. Cosplay veterans and newcomers alike will find much to relish in this rich and comprehensive history.
Author: Emma Pett
Publisher: Bloomsbury Publishing USA
ISBN: 1501352067
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
Film is often conceived as a medium that is watched rather than experienced. Existing studies of film audiences, and of media reception more broadly, have revealed the complexity of viewing practices and cultures surrounding cinema-going and its exhibition spaces. Experiencing Cinema offers the first in-depth study of participant engagement with a range of experiential media forms derived from cinema culture. From sing-a-long screenings to theatrical extravaganzas, a broad spectrum of alternative film-going practices and immersive spaces are explored and analysed in this original audience study. Moving from intimate community gatherings to blockbuster urban venues, from isolated farmhouses to Olympic stadia, Experiencing Cinema considers the lure and value of these popular events. Often attracting a diverse, intergenerational range of participants, from early-adopter urban hipsters to DIY rural communities, the growing demand for participatory cinema within the contemporary marketplace is analysed alongside broader debates circulating around the move away from traditional tiered seating and increased audience mobility and the de-centring of the film text.
Author: John D. Ciorciari
Publisher: University of Michigan Press
ISBN: 047205497X
Category : Social Science
Languages : en
Pages : 333
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Book Description
The Courteous Power seeks to provide a nuanced view of the current relationship between Japan and Southeast Asia. Much of the current scholarship on East–Southeast Asian engagement has focused on the multidimensional chess game playing out between China and Japan, as the dominant post-imperialist powers. Alternatively, there has been renewed attention on ASEAN and other Southeast Asian–centered initiatives, explicitly minimizing the influence of East Asia in the region. Given the urgency of understanding the careful balance in the Indo-Pacific region, this volume brings together scholars to examine the history and current engagement from a variety of perspectives, ranging from economic and political, to the cultural and technological, while also focusing more clearly on the specific relationship between the region and Japan.
Author: Suzanne Scott
Publisher: NYU Press
ISBN: 1479838608
Category : Social Science
Languages : en
Pages : 302
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Book Description
Reveals the systematic marginalization of women within pop culture fan communities When Ghostbusters returned to the screen in 2016, some male fans of the original film boycotted the all-female adaptation of the cult classic, turning to Twitter to express their disapproval and making it clear that they considered the film’s “real” fans to be white, straight men. While extreme, these responses are far from unusual, with similar uproars around the female protagonists of the new Star Wars films to full-fledged geek culture wars and harassment campaigns, as exemplified by the #GamerGate controversy that began in 2014. Over the past decade, fan and geek culture has moved from the margins to the mainstream as fans have become tastemakers and promotional partners, with fan art transformed into official merchandise and fan fiction launching new franchises. But this shift has left some people behind. Suzanne Scott points to the ways in which the “men’s rights” movement and antifeminist pushback against “social justice warriors” connect to new mainstream fandom, where female casting in geek-nostalgia reboots is vilified and historically feminized forms of fan engagement—like cosplay and fan fiction—are treated as less worthy than male-dominant expressions of fandom like collection, possession, and cataloguing. While this gender bias harkens back to the origins of fandom itself, Fake Geek Girls contends that the current view of women in fandom as either inauthentic masqueraders or unwelcome interlopers has been tacitly endorsed by Hollywood franchises and the viewer demographics they selectively champion. It offers a view into the inner workings of how digital fan culture converges with old media and its biases in new and novel ways.
Author: Benjamin Linley Wild
Publisher: Bloomsbury Publishing
ISBN: 1350015016
Category : Design
Languages : en
Pages : 225
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Book Description
Shortlisted for the Association of Dress Historians Book of the Year Award, 2021 From West African masquerades to Venetian carnivals and New York society galas, fancy dress has long been used to convey important social and political messages. The only form of clothing that all people, regardless of gender, race, class or sexuality are likely to wear at some point in their lives, fancy dress is a symbol of both escapism and protest; it stands for a vision of fantasy and fun, while also confronting the reality of cultural stereotypes. Exploring all the allure, playfulness and daring of dressing up, Carnival to Catwalk takes the reader on a fascinating journey through the global history of fancy dress. Drawing on a treasure-trove of textual and visual resources, the book encompasses Halloween festivities and transvestite clubs, Mardi Gras parades and gatherings at Versailles, revealing how fancy dress has long been used to celebrate as well as to disguise individual identity. Vividly chronicling evidence from the Middle Ages to the modern day, cultural historian Benjamin Wild throws open the historical dressing-up box and demonstrates the enduring appeal of fancy dress, as it becomes an increasingly central part of modern couture and clothing design. Meticulously researched and beautifully illustrated, Carnival to Catwalk is a remarkable resource for scholars, students and costume enthusiasts alike.
Author: Judith Stephens
Publisher: Running Press Adult
ISBN: 0762486600
Category : Crafts & Hobbies
Languages : en
Pages : 467
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Book Description
The cosplay producer and co-creator of the Women Of Marvel podcast weaves together the history of Marvel cosplay with practical tips, advice, and instructions on how-to create your own cosplays based on popular Marvel heroes Black Panther, Captain America, Ms. Marvel, Ironheart, Phoenix, and Loki. An officially licensed guide to learning about and creating Marvel cosplays, Cosplay the Marvel Way walks readers through every step of the creative process—from choosing a character, gathering your materials and tools, building your cosplay using items in your closet or from the thrift store, and showing off their new look at a convention or photoshoot. Whether you are just starting out or have a whole closet jam-packed with amazing cosplays, this book is perfect for anyone Marvel fans that are interested in or love dressing up as their favorite super heroes. Cosplay the Marvel Way is a reminder that cosplay is more than making and putting on a costume–it’s about community, about finding who you are, and expressing it through the intersection of comics and fashion.
Author: James Hannon
Publisher: AuthorHouse
ISBN: 1546247114
Category : Biography & Autobiography
Languages : en
Pages : 411
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Book Description
COSPLAY - Its a word that invokes a multitude of reactions and explanations. From comic conventions, to charity events, to movie premieres and parades, there are people donning the costumes and personas of every character from comics, video games, pop culture, and even internet memes. And behind the masks and tights of this costumed community are everyday people - doctors, lawyers, police officers, firefighters, soldiers, and a lot of computer professionals of all ages, genders and races. Author James Hannon introduces you to a cross-section of costumers, and takes you behind-the-scenes of cosplay life over the last decade. From the small niche of early Star Trek and Star Wars costumers to the modern cosplayer community, meet the people who have been there along the way. ANATOMY OF A COSPLAYER has everything you ever wanted to know about cosplaying, but didnt know (or were too afraid) to ask. Learn about the costumers - the how and why they got into this hobby. Read about some of the larger costumed organizations, and their impact on the community and fandoms worldwide. Join others on their individual cosplay adventures and learn how they deal with the changing environment, costuming skill development, and what it really takes to survive a convention. Hear from over 70 cosplayers as they honestly tell of their experiences, good and bad, within this silly, yet rewarding thing we call COSPLAY
Author: Elizabeth Affuso
Publisher: University of Michigan Press
ISBN: 0472903381
Category : Social Science
Languages : en
Pages : 295
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Book Description
In recent years, geeks have become chic, and the fashion and beauty industries have responded to this trend with a plethora of fashion-forward merchandise aimed at the increasingly lucrative fan demographic. This mainstreaming of fan identity is reflected in the glut of pop culture T-shirts lining the aisles of big box retailers as well as the proliferation of fan-focused lifestyle brands and digital retailers over the past decade. While fashion and beauty have long been integrated into the media industry with tie-in lines, franchise products, and other forms of merchandise, there has been limited study of fans’ relationship to these items and industries. Sartorial Fandom shines a spotlight on the fashion and beauty cultures that undergird fandoms, considering the retailers, branded products, and fan-made objects that serve as forms of identity expression. This collection is invested in the subcultural and mainstream expression of style and in the spaces where the two intersect. Fan culture is, in many respects, an optimal space to situate a study of style because fandom itself is often situated between the subcultural and the mainstream. Collectively, the chapters in this anthology explore how various axes of lived identity interact with a growing movement to consider fandom as a lifestyle category, ultimately contending that sartorial practices are central to fan expression but also indicative of the primacy of fandom in contemporary taste cultures.
Author: Ellen Kirkpatrick
Publisher: punctum books
ISBN: 1685711081
Category : Literary Criticism
Languages : en
Pages : 415
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Book Description
Superhero meaning making is a site of struggle. Superheroes (are thought to) trouble borders and normative ways of seeing and being in the world. Superhero narratives (are thought to) represent, and thereby inspire, alternative visions of the real world. The superhero genre is (thought to be) a repository for radical or progressive ideas. In the superhero world and beyond, much is made of the genre's utopian and dystopian landscapes, queer identity-play, and transforming bodies, but might it not be the case that the genre's overblown normative framing, or representation, serves to muzzle, rather than express, its protagonists' radical promise? Why, when set against otherwise unbounded, and often extreme, transformation-human to machine, human to animal, human to god-are certain categories seemingly untouchable? Why does this speculative genre routinely fail to fully speculate about other worlds and ways of being in those worlds? For all their nonconformity, superhero stories do not live up to the idea of a radical genre, in look, feel, or tone. The mainstream American superhero genre, and its surrounding discourses, tells and facilitates an astonishingly seamless tale of opposing ideologies. But how? Recovering the Radical Promise of Superheroes: Un/Making Worlds serves a speculative response, detailing not so much a hunt for genre meaning as a trip through a genre's meaningscape. Looking anew at superhero meaning-making practices allows a distinct way of thinking about and describing the creative, formal, and ideological conditions of the genre and its protagonists, one removed from corralling binaries, one foregrounding the idea of a synergy-often unseen, uneasy, and even hostile-between official and unofficial agents of superhero meaning and one reframing familiar questions: What kinds of meaning do superhero texts engender? How is this meaning made? By whom and under what conditions? What processes and practices inform, regulate, and extend superhero meaning? And finally, superhero narratives present a new question: How might we reimagine its agents, surfaces, and spaces? Centering the experiences and practices of excluded and marginalized superhero fans, Recovering the Radical Promise of Superheroes reveals that genre meaning is not lodged in one place or another, neither in its official creators or fans, nor in "black and white" conservatism or in a "rainbow" of progressive possibilities. Nor is it even located somewhere in the in-between; it is instead better conceived of as an antagonistic, in-process nexus of meaning undergirded by systems of power. Ellen Kirkpatrick, based in northern Ireland, is an activist-writer with a PhD in Cultural Studies. In her work, she writes about activism, pop culture, fan cultures, and the transformative power of storytelling. She has published work in a range of academic journals and media outlets and her writings and work can be found at The Break and on Twitter @elk_dash.
