Author: Aaron Hughes
Publisher:
ISBN: 9781732734562
Category : Art
Languages : en
Pages : 0
Book Description
A bold statement for those living within the industrial prison complex, realized in block prints of the Universal Declaration of Human Rights. Inside prisons across the U.S., incarcerated people struggle everyday for their basic rights, claiming again and again their status as human beings. Here, within the largest democracy in the world (conditional though it may be), incarcerated people suffer indignities from terrible living conditions to physical and sexual violence, all under the aegis of justice. As a tool to discuss the limits and ideals of human rights within a carceral state, artists at Stateville Prison, who struggle daily for their own human rights, created block prints of each article in the Universal Declaration of Human Rights. The process of drawing, carving, and inking each print created the time and space for artists to critique and reflect on the ways the declaration is simultaneously aspirational, strategic, and fraught with the legacy of the violence of its founding states. For universal human rights to be relevant, it is essential that the most impacted people be heard and their vision of human rights centered. This book features the 30 brilliantly crafted prints presented alongside the corresponding articles from the declaration. The artists and authors ask essential questions of what it means to build a culture of human rights from below rather than institute rights from above. What happens when people denied their rights, begin to reimagine and carve them out once again? This project was inspired by Meredith Stern's Universal Declaration of Human Rights print project and developed in a class taught by Aaron Hughes through the Prison + Neighborhood Arts/Education Project.
Carving Out Rights from Inside the Prison Industrial Complex
Author: Aaron Hughes
Publisher:
ISBN: 9781732734562
Category : Art
Languages : en
Pages : 0
Book Description
A bold statement for those living within the industrial prison complex, realized in block prints of the Universal Declaration of Human Rights. Inside prisons across the U.S., incarcerated people struggle everyday for their basic rights, claiming again and again their status as human beings. Here, within the largest democracy in the world (conditional though it may be), incarcerated people suffer indignities from terrible living conditions to physical and sexual violence, all under the aegis of justice. As a tool to discuss the limits and ideals of human rights within a carceral state, artists at Stateville Prison, who struggle daily for their own human rights, created block prints of each article in the Universal Declaration of Human Rights. The process of drawing, carving, and inking each print created the time and space for artists to critique and reflect on the ways the declaration is simultaneously aspirational, strategic, and fraught with the legacy of the violence of its founding states. For universal human rights to be relevant, it is essential that the most impacted people be heard and their vision of human rights centered. This book features the 30 brilliantly crafted prints presented alongside the corresponding articles from the declaration. The artists and authors ask essential questions of what it means to build a culture of human rights from below rather than institute rights from above. What happens when people denied their rights, begin to reimagine and carve them out once again? This project was inspired by Meredith Stern's Universal Declaration of Human Rights print project and developed in a class taught by Aaron Hughes through the Prison + Neighborhood Arts/Education Project.
Publisher:
ISBN: 9781732734562
Category : Art
Languages : en
Pages : 0
Book Description
A bold statement for those living within the industrial prison complex, realized in block prints of the Universal Declaration of Human Rights. Inside prisons across the U.S., incarcerated people struggle everyday for their basic rights, claiming again and again their status as human beings. Here, within the largest democracy in the world (conditional though it may be), incarcerated people suffer indignities from terrible living conditions to physical and sexual violence, all under the aegis of justice. As a tool to discuss the limits and ideals of human rights within a carceral state, artists at Stateville Prison, who struggle daily for their own human rights, created block prints of each article in the Universal Declaration of Human Rights. The process of drawing, carving, and inking each print created the time and space for artists to critique and reflect on the ways the declaration is simultaneously aspirational, strategic, and fraught with the legacy of the violence of its founding states. For universal human rights to be relevant, it is essential that the most impacted people be heard and their vision of human rights centered. This book features the 30 brilliantly crafted prints presented alongside the corresponding articles from the declaration. The artists and authors ask essential questions of what it means to build a culture of human rights from below rather than institute rights from above. What happens when people denied their rights, begin to reimagine and carve them out once again? This project was inspired by Meredith Stern's Universal Declaration of Human Rights print project and developed in a class taught by Aaron Hughes through the Prison + Neighborhood Arts/Education Project.
Carving the Human Figure
Author: Dick Onians
Publisher:
ISBN: 9781861081797
Category : Art
Languages : en
Pages : 0
Book Description
The human figure is the most important subject in sculpture. In this practical introduction the emphasis is on carving in wood, but sculptors in other media will find it equally valuable. Male and female figures are included, plus drapery, and stylised and abstract carving. Basic human anatomy, including heads, torsos, knees and hands, is covered as well as carving whole figures.
Publisher:
ISBN: 9781861081797
Category : Art
Languages : en
Pages : 0
Book Description
The human figure is the most important subject in sculpture. In this practical introduction the emphasis is on carving in wood, but sculptors in other media will find it equally valuable. Male and female figures are included, plus drapery, and stylised and abstract carving. Basic human anatomy, including heads, torsos, knees and hands, is covered as well as carving whole figures.
Carving Out a Future
Author: A. B. Cunningham
Publisher: Earthscan
ISBN: 184407045X
Category : Wood-carving industry
Languages : en
Pages : 307
Book Description
Very little has yet been written about the cultural or economic contributions of woodcarving to people's livelihoods or the consequences of felling hardwood and softwood trees for the international woodcarving trade. Carving Out a Future is the first examination of this trade and its critical links to rural livelihoods, biodiversity, conservation, forestry and the international trade regime. A range of case studies from Australia, Bali, India,Africa and Mexico provides a lens for examining the critical issues relating to the significant impacts of woodcarving on forests, conservation efforts, the need to promote sustainable rural livelihoods and efforts to promote trade so that skilled artisans in developing countries get a fair economic return.Livelihoods, Carving and Conservation * Global Overview * The Case of Woodcarving in Kenya * Drums and Hornbills * Sculpture and Identity * Carving Wood in Southern Zimbabwe * The Kiaat Woodcrafters of Bushbuckridge, South Africa * Carvers, Conservation and Certification in India * Colour, Sustainability and Market Sense in Bali * Aboriginal Woodcarvers in Australia * BurseraWoodcarving in Oaxaca, Mexico * Linaloe Wood Handicrafts * Learning from a Comparison of Cases * Carving, Sustainability and Scarcity * Certification of Woodcarving * Planning for Woodcarving in the 21st Century *
Publisher: Earthscan
ISBN: 184407045X
Category : Wood-carving industry
Languages : en
Pages : 307
Book Description
Very little has yet been written about the cultural or economic contributions of woodcarving to people's livelihoods or the consequences of felling hardwood and softwood trees for the international woodcarving trade. Carving Out a Future is the first examination of this trade and its critical links to rural livelihoods, biodiversity, conservation, forestry and the international trade regime. A range of case studies from Australia, Bali, India,Africa and Mexico provides a lens for examining the critical issues relating to the significant impacts of woodcarving on forests, conservation efforts, the need to promote sustainable rural livelihoods and efforts to promote trade so that skilled artisans in developing countries get a fair economic return.Livelihoods, Carving and Conservation * Global Overview * The Case of Woodcarving in Kenya * Drums and Hornbills * Sculpture and Identity * Carving Wood in Southern Zimbabwe * The Kiaat Woodcrafters of Bushbuckridge, South Africa * Carvers, Conservation and Certification in India * Colour, Sustainability and Market Sense in Bali * Aboriginal Woodcarvers in Australia * BurseraWoodcarving in Oaxaca, Mexico * Linaloe Wood Handicrafts * Learning from a Comparison of Cases * Carving, Sustainability and Scarcity * Certification of Woodcarving * Planning for Woodcarving in the 21st Century *
Carving Out a Future
Author: Brian Belcher
Publisher: Routledge
ISBN: 1136570160
Category : Nature
Languages : en
Pages : 317
Book Description
Very little has yet been written about the cultural or economic contributions of woodcarving to people's livelihoods or the consequences of felling hardwood and softwood trees for the international woodcarving trade. Carving Out a Future is the first examination of this trade and its critical links to rural livelihoods, biodiversity, conservation, forestry and the international trade regime. A range of case studies from Australia, Bali, India,Africa and Mexico provides a lens for examining the critical issues relating to the significant impacts of woodcarving on forests, conservation efforts, the need to promote sustainable rural livelihoods and efforts to promote trade so that skilled artisans in developing countries get a fair economic return. Livelihoods, Carving and Conservation * Global Overview * The Case of Woodcarving in Kenya * Drums and Hornbills * Sculpture and Identity * Carving Wood in Southern Zimbabwe * The Kiaat Woodcrafters of Bushbuckridge, South Africa * Carvers, Conservation and Certification in India * Colour, Sustainability and Market Sense in Bali * Aboriginal Woodcarvers in Australia * BurseraWoodcarving in Oaxaca, Mexico * Linaloe Wood Handicrafts * Learning from a Comparison of Cases * Carving, Sustainability and Scarcity * Certification of Woodcarving * Planning for Woodcarving in the 21st Century *
Publisher: Routledge
ISBN: 1136570160
Category : Nature
Languages : en
Pages : 317
Book Description
Very little has yet been written about the cultural or economic contributions of woodcarving to people's livelihoods or the consequences of felling hardwood and softwood trees for the international woodcarving trade. Carving Out a Future is the first examination of this trade and its critical links to rural livelihoods, biodiversity, conservation, forestry and the international trade regime. A range of case studies from Australia, Bali, India,Africa and Mexico provides a lens for examining the critical issues relating to the significant impacts of woodcarving on forests, conservation efforts, the need to promote sustainable rural livelihoods and efforts to promote trade so that skilled artisans in developing countries get a fair economic return. Livelihoods, Carving and Conservation * Global Overview * The Case of Woodcarving in Kenya * Drums and Hornbills * Sculpture and Identity * Carving Wood in Southern Zimbabwe * The Kiaat Woodcrafters of Bushbuckridge, South Africa * Carvers, Conservation and Certification in India * Colour, Sustainability and Market Sense in Bali * Aboriginal Woodcarvers in Australia * BurseraWoodcarving in Oaxaca, Mexico * Linaloe Wood Handicrafts * Learning from a Comparison of Cases * Carving, Sustainability and Scarcity * Certification of Woodcarving * Planning for Woodcarving in the 21st Century *
Carving the Human Face
Author: Jeff Phares
Publisher: Fox Chapel Publishing Company Incorporated
ISBN: 9781565234246
Category : Crafts & Hobbies
Languages : en
Pages : 143
Book Description
A complete guide to creating realistic portraits in wood from a champion carver. Learn the techniques for carving hair, skin, muscle and more. Following a step-by-step project with more than 350 color photos and 50 drawings that provide useful anatomical references, you'll be guided to completely sculpt the piercing features of a Native American warrior wearing a wolf headdress.
Publisher: Fox Chapel Publishing Company Incorporated
ISBN: 9781565234246
Category : Crafts & Hobbies
Languages : en
Pages : 143
Book Description
A complete guide to creating realistic portraits in wood from a champion carver. Learn the techniques for carving hair, skin, muscle and more. Following a step-by-step project with more than 350 color photos and 50 drawings that provide useful anatomical references, you'll be guided to completely sculpt the piercing features of a Native American warrior wearing a wolf headdress.
Art Made from Books
Author:
Publisher: Chronicle Books
ISBN: 1452129460
Category : Art
Languages : en
Pages : 177
Book Description
Artists around the world have lately been turning to their bookshelves for more than just a good read, opting to cut, paint, carve, stitch or otherwise transform the printed page into whole new beautiful, thought-provoking works of art. Art Made from Books is the definitive guide to this compelling art form, showcasing groundbreaking work by today's most showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each portfolio celebrates the incredible creative diversity of the medium. A preface by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn round out the collection.
Publisher: Chronicle Books
ISBN: 1452129460
Category : Art
Languages : en
Pages : 177
Book Description
Artists around the world have lately been turning to their bookshelves for more than just a good read, opting to cut, paint, carve, stitch or otherwise transform the printed page into whole new beautiful, thought-provoking works of art. Art Made from Books is the definitive guide to this compelling art form, showcasing groundbreaking work by today's most showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each portfolio celebrates the incredible creative diversity of the medium. A preface by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn round out the collection.
Carving Out the Commons
Author: Amanda Huron
Publisher: U of Minnesota Press
ISBN: 145295643X
Category : Social Science
Languages : en
Pages : 283
Book Description
An investigation of the practice of “commoning” in urban housing and its necessity for challenging economic injustice in our rapidly gentrifying cities Provoked by mass evictions and the onset of gentrification in the 1970s, tenants in Washington, D.C., began forming cooperative organizations to collectively purchase and manage their apartment buildings. These tenants were creating a commons, taking a resource—housing—that had been used to extract profit from them and reshaping it as a resource that was collectively owned by them. In Carving Out the Commons, Amanda Huron theorizes the practice of urban “commoning” through a close investigation of the city’s limited-equity housing cooperatives. Drawing on feminist and anticapitalist perspectives, Huron asks whether a commons can work in a city where land and other resources are scarce and how strangers who may not share a past or future come together to create and maintain commonly held spaces in the midst of capitalism. Arguing against the romanticization of the commons, she instead positions the urban commons as a pragmatic practice. Through the practice of commoning, she contends, we can learn to build communities to challenge capitalism’s totalizing claims over life.
Publisher: U of Minnesota Press
ISBN: 145295643X
Category : Social Science
Languages : en
Pages : 283
Book Description
An investigation of the practice of “commoning” in urban housing and its necessity for challenging economic injustice in our rapidly gentrifying cities Provoked by mass evictions and the onset of gentrification in the 1970s, tenants in Washington, D.C., began forming cooperative organizations to collectively purchase and manage their apartment buildings. These tenants were creating a commons, taking a resource—housing—that had been used to extract profit from them and reshaping it as a resource that was collectively owned by them. In Carving Out the Commons, Amanda Huron theorizes the practice of urban “commoning” through a close investigation of the city’s limited-equity housing cooperatives. Drawing on feminist and anticapitalist perspectives, Huron asks whether a commons can work in a city where land and other resources are scarce and how strangers who may not share a past or future come together to create and maintain commonly held spaces in the midst of capitalism. Arguing against the romanticization of the commons, she instead positions the urban commons as a pragmatic practice. Through the practice of commoning, she contends, we can learn to build communities to challenge capitalism’s totalizing claims over life.
Mobilizing Mutations
Author: Daniel Navon
Publisher: University of Chicago Press
ISBN: 022663809X
Category : Medical
Languages : en
Pages : 409
Book Description
With every passing year, more and more people learn that they or their young or unborn child carries a genetic mutation. But what does this mean for the way we understand a person? Today, genetic mutations are being used to diagnose novel conditions like the XYY, Fragile X, NGLY1 mutation, and 22q11.2 Deletion syndromes, carving out rich new categories of human disease and difference. Daniel Navon calls this form of categorization “genomic designation,” and in Mobilizing Mutations he shows how mutations, and the social factors that surround them, are reshaping human classification. Drawing on a wealth of fieldwork and historical material, Navon presents a sociological account of the ways genetic mutations have been mobilized and transformed in the sixty years since it became possible to see abnormal human genomes, providing a new vista onto the myriad ways contemporary genetic testing can transform people’s lives. Taking us inside these shifting worlds of research and advocacy over the last half century, Navon reveals the ways in which knowledge about genetic mutations can redefine what it means to be ill, different, and ultimately, human.
Publisher: University of Chicago Press
ISBN: 022663809X
Category : Medical
Languages : en
Pages : 409
Book Description
With every passing year, more and more people learn that they or their young or unborn child carries a genetic mutation. But what does this mean for the way we understand a person? Today, genetic mutations are being used to diagnose novel conditions like the XYY, Fragile X, NGLY1 mutation, and 22q11.2 Deletion syndromes, carving out rich new categories of human disease and difference. Daniel Navon calls this form of categorization “genomic designation,” and in Mobilizing Mutations he shows how mutations, and the social factors that surround them, are reshaping human classification. Drawing on a wealth of fieldwork and historical material, Navon presents a sociological account of the ways genetic mutations have been mobilized and transformed in the sixty years since it became possible to see abnormal human genomes, providing a new vista onto the myriad ways contemporary genetic testing can transform people’s lives. Taking us inside these shifting worlds of research and advocacy over the last half century, Navon reveals the ways in which knowledge about genetic mutations can redefine what it means to be ill, different, and ultimately, human.
What It Means to Be Human
Author: O. Carter Snead
Publisher: Harvard University Press
ISBN: 0674987721
Category : Law
Languages : en
Pages : 337
Book Description
A Wall Street Journal Top Ten Book of the Year A First Things Books for Christmas Selection Winner of the Expanded Reason Award “This important work of moral philosophy argues that we are, first and foremost, embodied beings, and that public policy must recognize the limits and gifts that this entails.” —Wall Street Journal The natural limits of the human body make us vulnerable and dependent on others. Yet law and policy concerning biomedical research and the practice of medicine frequently disregard these stubborn facts. What It Means to Be Human makes the case for a new paradigm, one that better reflects the gifts and challenges of being human. O. Carter Snead proposes a framework for public bioethics rooted in a vision of human identity and flourishing that supports those who are profoundly vulnerable and dependent—children, the disabled, and the elderly. He addresses three complex public matters: abortion, assisted reproductive technology, and end-of-life decisions. Avoiding typical dichotomies of conservative-liberal and secular-religious, Snead recasts debates within his framework of embodiment and dependence. He concludes that if the law is built on premises that reflect our lived experience, it will provide support for the vulnerable. “This remarkable and insightful account of contemporary public bioethics and its individualist assumptions is indispensable reading for anyone with bioethical concerns.” —Alasdair MacIntyre, author of After Virtue “A brilliantly insightful book about how American law has enshrined individual autonomy as the highest moral good...Highly thought-provoking.” —Francis Fukuyama, author of Identity
Publisher: Harvard University Press
ISBN: 0674987721
Category : Law
Languages : en
Pages : 337
Book Description
A Wall Street Journal Top Ten Book of the Year A First Things Books for Christmas Selection Winner of the Expanded Reason Award “This important work of moral philosophy argues that we are, first and foremost, embodied beings, and that public policy must recognize the limits and gifts that this entails.” —Wall Street Journal The natural limits of the human body make us vulnerable and dependent on others. Yet law and policy concerning biomedical research and the practice of medicine frequently disregard these stubborn facts. What It Means to Be Human makes the case for a new paradigm, one that better reflects the gifts and challenges of being human. O. Carter Snead proposes a framework for public bioethics rooted in a vision of human identity and flourishing that supports those who are profoundly vulnerable and dependent—children, the disabled, and the elderly. He addresses three complex public matters: abortion, assisted reproductive technology, and end-of-life decisions. Avoiding typical dichotomies of conservative-liberal and secular-religious, Snead recasts debates within his framework of embodiment and dependence. He concludes that if the law is built on premises that reflect our lived experience, it will provide support for the vulnerable. “This remarkable and insightful account of contemporary public bioethics and its individualist assumptions is indispensable reading for anyone with bioethical concerns.” —Alasdair MacIntyre, author of After Virtue “A brilliantly insightful book about how American law has enshrined individual autonomy as the highest moral good...Highly thought-provoking.” —Francis Fukuyama, author of Identity
Carving Realistic Animals with Power
Author: Frank C. Russell
Publisher: Schiffer Pub Limited
ISBN: 9780887406379
Category : Crafts & Hobbies
Languages : en
Pages : 64
Book Description
Every power tool and technique necessary for capturing animals in wood, with concise instructions and never-before demonstrated techniques and carving sequences for transforming a block of wood into a life-like animal. With 150 full-color photographs, every step is illustrated. Twelve project plans are provided: a bear, bobcat, bison, elephant, fox, giraffe, horse, rabbit, squirrel, tiger, whitetail deer and wolf.
Publisher: Schiffer Pub Limited
ISBN: 9780887406379
Category : Crafts & Hobbies
Languages : en
Pages : 64
Book Description
Every power tool and technique necessary for capturing animals in wood, with concise instructions and never-before demonstrated techniques and carving sequences for transforming a block of wood into a life-like animal. With 150 full-color photographs, every step is illustrated. Twelve project plans are provided: a bear, bobcat, bison, elephant, fox, giraffe, horse, rabbit, squirrel, tiger, whitetail deer and wolf.