Carnival Theater PDF Download
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Author: Gustavo Remedi
Publisher: U of Minnesota Press
ISBN: 9781452904498
Category : Carnival
Languages : en
Pages : 314
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Book Description
Author: Gustavo Remedi
Publisher: U of Minnesota Press
ISBN: 9781452904498
Category : Carnival
Languages : en
Pages : 314
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Book Description
Author: Michael D. Bristol
Publisher: Routledge
ISBN: 1317748301
Category : History
Languages : en
Pages : 218
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Book Description
In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England.
Author: John Vacha
Publisher: Kent State University Press
ISBN: 9780873387989
Category : History
Languages : en
Pages : 164
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Book Description
Spotting a trend in the early 1950s of staging summer theater in the round under tents, Clevelander John L. Price Jr. decided to give it a try. Consulting a local statistician to determine the geographical center of the culturally inclined population, the bull's-eye fell in Warrensville Heights, a Cleveland suburb that was also the home to Thistledown Race Track. Price opened his Musicarnival there, on the grounds of the race track, with a production of Oklahoma! in the summer of 1954. The Music Went 'Round and Around tells the story of this unique summer theater and of its ebullient founder, John L. Price Jr. Price's venture was one of the last commercial legitimate theaters established in Cleveland. In its heyday the Musicar-nival had a capacity of 2500 and presented an average of eight to ten shows each summer. The backbone of the repertoire consisted of such musical classics as Carousel; Kiss Me, Kate; Wonderful Town; Fanny; Paint Your Wagon; and The Unsinkable Molly Brown. The summer schedule also featured popular solo acts, such as Louis Armstrong, Henny Youngman, Tom Jones, and even burlesque. Occasionally Price tried to sneak in an opera, letting the popular shows support these operatic flings. For the first eleven seasons Price principally used a resident stock company, occasionally bringing in a visiting star, if available and right for the role. Toward the end of the 1960s, however, Price was forced to adopt the star system to keep his tent filled. Dropping the stock company, he brought in packaged productions generally headlined by popular singing or television stars. Both offerings had strong followings, and Musicarnival kept the torch of musical theater burning brightly in Cleveland until 1975, when declining attendance finally forced its closing. The Music Went 'Round and Around is the first book in the Cleveland Showtime Series.
Author: Konrad Eisenbichler
Publisher: Rodopi
ISBN: 9789042005655
Category : Drama
Languages : en
Pages : 314
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Book Description
From the Fool to the Wildman, from the irate Reformer to the festive Masqueraders, this collection of articles offers a variety of topics, approaches, and agendas in the study of early modern European theatre. With samplings from Scandinavia, Germany, England, France, the Iberian peninsula, and even the New World, this collection also spans time, from the late fifteenth century to the present. In the process, Carnival and the carnivalesque are examined from archival, Bakhtinian, cultural, and even political points of view. The articles in this collection reveal the variety and inherent vitality of scholarship in early modern theatre. The thirteen essays have been selected from presentations made at the Eighth Triennial Congress of the Société Internationale pour l'Etude du Théâtre Médiéval held in Toronto (1995), under the auspices of the Records of Early English Drama project and Victoria University in the University of Toronto.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1040
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Book Description
Author: Jennifer Atkins
Publisher: LSU Press
ISBN: 0807167576
Category : History
Languages : en
Pages : 254
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Book Description
As Jennifer Atkins suggests in New Orleans Carnival Balls, Mardi Gras has a secret side. After masking and parading through the streets, krewes retreat to theaters, convention centers, and banquet halls to spend the evening at lavish balls where krewe members could cultivate their sense of fraternity and celebrate their shared values. Atkins uses the concept of dance as a lens for examining Carnival, allowing her to delve deeper into the historical context and distinctive rituals of Mardi Gras in New Orleans. Dancing is a particularly illuminating social practice, and by using it to probe into old-line festivities, Atkins is able to decode the mysterious rituals that have mostly remained secret. Beyond presenting readers with a new means of thinking about Mardi Gras, Atkins’s work situates dance as culturally and socially relevant to historical inquiry, contributing to our understanding of the usefulness of dance in examining the past.
Author: Errol Hill
Publisher:
ISBN:
Category : History
Languages : en
Pages : 192
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Book Description
Author: Marian Popescu
Publisher:
ISBN:
Category : Romanian drama
Languages : en
Pages : 228
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Book Description
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 228
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Book Description
Author: Les Standiford
Publisher: University Press of Florida
ISBN: 081306340X
Category : History
Languages : en
Pages : 247
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Book Description
Discover how one spectacular building project revolutionized Miami, how one man's moxie helped turn a fractious tropical city into a cultural capital of the Americas. In Center of Dreams, New York Times bestselling author Les Standiford tells the inspiring story of the Adrienne Arsht Center for the Performing Arts. The vision for this building, which would become the most ambitious cultural arts complex since the Kennedy Center, began in an unlikely place and time. Miami in the 1970s was divided by social and ethnic tensions. The city comprised a growing population of immigrants from the Cuban revolution, a well-established African American community, Florida "crackers," and a continual influx of tourists and retirees. Critics said a cultural center would never be possible in a place of such extreme diversity. But Parker Thomson, a lawyer and Boston transplant, knew his adopted city could become a world-leading community in the twenty-first century. He believed a performing arts center was critical to this vision. Everyone said his dream was impossible, he would never succeed, it couldn't be done. Not in Miami. But Thomson persevered against political opposition, economic roadblocks, and engineering problems. It took thirty years to overcome the odds and the obstacles, but he finally made the dream a reality. With Thomson's efforts, along with help from cultural leaders, iconic design work by architect Cesar Pelli, and support from philanthropist Adrienne Arsht, the center opened its doors in 2006 with a star-studded gala. Today the Arsht Center is a cutting-edge venue of style and art, a landmark beloved by the city's residents, and a magnet for tourists from all over the world. Presenting performances that celebrate the richness of Miami's diverse population, it showcases emerging local artists and attracts international stars. Resident companies include the New World Symphony, the Florida Grand Opera, and the Miami City Ballet. Its improbable story is a testament to the influence of cultural advocacy, the importance of government support for the arts, and the power of the arts to repair and sustain communities.
