Caricature and French Political Culture 1830-1848 PDF Download
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Author: David S. Kerr
Publisher: Clarendon Press
ISBN: 0191543047
Category : History
Languages : en
Pages : 254
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Book Description
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.
Author: David S. Kerr
Publisher: Clarendon Press
ISBN: 0191543047
Category : History
Languages : en
Pages : 254
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Book Description
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.
Author: Robert Justin Goldstein
Publisher: Springer
ISBN: 1137316497
Category : History
Languages : en
Pages : 288
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Book Description
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Author: Graham Huggan
Publisher: Liverpool University Press
ISBN: 1846318149
Category : Social Science
Languages : en
Pages : 225
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Book Description
Racism Postcolonialism Europe turns the postcolonial critical gaze that had previously been most likely to train itself on regions other than Europe, and sometimes those perceived to be most culturally or geographically distant from Europe, back on Europe itself. The book argues that racism is alive and dangerously well in Europe, and examines this racism through the lens of postcolonial criticism. Postcolonial racism can be a racism of reaction, based on the perceived threat to traditional social and cultural identities; or a racism of (false) respect, based on mainstream liberals' desire to hold at arm's length 'different' cultures they are anxious not to offend. Most of all, postcolonial racism, at least within the contemporary European context, is a racism of surveillance, whereby 'foreigners' become 'aliens', 'protection' disguises 'preference', and 'cultural difference' slides into 'racial stigmatization' --all in the interests of representing the European people, which is a very different entity to the European population as a whole. Boasting a broad multidisciplinary approach and a range of distinguished contributors - including Philomena Essed, Michel Wieviorka and Griselda Pollock - Racism Postcolonialism Europe will be required reading for scholars and students of race, postcolonial studies, sociology, European history and literary and cultural studies.
Author: James Lachlan MacLeod
Publisher: Arcadia Publishing
ISBN: 1439659451
Category : History
Languages : en
Pages : 157
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Book Description
Karl Kae Knecht's name is synonymous with the city of Evansville. As editorial cartoonist for the Evansville Courier, he amused readers and spurred them to a higher social good. He mocked the Axis powers and kept local morale high during World War II and commented daily on issues from the Great Depression to the Space Race. He also worked tirelessly as a civic booster. Knecht helped establish Evansville College and was almost single-handedly responsible for the establishment of Mesker Park Zoo. In this absorbing account, illustrated with over seventy cartoons, University of Evansville historian James Lachlan MacLeod tells the fascinating story of Knecht's life and analyzes his cartooning genius.
Author: Rolf Reichardt
Publisher: Reaktion Books
ISBN: 9781861893123
Category : Art
Languages : en
Pages : 304
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Book Description
The authors explore the complex, many-faceted visual culture of the French Revolution, which took place in a period characterised by the creation of a new visual language steeped in metaphor, symbol and allegory.
Author: Martyn Lyons
Publisher: University of Toronto Press
ISBN: 1442692030
Category : History
Languages : en
Pages : 265
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Book Description
Between about 1830 and the outbreak of the First World War, print culture, reading, and writing transformed cultural life in Western Europe in many significant ways. Book production and consumption increased dramatically, and practices such as letter- and diary-writing were widespread. This study demonstrates the importance of the nineteenth century in French cultural change and illustrates the changing priorities and concerns of l'histoire du livre since the 1970s. From the 1830s on, book production experienced an industrial revolution which led to the emergence of a mass literary culture by the close of the century. At the same time, the western world acquired mass literacy. New categories of readers became part of the reading public while western society also learned to write. Reading Culture and Writing Practices in Nineteenth-Century France examines how the concerns of historians have shifted from a search for statistical sources to more qualitative assessments of readers' responses. Martyn Lyons argues that autobiographical sources are vitally important to this investigation and he considers examples of the intimate and everyday writings of ordinary people. Featuring original and intriguing insights as well as references to material hitherto inaccessible to English readers, this study presents a form of 'history from below' with emphasis on the individual reader and writer, and his or her experiences and perceptions.
Author: Amy Wiese Forbes
Publisher: Rowman & Littlefield
ISBN: 9780739129456
Category : History
Languages : en
Pages : 328
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Book Description
"Where do democratic political practices originate? This issue has long concerned republics, but few historians have studied the process by which people learn the skills of rights-based government. In this illuminating history, Amy Wiese Forbes addresses these origins by analyzing how republicanism took shape through the political satire that flooded French newspapers, theaters, courtrooms, and even academic life in 1830. Forbes shows that satire was the chief source of the critical spirit of republicanism that erupted in the 1840s and sustained the Republic in the 1870s and argues against the notion that satire had no lasting political impact. This book will speak to historians of French politics, republicanism, popular culture, the July Monarchy, satire and political humor, class and gender formation, and legal history." --Book Jacket.
Author: Émile Souvestre
Publisher: Wesleyan University Press
ISBN: 9780819566157
Category : Fiction
Languages : en
Pages : 284
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Book Description
The first future dystopia in modern European literature, now available in English.
Author: Patricia Mainardi
Publisher: Yale University Press
ISBN: 0300223781
Category : Design
Languages : en
Pages : 305
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Book Description
The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media—including comics, caricature, the illustrated press, illustrated books, and popular prints—tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the international art market, and encouraged the cross-fertilization of media, subjects, and styles. Patricia Mainardi examines scores of imaginative and innovative prints, focusing on highly experimental moments of discovery, when artists and publishers tested the limits of each new medium, creating visual languages that extend to the comics and graphic novels of today. Another World unearths a wealth of visual material, revealing a history of how our image-saturated world came into being, and situating the study of print culture firmly within the context of art history.
Author: Iris Moon
Publisher: Bloomsbury Publishing USA
ISBN: 150134840X
Category : Art
Languages : en
Pages : 403
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Book Description
The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the eclectic objects and forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and printmakers, as they worked out what it meant to be “post-revolutionary.”
