Author: Saundra McClain
Publisher: Taylor & Francis
ISBN: 1040028055
Category : Performing Arts
Languages : en
Pages : 210
Book Description
Career Paths of African American Directors is a collection of in-depth conversations with African American directors. These conversations provide an insightful overview of the interviewees’ work and artistic vision and explore their personal influences, aesthetic philosophies, directorial styles, and some of the creative successes they achieved while navigating the obstacles, challenges, and biases encountered while establishing their careers in American theatre. The directors are presented with similar core questions as well as pertinent questions related to their own aesthetics, philosophy, and career. Often, these selected directors’ productions are grounded in a non-European aesthetic and philosophy, and their directorial styles are refracted through the prisms of ethnicity, gender, race, and culture, thus bringing a fresh approach to their work and the art of directing. Career Paths of African American Directors will be of interest to actors, early career and established directors, and students of Acting, Directing, and Theatre Studies.
Career Paths of African American Directors
Author: Saundra McClain
Publisher: Taylor & Francis
ISBN: 1040028055
Category : Performing Arts
Languages : en
Pages : 210
Book Description
Career Paths of African American Directors is a collection of in-depth conversations with African American directors. These conversations provide an insightful overview of the interviewees’ work and artistic vision and explore their personal influences, aesthetic philosophies, directorial styles, and some of the creative successes they achieved while navigating the obstacles, challenges, and biases encountered while establishing their careers in American theatre. The directors are presented with similar core questions as well as pertinent questions related to their own aesthetics, philosophy, and career. Often, these selected directors’ productions are grounded in a non-European aesthetic and philosophy, and their directorial styles are refracted through the prisms of ethnicity, gender, race, and culture, thus bringing a fresh approach to their work and the art of directing. Career Paths of African American Directors will be of interest to actors, early career and established directors, and students of Acting, Directing, and Theatre Studies.
Publisher: Taylor & Francis
ISBN: 1040028055
Category : Performing Arts
Languages : en
Pages : 210
Book Description
Career Paths of African American Directors is a collection of in-depth conversations with African American directors. These conversations provide an insightful overview of the interviewees’ work and artistic vision and explore their personal influences, aesthetic philosophies, directorial styles, and some of the creative successes they achieved while navigating the obstacles, challenges, and biases encountered while establishing their careers in American theatre. The directors are presented with similar core questions as well as pertinent questions related to their own aesthetics, philosophy, and career. Often, these selected directors’ productions are grounded in a non-European aesthetic and philosophy, and their directorial styles are refracted through the prisms of ethnicity, gender, race, and culture, thus bringing a fresh approach to their work and the art of directing. Career Paths of African American Directors will be of interest to actors, early career and established directors, and students of Acting, Directing, and Theatre Studies.
The Hollywood Jim Crow
Author: Maryann Erigha
Publisher: NYU Press
ISBN: 1479886645
Category : Social Science
Languages : en
Pages : 234
Book Description
The story of racial hierarchy in the American film industry The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn’t believe that Denzel Washington could “open” a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In The Hollywood Jim Crow, Maryann Erigha tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. She examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining “the Hollywood Jim Crow.” Unlike the Jim Crow era where ideas about innate racial inferiority and superiority were the grounds for segregation, Hollywood’s version tries to use economic and cultural explanations to justify the underrepresentation and stigmatization of Black filmmakers. Erigha exposes the key elements at work in maintaining Hollywood’s racial hierarchy, namely the relationship between genre and race, the ghettoization of Black directors to black films, and how Blackness is perceived by the Hollywood producers and studios who decide what gets made and who gets to make it. Erigha questions the notion that increased representation of African Americans behind the camera is the sole answer to the racial inequality gap. Instead, she suggests focusing on the obstacles to integration for African American film directors. Hollywood movies have an expansive reach and exert tremendous power in the national and global production, distribution, and exhibition of popular culture. The Hollywood Jim Crow fully dissects the racial inequality embedded in this industry, looking at alternative ways for African Americans to find success in Hollywood and suggesting how they can band together to forge their own career paths.
Publisher: NYU Press
ISBN: 1479886645
Category : Social Science
Languages : en
Pages : 234
Book Description
The story of racial hierarchy in the American film industry The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn’t believe that Denzel Washington could “open” a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In The Hollywood Jim Crow, Maryann Erigha tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. She examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining “the Hollywood Jim Crow.” Unlike the Jim Crow era where ideas about innate racial inferiority and superiority were the grounds for segregation, Hollywood’s version tries to use economic and cultural explanations to justify the underrepresentation and stigmatization of Black filmmakers. Erigha exposes the key elements at work in maintaining Hollywood’s racial hierarchy, namely the relationship between genre and race, the ghettoization of Black directors to black films, and how Blackness is perceived by the Hollywood producers and studios who decide what gets made and who gets to make it. Erigha questions the notion that increased representation of African Americans behind the camera is the sole answer to the racial inequality gap. Instead, she suggests focusing on the obstacles to integration for African American film directors. Hollywood movies have an expansive reach and exert tremendous power in the national and global production, distribution, and exhibition of popular culture. The Hollywood Jim Crow fully dissects the racial inequality embedded in this industry, looking at alternative ways for African Americans to find success in Hollywood and suggesting how they can band together to forge their own career paths.
Redefining Black Film
Author: Mark A. Reid
Publisher: Univ of California Press
ISBN: 9780520912847
Category : Performing Arts
Languages : en
Pages : 194
Book Description
Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid's discussion of black independent films—defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks—ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community. In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces. Reid's innovative critical approach, which transcends the "black-image" language of earlier studies—and at the same time redefines black film—makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.
Publisher: Univ of California Press
ISBN: 9780520912847
Category : Performing Arts
Languages : en
Pages : 194
Book Description
Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid's discussion of black independent films—defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks—ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community. In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces. Reid's innovative critical approach, which transcends the "black-image" language of earlier studies—and at the same time redefines black film—makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.
The 50 Most Influential Black Films
Author: Torriano Berry
Publisher: Citadel Press
ISBN: 9780806521336
Category : Performing Arts
Languages : en
Pages : 324
Book Description
A plentifully illustrated guide to the most popular and socially significant movies made for, by, and about African Americans from 1900 to today. Also includes incisive interviews with Hollywood greats such as Ossie Davis and Ivan Dixon.
Publisher: Citadel Press
ISBN: 9780806521336
Category : Performing Arts
Languages : en
Pages : 324
Book Description
A plentifully illustrated guide to the most popular and socially significant movies made for, by, and about African Americans from 1900 to today. Also includes incisive interviews with Hollywood greats such as Ossie Davis and Ivan Dixon.
Career Paths of African American Directors
Author: SAUNDRA. TURNER DAVIES MCCLAIN (CLINTON.)
Publisher: Routledge
ISBN: 9781032420295
Category :
Languages : en
Pages : 0
Book Description
Career Paths of African American Directors is a collection of in-depth conversations with African American directors. These conversations provide an insightful overview of the interviewees' work and artistic vision and explore their personal influences, aesthetic philosophies, directorial styles, and some of the creative successes they achieved while navigating the obstacles, challenges, and biases encountered while establishing their careers in American theatre. The directors are presented with similar core questions as well as pertinent questions related to their own aesthetics, philosophy, and career. Often, these selected directors' productions are grounded in a non-European aesthetic and philosophy, and their directorial styles are refracted through the prisms of ethnicity, gender, race, and culture, thus bringing a fresh approach to their work and the art of directing. Career Paths of African American Directors will be of interest to actors, early career and established directors, and students of Acting, Directing, and Theatre Studies.
Publisher: Routledge
ISBN: 9781032420295
Category :
Languages : en
Pages : 0
Book Description
Career Paths of African American Directors is a collection of in-depth conversations with African American directors. These conversations provide an insightful overview of the interviewees' work and artistic vision and explore their personal influences, aesthetic philosophies, directorial styles, and some of the creative successes they achieved while navigating the obstacles, challenges, and biases encountered while establishing their careers in American theatre. The directors are presented with similar core questions as well as pertinent questions related to their own aesthetics, philosophy, and career. Often, these selected directors' productions are grounded in a non-European aesthetic and philosophy, and their directorial styles are refracted through the prisms of ethnicity, gender, race, and culture, thus bringing a fresh approach to their work and the art of directing. Career Paths of African American Directors will be of interest to actors, early career and established directors, and students of Acting, Directing, and Theatre Studies.
Diversity in the Power Elite
Author: Richard L. Zweigenhaft
Publisher: Rowman & Littlefield
ISBN: 1538103389
Category : Social Science
Languages : en
Pages : 297
Book Description
Diversity in the Power Elite is a provocative analysis of the diversity that exists—and doesn’t exist—among America’s powerful people. Richard L. Zweigenhaft and G. William Domhoff examine the progress that has been made, and where progress has stalled, for women, African Americans, Latino/as, Asian Americans, LGBTQ people, and Jewish people among what C. Wright Mills called the “power elite,” or those with significant financial or political influence in the U.S. The third edition of this classic text has been fully revised and updated throughout. It highlights examples of profound change, including the presidential election of Barack Obama, the nation’s first black president, as well as the growing acceptance of LGBTQ people. And it also highlights the many ways that the promise of diversity has stalled or fallen short—that the playing field for non-white males and women is far from level. Filled with case studies that illuminate deep research, the book reveals a critical examination of the circles of power and discusses the impact of diversity on the way power works in the U.S.
Publisher: Rowman & Littlefield
ISBN: 1538103389
Category : Social Science
Languages : en
Pages : 297
Book Description
Diversity in the Power Elite is a provocative analysis of the diversity that exists—and doesn’t exist—among America’s powerful people. Richard L. Zweigenhaft and G. William Domhoff examine the progress that has been made, and where progress has stalled, for women, African Americans, Latino/as, Asian Americans, LGBTQ people, and Jewish people among what C. Wright Mills called the “power elite,” or those with significant financial or political influence in the U.S. The third edition of this classic text has been fully revised and updated throughout. It highlights examples of profound change, including the presidential election of Barack Obama, the nation’s first black president, as well as the growing acceptance of LGBTQ people. And it also highlights the many ways that the promise of diversity has stalled or fallen short—that the playing field for non-white males and women is far from level. Filled with case studies that illuminate deep research, the book reveals a critical examination of the circles of power and discusses the impact of diversity on the way power works in the U.S.
Media and Culture with 2013 Update
Author: Richard Campbell
Publisher: Macmillan
ISBN: 1457604914
Category : Language Arts & Disciplines
Languages : en
Pages : 610
Book Description
Today's media landscape is changing faster than ever, and students are experiencing these developments firsthand. Media & Culture pulls back the curtain on the media and shows students what all these new trends and developments really mean — giving students the deeper insight and context they need to become informed media critics. The 2013 Update also includes the must-cover events and trends students need to know to become informed media consumers and critics — from social media's influence on political events like the Occupy Wall Street movement and the Arab Spring revolutions and what the News Corp. phone-hacking scandal means for journalism to the continued growth of television streaming and apps and the advent of tablet-only newspapers. Read the preface.
Publisher: Macmillan
ISBN: 1457604914
Category : Language Arts & Disciplines
Languages : en
Pages : 610
Book Description
Today's media landscape is changing faster than ever, and students are experiencing these developments firsthand. Media & Culture pulls back the curtain on the media and shows students what all these new trends and developments really mean — giving students the deeper insight and context they need to become informed media critics. The 2013 Update also includes the must-cover events and trends students need to know to become informed media consumers and critics — from social media's influence on political events like the Occupy Wall Street movement and the Arab Spring revolutions and what the News Corp. phone-hacking scandal means for journalism to the continued growth of television streaming and apps and the advent of tablet-only newspapers. Read the preface.
Media and Culture
Author: Richard Campbell
Publisher: Macmillan
ISBN: 0312644655
Category : Language Arts & Disciplines
Languages : en
Pages : 608
Book Description
It's no secret today's media landscape is evolving at a fast and furious pace — and students are experiencing these developments firsthand. While students are familiar with and may be using the latest products and newest formats, they may not understand how the media has evolved to this point or what all these changes mean. This is where Media and Culture steps in. The eighth edition pulls back the curtain and shows students how the media really works, giving students the deeper insight and context they need to become informed media critics.
Publisher: Macmillan
ISBN: 0312644655
Category : Language Arts & Disciplines
Languages : en
Pages : 608
Book Description
It's no secret today's media landscape is evolving at a fast and furious pace — and students are experiencing these developments firsthand. While students are familiar with and may be using the latest products and newest formats, they may not understand how the media has evolved to this point or what all these changes mean. This is where Media and Culture steps in. The eighth edition pulls back the curtain and shows students how the media really works, giving students the deeper insight and context they need to become informed media critics.
Trying to Get Over
Author: Keith Corson
Publisher: University of Texas Press
ISBN: 147730908X
Category : Performing Arts
Languages : en
Pages : 288
Book Description
From 1972 to 1976, Hollywood made an unprecedented number of films targeted at black audiences. But following this era known as “blaxploitation,” the momentum suddenly reversed for black filmmakers, and a large void separates the end of blaxploitation from the black film explosion that followed the arrival of Spike Lee’s She's Gotta Have It in 1986. Illuminating an overlooked era in African American film history, Trying to Get Over is the first in-depth study of black directors working during the decade between 1977 and 1986. Keith Corson provides a fresh definition of blaxploitation, lays out a concrete reason for its end, and explains the major gap in African American representation during the years that followed. He focuses primarily on the work of eight directors—Michael Schultz, Sidney Poitier, Jamaa Fanaka, Fred Williamson, Gilbert Moses, Stan Lathan, Richard Pryor, and Prince—who were the only black directors making commercially distributed films in the decade following the blaxploitation cycle. Using the careers of each director and the twenty-four films they produced during this time to tell a larger story about Hollywood and the shifting dialogue about race, power, and access, Corson shows how these directors are a key part of the continuum of African American cinema and how they have shaped popular culture over the past quarter century.
Publisher: University of Texas Press
ISBN: 147730908X
Category : Performing Arts
Languages : en
Pages : 288
Book Description
From 1972 to 1976, Hollywood made an unprecedented number of films targeted at black audiences. But following this era known as “blaxploitation,” the momentum suddenly reversed for black filmmakers, and a large void separates the end of blaxploitation from the black film explosion that followed the arrival of Spike Lee’s She's Gotta Have It in 1986. Illuminating an overlooked era in African American film history, Trying to Get Over is the first in-depth study of black directors working during the decade between 1977 and 1986. Keith Corson provides a fresh definition of blaxploitation, lays out a concrete reason for its end, and explains the major gap in African American representation during the years that followed. He focuses primarily on the work of eight directors—Michael Schultz, Sidney Poitier, Jamaa Fanaka, Fred Williamson, Gilbert Moses, Stan Lathan, Richard Pryor, and Prince—who were the only black directors making commercially distributed films in the decade following the blaxploitation cycle. Using the careers of each director and the twenty-four films they produced during this time to tell a larger story about Hollywood and the shifting dialogue about race, power, and access, Corson shows how these directors are a key part of the continuum of African American cinema and how they have shaped popular culture over the past quarter century.
Black Enterprise
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
Book Description
BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
Book Description
BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.