Author: Emma Dorothy Eliza Nevitte Southworth
Publisher:
ISBN:
Category : Adventure stories
Languages : en
Pages : 256

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Author: Emma Dorothy Eliza Nevitte Southworth
Publisher: BoD – Books on Demand
ISBN: 3368624385
Category : Fiction
Languages : en
Pages : 422

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Book Description
Reproduction of the original.

Author: Emma Dorothy Eliza Nevitt Southworth
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 402

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Author: Mrs. Emma D. E. N. Southworth
Publisher: BoD – Books on Demand
ISBN: 9361156942
Category : Fiction
Languages : en
Pages : 258

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Book Description
"Capitola the Madcap: Part II of The Hidden Hand" is a fascinating novel written by Mrs. Emma D. E. N. Southworth, a famous nineteenth-century American author. This painting is the sequel to "The Hidden Hand" and maintains the interesting adventures of the spirited and inventive heroine, Capitola Black. Set towards the backdrop of the American South, the narrative follows Capitola as she navigates a world packed with intrigue, mystery, and romance. After surviving severa trials within the first part of the series, Capitola faces new demanding situations and discovers extra approximately her very own mysterious origins. The plot intertwines factors of melodrama, romance, and social remark as Capitola encounters a numerous array of characters, from foxy villains to steadfast allies. Mrs. Southworth's storytelling prowess shines through as she weaves a tale of suspense and excitement, exploring themes of identification, justice, and the indomitable spirit of the protagonist. Capitola's formidable and unconventional individual demanding situations the societal norms of her time, making her a memorable and empowering literary figure.

Author: Sears, Roebuck and Company
Publisher:
ISBN:
Category : Manufactures
Languages : en
Pages : 1134

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Author: Jennifer Travis
Publisher: Lexington Books
ISBN: 1498563422
Category : Literary Criticism
Languages : en
Pages : 175

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Nineteenth-Century Americans saw danger lurking everywhere: in railway cars and trolleys, fireplaces and floods, and amid social and political movements, from the abolition of slavery to suffrage. After the Civil War, Americans were shaken by financial panic and a volatile post-slave economy. They were awe-struck and progressively alarmed by technological innovations that promised speed and commercial growth, but also posed unprecedented physical hazard. Most of all, Americans were uncertain, particularly in light of environmental disasters like hurricanes and wildfires, about their own city on a hill and the once indisputable and protective hand of a beneficent God. The disasters, accidents, and social and political upheavals that characterized nineteenth-century culture had enormous explanatory power, metaphoric and real. Today we speak of similar insecurities: financial, informational, environmental, and political, and we obsessively express our worry and fear for the future. Cultural theorist Paul Virilio refers to these feelings as the “threat horizon,” one that endlessly identifies and produces new dangers.Why, he asks, does it seem easier for humanity to imagine a future shaped by ever-deadlier accidents than a decent future? Danger and Vulnerability in Nineteenth Century American Literature; or, Crash and Burn American invites readers to examine the “threat horizon” through its nascent expression in literary and cultural history. Against the emerging rhetoric of danger in the long nineteenth century, this book examines how a vocabulary of vulnerability in the American imaginary promoted the causes of the structurally disempowered in new and surprising ways, often seizing vulnerability as the grounds for progressive insight. The texts at the heart of this study, from nineteenth-century sensation novels to early twentieth-century journalistic fiction, imagine spectacular collisions, terrifying conflagrations, and all manner of catastrophe, social, political, and environmental. Together they write against illusions of inviolability in a growing technological and managerial culture, and they imagine how the recognition of universal vulnerability may challenge normative representations of social, political, and economic marginality.

Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1228

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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1210

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Author: Robert Louis Stevenson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 468

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Author: Paul Christian Jones
Publisher: University of Iowa Press
ISBN: 1609380495
Category : Literary Criticism
Languages : en
Pages : 242

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Book Description
In Against the Gallows, Paul Christian Jones explores the intriguing cooperation of America’s writers—including major figures such as Walt Whitman, John Greenleaf Whittier, E. D. E. N. Southworth, and Herman Melville—with reformers, politicians, clergymen, and periodical editors who attempted to end the practice of capital punishment in the United States during the 1840s and 1850s. In an age of passionate reform efforts, the antigallows movement enjoyed broad popularity, waging its campaign in legislatures, pulpits, newspapers, and literary journals. Although it failed in its ultimate goal of ending hangings across the United States, the movement did achieve various improvements in the practices of the justice system, including reducing the number of capital crimes, eliminating public executions in most northern states, and abolishing capital punishment completely in three states. Although a few historians have studied the antebellum movement against capital punishment, until now very little attention has been paid to the role of America’s writers in these efforts. Jones’s study recovers the relationship between the nation’s literary figures and the movement against the death penalty, illustrating that the editors of literary journals actively encouraged and published antigallows writing, that popular crime novelists created a sympathy toward criminals that led readers to question the state’s justifications for capital punishment, that poets crafted verse that advocated strongly for Christian sympathy for criminals that coincided with an antipathy to the death penalty, and that female sentimental writers fashioned melodramatic narratives that illustrated the injustice of the hanging and reimagined the justice system itself as a sympathetic subject capable of incorporating compassion into its workings and seeing reform rather than revenge as its ends.