Author: Giovanni Gabrieli
Publisher:
ISBN:
Category : Brass septets (Horn, trombones (2), trumpets (4))
Languages : en
Pages : 50
Book Description
Canzone e sonate (1615) canzon VI
Author: Giovanni Gabrieli
Publisher:
ISBN:
Category : Brass septets (Horn, trombones (2), trumpets (4))
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category : Brass septets (Horn, trombones (2), trumpets (4))
Languages : en
Pages : 50
Book Description
Canzone e sonate (1615) canzon V
Author: Giovanni Gabrieli
Publisher:
ISBN:
Category : Brass septets (Horn, trombones (2), trumpets (4))
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Brass septets (Horn, trombones (2), trumpets (4))
Languages : en
Pages : 32
Book Description
Canzone e sonate (1615)
Author: Giovanni Gabrieli
Publisher:
ISBN:
Category : Brass quintets (Horn, trombones (2), trumpets (2))
Languages : en
Pages : 62
Book Description
Publisher:
ISBN:
Category : Brass quintets (Horn, trombones (2), trumpets (2))
Languages : en
Pages : 62
Book Description
Giovanni Gabrieli (ca. 1555-1612)
Author: Richard Charteris
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 630
Book Description
Giovanni Gabrieli (c.1555-1612) is the greatest Venetian composer of the late Renaissance, and one of the most significant figures of the period. Since the time when Richard Charteris was invited by the American Institute of Musicology to edit Giovanni Gabrieli's complete works in twelve volumes for the series Corpus mensurabitis music?, he has uncovered a considerable number of previously unknown works by this composer, and discovered a vast quantity of hitherto unknown sources of h is music. This thematic catalogue presents data about these discoveries and many others, besides collating an enormous amount of widely-scattered information. The catalogue covers: UL>l(1)the early music manuscripts and prints, almost all of which the auth or has consulted firsthand in collections in the northern hemisphere; /ll(2) a selection of modern music manuscripts;/ll (3) theplethora of modern editions and printed fragments; /ll(4) the sound recordings, including 78s, long-playing records and CDs; /ll(5) the relevant literature dealing with each work; /ll(6) the nature of the vocal texts and their use at St. Mark's; /ll(7) the doubtful and spurious works, among them pieces that are wrongly accepted today as genuine; and /ll(8), the parodies of Gabrieli's works by other composers./l/ul> There is much else in the book, not the least being a thematic indicator of each work and an English translation of each of Gabrieli's vocal texts. In short, this book will be an invaluable reference work for anyone concerned with the music of Giovanni Gabrieli, be they scholars, students or performers.
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 630
Book Description
Giovanni Gabrieli (c.1555-1612) is the greatest Venetian composer of the late Renaissance, and one of the most significant figures of the period. Since the time when Richard Charteris was invited by the American Institute of Musicology to edit Giovanni Gabrieli's complete works in twelve volumes for the series Corpus mensurabitis music?, he has uncovered a considerable number of previously unknown works by this composer, and discovered a vast quantity of hitherto unknown sources of h is music. This thematic catalogue presents data about these discoveries and many others, besides collating an enormous amount of widely-scattered information. The catalogue covers: UL>l(1)the early music manuscripts and prints, almost all of which the auth or has consulted firsthand in collections in the northern hemisphere; /ll(2) a selection of modern music manuscripts;/ll (3) theplethora of modern editions and printed fragments; /ll(4) the sound recordings, including 78s, long-playing records and CDs; /ll(5) the relevant literature dealing with each work; /ll(6) the nature of the vocal texts and their use at St. Mark's; /ll(7) the doubtful and spurious works, among them pieces that are wrongly accepted today as genuine; and /ll(8), the parodies of Gabrieli's works by other composers./l/ul> There is much else in the book, not the least being a thematic indicator of each work and an English translation of each of Gabrieli's vocal texts. In short, this book will be an invaluable reference work for anyone concerned with the music of Giovanni Gabrieli, be they scholars, students or performers.
Canzone e sonate (1615): canzon VII for 4 trumpets and 3 trombones (4 trumpets, horn and 2 trombones)
Author: Giovanni Gabrieli
Publisher:
ISBN:
Category : Brass ensembles
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category : Brass ensembles
Languages : en
Pages : 50
Book Description
A Descriptive Discography of Horn Music Based on the Curtiss Blake Collection
Author: Rebecca Dodson-Webster
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
Book Description
School of Music, Theatre & Dance (University of Michigan) Publications
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 972
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 972
Book Description
The British Catalogue of Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 176
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 176
Book Description
Canzon XIV a 10 (1615)
Author: Giovanni Gabrieli
Publisher:
ISBN:
Category : Canzone
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Canzone
Languages : en
Pages : 64
Book Description
The Music of Peter Maxwell Davies
Author: Nicholas Jones
Publisher: Boydell & Brewer
ISBN: 1783274832
Category : Composers
Languages : en
Pages : 384
Book Description
Peter Maxwell Davies (1934-2016) was one of the leading international composers of the post-war period as well as one of the most productive. This book provides a global view of his music, integrating a number of resonant themes in the composer's work while covering a representative cross-section of his vast output - his work list encompasses nearly 550 compositions in every established genre. Each chapter focuses on specific major works and offers general discussion of other selected works connected to the main themes. These themes include compositional technique and process; genre; form and architecture; tonality and texture; allusion, quotation and musical critique; and place and landscape. Throughout, the book contends that Davies's works are not created in a vacuum but are intimately connected to, and are a reflection of, 'the past'. This deep engagement occurs on a number of levels, fluctuating and interacting with the composer's own predominantly modernist idiom and evoking a chain of historical resonances. Making sustained reference to Davies's own words, articles and programme notes as well as privileged access to primary source material from his estate, the book illuminates the composer's practices and approaches while shaping a discourse around his music. NICHOLAS JONES is Senior Lecturer in Musicology at Cardiff University. RICHARD MCGREGOR is Emeritus Professor of Music at the University of Cumbria and part-time Lecturer at the Royal Conservatoire of Scotland.
Publisher: Boydell & Brewer
ISBN: 1783274832
Category : Composers
Languages : en
Pages : 384
Book Description
Peter Maxwell Davies (1934-2016) was one of the leading international composers of the post-war period as well as one of the most productive. This book provides a global view of his music, integrating a number of resonant themes in the composer's work while covering a representative cross-section of his vast output - his work list encompasses nearly 550 compositions in every established genre. Each chapter focuses on specific major works and offers general discussion of other selected works connected to the main themes. These themes include compositional technique and process; genre; form and architecture; tonality and texture; allusion, quotation and musical critique; and place and landscape. Throughout, the book contends that Davies's works are not created in a vacuum but are intimately connected to, and are a reflection of, 'the past'. This deep engagement occurs on a number of levels, fluctuating and interacting with the composer's own predominantly modernist idiom and evoking a chain of historical resonances. Making sustained reference to Davies's own words, articles and programme notes as well as privileged access to primary source material from his estate, the book illuminates the composer's practices and approaches while shaping a discourse around his music. NICHOLAS JONES is Senior Lecturer in Musicology at Cardiff University. RICHARD MCGREGOR is Emeritus Professor of Music at the University of Cumbria and part-time Lecturer at the Royal Conservatoire of Scotland.