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Author: Diana Brydon
Publisher: University of Toronto Press
ISBN: 9780802036551
Category : Drama
Languages : en
Pages : 518
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Book Description
Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian. Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.
Author: Diana Brydon
Publisher: University of Toronto Press
ISBN: 9780802036551
Category : Drama
Languages : en
Pages : 518
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Book Description
Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian. Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.
Author: Irena R. Makaryk
Publisher: University of Ottawa Press
ISBN: 0776624431
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
Shakespeare in Canada is the result of a collective desire to explore the role that Shakespeare has played in Canada over the past two hundred years, but also to comprehend the way our country’s culture has influenced our interpretation of his literary career and heritage. What function does Shakespeare serve in Canada today? How has he been reconfigured in different ways for particular Canadian contexts? The authors of this book attempt to answer these questions while imagining what the future might hold for William Shakespeare in Canada. Covering the Stratford Festival, the cult CBC television program Slings and Arrows, major Canadian critics such as Northrop Frye and Marshall McLuhan, the influential acting teacher Neil Freiman, the rise of Québécois and First Nation approaches to Shakespeare, and Shakespeare’s place in secondary schools today, this collection reflects the diversity and energy of Shakespeare’s afterlife in Canada. Collectively, the authors suggest that Shakespeare continues to offer Canadians “remembrance of ourselves.” This is a refreshingly original and impressive contribution to Shakespeare studies—a considerable achievement in any work on the history of one of the central figures in the western literary canon.
Author: Irena R. Makaryk
Publisher: Reappraisals: Canadian Writers
ISBN: 9780776624419
Category :
Languages : en
Pages : 269
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Book Description
As we commemorate the 400th anniversary of William Shakespeare's death, the most translated and performed playwright in the world continues to live on in our imagination. How might we historicize Shakespeare's influence in Canada?
Author: York Pioneer and Historical Society, Toronto
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Michael Dobson
Publisher: Oxford University Press, USA
ISBN: 0198708734
Category : Literary Criticism
Languages : en
Pages : 605
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Book Description
This is a reference text on Shakespeare's works, times, life, and afterlives. It offers stimulating and authoritative coverage of every aspect of Shakespeare and his writings, including their reinterpretation in the theatre, in criticism, and in film.
Author: James C. Bulman
Publisher: Psychology Press
ISBN: 0415116260
Category : Theater audiences
Languages : en
Pages : 230
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Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Irena Makaryk
Publisher: University of Toronto Press
ISBN: 1442698381
Category : Drama
Languages : en
Pages : 353
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Book Description
Shakespeare’s works occupy a prismatic and complex position in world culture: they straddle both the high and the low, the national and the foreign, literature and theatre. The Second World War presents a fascinating case study of this phenomenon: most, if not all, of its combatants have laid claim to Shakespeare and have called upon his work to convey their society’s self-image. In wartime, such claims frequently brought to the fore a crisis of cultural identity and of competing ownership of this ‘universal’ author. Despite this, the role of Shakespeare during the Second World War has not yet been examined or documented in any depth. Shakespeare and the Second World War provides the first sustained international, collaborative incursion into this terrain. The essays demonstrate how the wide variety of ways in which Shakespeare has been recycled, reviewed, and reinterpreted from 1939–1945 are both illuminated by and continue to illuminate the War today.
Author: Ina Habermann
Publisher: Springer
ISBN: 1137518359
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and North America.
Author: R. Shaughnessy
Publisher: Springer
ISBN: 1403913668
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
Author: Christie Carson
Publisher: Bloomsbury Publishing
ISBN: 1350380814
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
This analysis of the Stratford Festival examines the full history of one of the largest and oldest dedicated centres for the performance of Shakespeare in North America. In English-speaking Canada, the Festival has become the unofficial national theatre, drawing both praise and criticism. Dividing its history into three distinct periods, the volume begins with the foundation of the company, moving through its middle years of expansion and securing stability, and ending with an exploration of staging Shakespeare in the 21st century. Through case studies of productions, covering each artistic director from Tyrone Guthrie to Antoni Cimolino, it highlights issues of national identity but also the relationship between actor and audience on the Festival's unique thrust stage. It not only explores the work of international stars such as Christopher Plummer, but also that of longstanding company members William Hutt and Martha Henry, emphasizing the Festival's collective spirit. This book argues that the Stratford Festival holds an influential position in the theatre world generally and in the Shakespeare performance environment specifically. Initially this was because of the original stage built for its opening, but increasingly it has been due to the way that it has used Shakespeare's work to articulate complex questions about identity and utilized technology to reach new audiences. The Festival and its collaborative working methods grew out of a particular social and political climate, and when the actors and directors who trained at the Festival took their training and its influences elsewhere, they spread its impact.
