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Author: A. K. Prakash
Publisher: Arnoldsche Verlagsanstalt GmbH
ISBN: 9783897904279
Category : Impressionism (Art)
Languages : en
Pages : 0
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Book Description
Impressionist paintings are among the most prized artworks in the world, yet little has been written about Canadian impressionism. Now, with this book, we have a full account of the development of this revolutionary style in painting during the four decades after 1875, first in France, then in the United States, and finally in Canada. From the late 1860s on, as ambitious young artists from North America went to study in the academies in Paris and travel in Europe, they absorbed the influence of impressionism. By the mid-1880s, after it crossed the Atlantic to Boston and New York, Impressionism quickly became the favored style of art in the United States. As the century came to a close in Canada's two largest cities, Montreal and Toronto, Impressionism gradually gathered the support the returning Canadian painters needed from art dealers, collectors, exhibition societies, and the media. Within this context, the lives and works of fourteen fo the most significant Canadian artists, including William Blair Bruce, Maurice Cullen, J.W. Morrice, Laura Muntz Lyall, Marc-Aurèle de Foy Suzor-Coté, Helen McNicoll, and Clarence Gagnon, are examined in the second half of the volume. Briefly considered too are several other artists, such as core members of the famed Group of Seven, who for some time also employed Impressionist techniques in their art. Today, Canadian Impressionist paintings are not only among the most popular works of art at home but are attracting ever more attention and exhibition exposure in other countries too. With a Foreword by Guy Wildenstein and an Introduction by William H. Gerdts, this work has been extensively researched and lavishly illustrated with 494 plates and 159 figures. As such, it becomes the definitive volume on Canada's contribution to Impressionism - the most important development in Western art since the Renaissance.
Author: A. K. Prakash
Publisher: Arnoldsche Verlagsanstalt GmbH
ISBN: 9783897904279
Category : Impressionism (Art)
Languages : en
Pages : 0
Get Book Here
Book Description
Impressionist paintings are among the most prized artworks in the world, yet little has been written about Canadian impressionism. Now, with this book, we have a full account of the development of this revolutionary style in painting during the four decades after 1875, first in France, then in the United States, and finally in Canada. From the late 1860s on, as ambitious young artists from North America went to study in the academies in Paris and travel in Europe, they absorbed the influence of impressionism. By the mid-1880s, after it crossed the Atlantic to Boston and New York, Impressionism quickly became the favored style of art in the United States. As the century came to a close in Canada's two largest cities, Montreal and Toronto, Impressionism gradually gathered the support the returning Canadian painters needed from art dealers, collectors, exhibition societies, and the media. Within this context, the lives and works of fourteen fo the most significant Canadian artists, including William Blair Bruce, Maurice Cullen, J.W. Morrice, Laura Muntz Lyall, Marc-Aurèle de Foy Suzor-Coté, Helen McNicoll, and Clarence Gagnon, are examined in the second half of the volume. Briefly considered too are several other artists, such as core members of the famed Group of Seven, who for some time also employed Impressionist techniques in their art. Today, Canadian Impressionist paintings are not only among the most popular works of art at home but are attracting ever more attention and exhibition exposure in other countries too. With a Foreword by Guy Wildenstein and an Introduction by William H. Gerdts, this work has been extensively researched and lavishly illustrated with 494 plates and 159 figures. As such, it becomes the definitive volume on Canada's contribution to Impressionism - the most important development in Western art since the Renaissance.
Author: Katerina Atanassova
Publisher: Arnoldsche Verlagsanstalt GmbH
ISBN: 9783897905474
Category :
Languages : en
Pages : 296
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Book Description
- Approximately 125 masterworks by some 35 artists situate Canadian art within the global phenomenon of Impressionism- A detailed chronology explores the multifaceted ways in which Canadians contributed to the evolution of ImpressionismFollow these Canadian artists as they travel abroad and return home again, over a series of journeys taking place during the last decades of the nineteenth century to the turn of the twentieth. Approximately 125 masterworks by some 35 artists situate Canadian art within the global phenomenon of Impressionism and present a fresh perspective on its reception in the arts of Canada. Adopting a thematic approach, comprehensive essays demonstrate the commitment of these pioneering artists to an innovative interpretation of foreign and familiar surroundings, imbued with an Impressionist vocabulary. A detailed chronology explores the multifaceted ways in which Canadians contributed to the evolution of Impressionism and to the advent of modernity in their homeland. This book accompanies exhibitions at the Kunsthalle der Hypo-Kulturstiftung, Munich (DE), July - November 2019; Fondation de l Hermitage, Lausanne (CH), January - May 2020; Musée Fabre, Montpellier (FR), June - September 2020; and the National Gallery of Canada, Ottawa (CA), November 2020 - April 2021.
Author: Susan Butlin
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773575251
Category : Art
Languages : en
Pages : 354
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Book Description
Florence Carlyle (1864-1923), born in Galt, Ontario, emerged as one of the most successful Canadian artists of her time. Trained in Paris, she lived and worked in New York City and in Canada, cultivating a career as a popular portrait and genre painter. Known for her masterful use of colour, Carlyle's paintings are nuanced and perceptive portrayals of feminine spaces, the female figure, and women's domestic work.
Author: Caroline Shields
Publisher: National Geographic Books
ISBN: 3791358456
Category : Art
Languages : en
Pages : 0
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Book Description
This generously illustrated book examines the relationship between 19th-century Impressionism and industry in Europe. The late-19th century was a time of new technology, industry, and modernity. People were enthralled with their changing world and artists were not an exception. Fascinated by progress in every form, artists depicted factories, trains, and construction sites. Artists such as Claude Monet, Edgar Degas, Vincent van Gogh, and Camille Pissarro began to paint the world around them, from laundresses in the basements of Paris to rural laborers in fields. This book focuses on how Impressionist artists engaged and treated the topic of industry in their art. Chapters discuss how Paris was transformed into a bustling, modern city, the role of women in labor, and the demographic shift from rural to urban centers. Paintings, drawings, and prints, along with archival photographs help to illustrate this rich and complicated moment in art history. Copublished by the Art Gallery of Ontario and DelMonico Books
Author: Robert L. Herbert
Publisher: Yale University Press
ISBN: 0300050836
Category : Art
Languages : en
Pages : 348
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Book Description
Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings
Author: Ann Dumas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294
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Book Description
"Inspiring Impressionism" explores links between Impressionists and the major European art-historical movements that came before them, demonstrating how often beneath the Impressionists' commitment to capturing contemporary life there lay a deep exploration of the art of the past. Presents Impressionist works by artists including Manet, Monet, Degas, Bazille, Cassatt, and Cezanne alongside those of Raphael, El Greco, Rubens, Velazquez, and others.
Author: Norma Broude
Publisher: Abradale Press
ISBN:
Category : Art
Languages : zh-TW
Pages : 424
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Book Description
As this major contribution to art history shows, Impressionism was far more than a French movement that spread to other countries; rather, it was an approach to art adopted by artists of all nationalities who responded to light and atmospheric conditions, to landscape and cityscape, with an explosion of enthusiasm that was felt around the globe.
Author: Ross King
Publisher: D & M Publishers
ISBN: 1553658078
Category : Art
Languages : en
Pages : 3
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Book Description
Beginning in 1912, Defiant Spirits traces the artistic development of Tom Thomson and the future members of the Group of Seven, Franklin Carmichael, Lawren Harris, A. Y. Jackson, Franz Johnston, Arthur Lismer, J. E. H. MacDonald, and Frederick Varley, over a dozen years in Canadian history. Working in an eclectic and sometimes controversial blend of modernist styles, they produced what an English critic celebrated in the 1920s as the “most vital group of paintings” of the 20th century. Inspired by Cézanne, Van Gogh and other modernist artists, they tried to interpret the Ontario landscape in light of the strategies of the international avant-garde. Based after 1914 in the purpose-built Studio Building for Canadian Art, the young artists embarked on what Lawren Harris called “an all-engrossing adventure”: travelling north into the anadian Shield and forging a style of painting appropriate to what they regarded as the unique features of Canada’s northern landscape. Rigorously researched and drawn from archival documents and letters, Defiant Spirits constitutes a “group biography,” reconstructing the men’s aspirations, frustrations and achievements. It details not only the lives of Tom Thomson and the members of the Group of Seven but also the political and social history of Canada
Author: Gilles Genty
Publisher: Editions Hazan, Paris
ISBN: 9780300251982
Category : Art
Languages : en
Pages : 0
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Book Description
A magnificently illustrated showcase of works by artists in Paris at the dawn of the 20th century In Paris at the turn of the 20th century, an artistic revolution was underway. The Salon des Indépendants was organized in 1884 by a group of artists and thinkers that included Albert Dubois-Pillet, Odilon Redon, Georges Seurat, and Paul Signac, who was the organization's president from 1908 to his death in 1935. They chose as their slogan "neither jury nor reward" (ni jury ni récompenses), and for the following three decades their annual exhibitions set new trends that profoundly changed the course of Western art. This beautifully illustrated volume features paintings and graphic works by an impressive range of artists who exhibited at these avant-garde gatherings where Impressionists (Monet and Morisot), Fauves (Dury, Friesz, and Marquet), Symbolists (Gauguin, Mucha, and Redon), Nabis (Bonnard, Denis, and Lacombe), and Neo-Impressionists (Cross, Pissarro, and Seurat) all came together. Distributed for Editions Hazan, Paris Exhibition Schedule: Montreal Museum of Fine Arts (July 4-November 15, 2020)
Author: Susie Hodge
Publisher: Harper Collins
ISBN: 0060747919
Category : Art
Languages : en
Pages : 148
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Book Description
Impressionism has captured the imagination of people the world over since its first exhibition in Paris in 1874. People have long sought to understand how and why the Impressionists created their paintings and how their techniques might be replicated. Susie Hodge reveals the answers to these questions by assessing the techniques and styles of the great masters of Impressionism and showing how artists today can use their methods. An informative introduction explains how the Impressionist movement came about, explores its historical context, and defines the style and inspiration of the artists involved. The heart of the book, however, focuses on eight major Impressionist painters -- Monet, Pissarro, Renoir, Cassatt, Degas, Cezanne, Seurat and Van Gogh -- revealing how they worked and analyzing their well-known paintings. Each case includes step-by-step demonstrations that show the reader exactly how to re-create Impressionist painting details in appropriate style.
