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Author: Matt White
Publisher: Capstone
ISBN: 9780736840040
Category : Juvenile Nonfiction
Languages : en
Pages : 68
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Book Description
Recounts the story of wartime photography, from the first use of cameras on the battlefield through the war in Vietnam.
Author: Matt White
Publisher: Capstone
ISBN: 9780736840040
Category : Juvenile Nonfiction
Languages : en
Pages : 68
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Book Description
Recounts the story of wartime photography, from the first use of cameras on the battlefield through the war in Vietnam.
Author: Peter Maslowski
Publisher: Simon and Schuster
ISBN: 1439106312
Category : History
Languages : en
Pages : 703
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Book Description
A chronicle of the frontline photographers of World War II recounts the sometimes harrowing exploits of the American Military Photographers, men armed with cameras who accompanied the Army, Marines, Air Force, and Navy into battle.
Author: Francis Trevelyan Miller
Publisher: Hartford, Connecticut
ISBN:
Category : History
Languages : en
Pages : 226
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Book Description
This is undoubtedly the most valuable collection of historic photographs in America. It is believed to be the first time that the camera was used so extensively and practically on the battle-field. It is the first known collection of its size on the Western Continent and it is the only witness of the scenes enacted during the greatest crisis in the annals of the American nation. As a contribution to history it occupies a position that the higher art of painting, or scholarly research and literal description, can never usurp. It records a tragedy that neither the imagination of the painter nor the skill of the historian can so dramatically relate. The existence of this collection is unknown by the public at large. Even while this book has been in preparation eminent photographers have pronounced it impossible, declaring that photography was not sufficiently advanced at that period to prove of such practical use in War. Distinguished veterans of the Civil War have informed me that they knew positively that there were no cameras in the wake of the army. This incredulity of men in a position to know the truth enhances the value of the collection inasmuch that its genuineness is officially proven by the testimony of those who saw the pictures taken, by the personal statement of the man who took them, and by the Government Records. For forty-two years the original negatives have been in storage, secreted from public view, except as an occasional proof is drawn for some special use. How these negatives came to be taken under most hazardous conditions in the storm and stress of a War that threatened to change the entire history of the world is itself an interesting historical incident. Moreover, it is one of the tragedies of genius. While the clouds were gathering, which finally broke into the Civil War in the United States, there died in London one named Scott-Archer, a man who had found one of the great factors in civilization, but died poor and before his time because he had overstrained his powers in the cause of science. It was necessary to raise a subscription for his widow, and the government settled upon the children a pension of fifty pounds per annum on the ground that their father was "the discoverer of a scientific process of great value to the nation, from which the inventor had reaped little or no benefit." This was in 1857, and four years later, when the American Republic became rent by a conflict of brother against brother, Mathew B. Brady of Washington and New York, asked the permission of the Government and the protection of the Secret Service to demonstrate the practicability of Scott-Archer's discovery in the severest test that the invention had ever been given. Brady was an artist by temperament and gained his technical knowledge of portraiture in the rendezvous of Paris. He had been interested in the discoveries of Niepce and Daguerre and Fox-Talbot along the crude lines of photography but with the introduction of the collodion process of Scott-Archer he accepted the science as a profession and, during twenty-five years of labor as a pioneer photographer, took the likenesses of the political celebrities of the epoch and of eminent men and women throughout the country. Brady's request was granted and he invested heavily in cameras which were made specially for the hard usage of warfare. These cameras were cumbersome and were operated by what is known as the old wet-plate process, requiring a dark room which was carried with them onto the battle-fields. The experimental operations under Brady proved so successful that they attracted the immediate attention of President Lincoln, General Grant and Allan Pinkerton, known as Major Allen and chief of the Secret Service. Equipments were hurried to all divisions of the great army and some of them found their way into the Confederate ranks. To be continue in this ebook...
Author: Albert R. Leventhal
Publisher:
ISBN:
Category :
Languages : en
Pages : 242
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Book Description
Author: Michael Falco
Publisher: The Countryman Press
ISBN: 1581575203
Category : History
Languages : en
Pages : 597
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Book Description
A fresh and surprising look at the American Civil War through pinhole camera photographs of sesquicentennial battlefield reenactments In 2011, Michael Falco set out to document the American Civil War's 150th anniversary by photographing reenactments of more than 20 major battles—from the First Manassas, Antietam, and Chancellorsville to Gettysburg, Vicksburg, and Appomattox. But rather than shooting these historic re-creations in high-definition, Falco opted for a different, older medium: a pinhole camera. This antebellum photographic technology, shot from an on-the-ground perspective, captures these battlefields in a way that feels more “real” and fully realized than even the famous daguerrotypes made during the war itself. In Falco's transporting photographs, the smoke-filled battle reenactments become blurred and dreamlike, echoing the sentiments found in the actual letters and journals of soldiers who fought and died there. Throughout, historical photographs from the period offer context to the modern-day re-creations, showing just how much—or how little—has changed on this hallowed ground. One hundred and fifty years after the last soldier fell, Echoes of the Civil War provides beautiful and compelling evidence of a Civil War landscape that is, literally and metaphorically, still with us.
Author: JON. COOKSEY
Publisher: Ammonite Press
ISBN: 9781781452790
Category :
Languages : en
Pages : 96
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Book Description
Author: Stacy Pearsall
Publisher: Rowman & Littlefield
ISBN: 0762789921
Category : Photography
Languages : en
Pages : 225
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Book Description
Shooter is a visual portrait of war--the perseverance, heroism, and survival--narrated through stunning photographs and powerful essays from a female combat photographer.
Author: A. R. Leventhal
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
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Book Description
Author: John Wade
Publisher: Pen and Sword Military
ISBN: 1526760118
Category : History
Languages : en
Pages : 351
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Book Description
A comprehensive history of the development and use of cameras in recording British military conflicts from the 1850s to the 1950s. Books about war and the pictures that came out of conflict usually concentrate on the picture content. But behind every picture there is a camera—and that’s what this book is about. Profusely illustrated throughout with pictures of the cameras, rather than the pictures they took, it looks at one hundred years of conflict from the Crimean War to the Korean War. It begins in the days when a photographer needed to be more of a scientist than an artist, such were the difficulties of shooting and processing any photograph. It ends with the cameras whose compact dimensions, versatility and ease of use meant that photographers could largely forget the science and concentrate on the art. Some cameras simply recorded events. Others defined and changed the way those events proceeded. These were the cameras that went to war, and this is their story. Praise for Cameras at War “An amazing collection of superb photographs beginning with some from the Crimean War—coupled with a brilliant narrative that emphasizes the use of photography to record conflict. Where would we be without such evidentiary mementoes?” —Books Monthly (UK)
Author: Cori Elizabeth Dauber
Publisher:
ISBN:
Category : Armed Forces and mass media
Languages : en
Pages : 140
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Book Description
"Terrorist attacks today are often media events in a second sense: information and communication technologies have developed to such a point that these groups can film, edit, and upload their own attacks within minutes of staging them, whether the Western media are present or not. In this radically new information environment, the enemy no longer depends on traditional media. This is the "YouTube War." This monograph methodically lays out the nature of this new environment in terms of its implications for a war against media-savvy insurgents, and then considers possible courses of action for the Army and the U.S. military as they seek to respond to an enemy that has proven enormously adaptive to this new environment and the new type of warfare it enables."--P. iii