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Author: Siobhan Angus
Publisher: Duke University Press
ISBN: 1478059176
Category : Photography
Languages : en
Pages : 238
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Book Description
In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.
Author: Siobhan Angus
Publisher: Duke University Press
ISBN: 1478059176
Category : Photography
Languages : en
Pages : 238
Get Book Here
Book Description
In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.
Author: Siobhan Angus
Publisher:
ISBN: 9781478025931
Category : Photography
Languages : en
Pages : 0
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Book Description
From rare-metal mining to environmental photography, Siobhan Angus tells the history of photography from a materialist perspective of the minerals extractive practices upon which the medium depends.
Author: Parvati Nair
Publisher: Taylor & Francis
ISBN: 100018255X
Category : Photography
Languages : en
Pages : 225
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Book Description
Focusing on the Mediterranean region from 2015 onwards, this volume explores photography’s engagement with displacement, a process that denotes the environmental and social breakdown of places and the forced mobility of people. The ongoing proliferation of photography of the displaced plays a crucial role in shaping opinions, by sensitising the public to the despair of displacement and hardening them to the trope through repeated exposure. Through a range of images by both established and amateur photographers, as well as ethnographic notes that draw from interviews with actors who are either displaced or working with the displaced, Parvati Nair questions the extent to which photography opens a space of possibility for the displaced in the face of globally dominant ideological drives that lead to the Anthropocene. Chapters focus on key aspects of this mass phenomenon, such as the question of crises no longer as exception but as historical process, the lived experiences of protracted relegation to borders and exposure to possible death, the prevalence of domicide and the spread of encampments, and the question of hope for the future. The book will be of interest to scholars in photography theory, migration and refugee studies, art history, Mediterranean studies, and political science.
Author: Kevin Coleman
Publisher: Verso Books
ISBN: 183976080X
Category : Photography
Languages : en
Pages : 337
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Book Description
A provocative exploration of photography's relationship to capitalism, from leading theorists of visual culture. Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence--and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge. With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.
Author:
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 602
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Author:
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 280
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Monographic series
Languages : en
Pages : 804
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Author:
Publisher:
ISBN:
Category : Classification
Languages : en
Pages : 358
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Book Description
Author: K.T. Pickering
Publisher: Springer
ISBN: 9401112347
Category : Science
Languages : en
Pages : 337
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Book Description
Author:
Publisher:
ISBN:
Category : Geophysics
Languages : en
Pages : 660
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