Author: Robert Thomas Lambdin
Publisher: Bloomsbury Publishing USA
ISBN: 0313030553
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
For centuries, accounts of King Arthur and his court have fascinated historians, scholars, poets, and readers. Each age has added material to reflect its own cultural attitudes, but no era has supplemented the earlier versions more than the poets of the Medieval Revival of nineteenth-century England. This book examines how Arthurian legend was read and rewritten during that period by four enduring writers: Alfred Lord Tennyson, Matthew Arnold, William Morris, and Algernon Charles Swinburne. While other works have looked at Arthurian legend in light of nineteenth-century social conditions, this volume focuses on how these poets approached love and death in their works, and how the legend of Arthur shaped their vision. An introductory chapter traces Arthurian legend from its inception. The chapters that follow are each devoted to a particular author's use of Arthurian material in an exploration of love and death. For Tennyson, love leads to trust, and when trust is shattered, death soon follows. Arnold, on the other hand, advocates moderation, so that the loss of a loved one produces neither debilitating agony nor only a mild melancholy. Morris concentrates on the differences between physical and spiritual love, while Swinburne presents a world tormented by love and in which death is the only release.
Camelot in the Nineteenth Century
Author: Robert Thomas Lambdin
Publisher: Bloomsbury Publishing USA
ISBN: 0313030553
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
For centuries, accounts of King Arthur and his court have fascinated historians, scholars, poets, and readers. Each age has added material to reflect its own cultural attitudes, but no era has supplemented the earlier versions more than the poets of the Medieval Revival of nineteenth-century England. This book examines how Arthurian legend was read and rewritten during that period by four enduring writers: Alfred Lord Tennyson, Matthew Arnold, William Morris, and Algernon Charles Swinburne. While other works have looked at Arthurian legend in light of nineteenth-century social conditions, this volume focuses on how these poets approached love and death in their works, and how the legend of Arthur shaped their vision. An introductory chapter traces Arthurian legend from its inception. The chapters that follow are each devoted to a particular author's use of Arthurian material in an exploration of love and death. For Tennyson, love leads to trust, and when trust is shattered, death soon follows. Arnold, on the other hand, advocates moderation, so that the loss of a loved one produces neither debilitating agony nor only a mild melancholy. Morris concentrates on the differences between physical and spiritual love, while Swinburne presents a world tormented by love and in which death is the only release.
Publisher: Bloomsbury Publishing USA
ISBN: 0313030553
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
For centuries, accounts of King Arthur and his court have fascinated historians, scholars, poets, and readers. Each age has added material to reflect its own cultural attitudes, but no era has supplemented the earlier versions more than the poets of the Medieval Revival of nineteenth-century England. This book examines how Arthurian legend was read and rewritten during that period by four enduring writers: Alfred Lord Tennyson, Matthew Arnold, William Morris, and Algernon Charles Swinburne. While other works have looked at Arthurian legend in light of nineteenth-century social conditions, this volume focuses on how these poets approached love and death in their works, and how the legend of Arthur shaped their vision. An introductory chapter traces Arthurian legend from its inception. The chapters that follow are each devoted to a particular author's use of Arthurian material in an exploration of love and death. For Tennyson, love leads to trust, and when trust is shattered, death soon follows. Arnold, on the other hand, advocates moderation, so that the loss of a loved one produces neither debilitating agony nor only a mild melancholy. Morris concentrates on the differences between physical and spiritual love, while Swinburne presents a world tormented by love and in which death is the only release.
Tennyson's Camelot
Author: David Staines
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889201153
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
As the principal narrative poem of nineteenth-century England, Tennyson's Idylls of the King is an ambitious and widely influential reworking of the Arthurian legends of the Middle Ages, which have provided a great body of myth and symbol to writers, painters, and composers for the past hundred years. Tennyson's treatment of these legends is now valued as a deeply significant oblique commentary on cultural decadence and the precarious balance of civilization. Drawing upon published and unpublished materials, Tennyson's Camelot studies the Idylls of the King from the perspective of all its medieval sources. In noting the Arthurian literature Tennyson knew and paying special attention to the works that became central to his Arthurian creation, the volume reveals the poet's immense knowledge of the medieval legends and his varied approaches to his sources. The author follows the chronology of composition of the Idylls, allowing the reader to see Tennyson's evolving conception of his poem and his changing attitudes to the medieval accounts. The Idylls of the King stands, ultimately, as the poet's own Camelot, his legacy to his generation, an indictment of his society through a vindication of his idealism.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889201153
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
As the principal narrative poem of nineteenth-century England, Tennyson's Idylls of the King is an ambitious and widely influential reworking of the Arthurian legends of the Middle Ages, which have provided a great body of myth and symbol to writers, painters, and composers for the past hundred years. Tennyson's treatment of these legends is now valued as a deeply significant oblique commentary on cultural decadence and the precarious balance of civilization. Drawing upon published and unpublished materials, Tennyson's Camelot studies the Idylls of the King from the perspective of all its medieval sources. In noting the Arthurian literature Tennyson knew and paying special attention to the works that became central to his Arthurian creation, the volume reveals the poet's immense knowledge of the medieval legends and his varied approaches to his sources. The author follows the chronology of composition of the Idylls, allowing the reader to see Tennyson's evolving conception of his poem and his changing attitudes to the medieval accounts. The Idylls of the King stands, ultimately, as the poet's own Camelot, his legacy to his generation, an indictment of his society through a vindication of his idealism.
Chivalry and the English Gentleman
Author: Mark Girouard
Publisher:
ISBN: 9780300027396
Category : History
Languages : nl
Pages : 312
Book Description
Geïllustreerde studie over de herleving van de codes van het middeleeuwse ridderschap van het einde van de 18e eeuw tot de eerste wereldoorlog.
Publisher:
ISBN: 9780300027396
Category : History
Languages : nl
Pages : 312
Book Description
Geïllustreerde studie over de herleving van de codes van het middeleeuwse ridderschap van het einde van de 18e eeuw tot de eerste wereldoorlog.
Illustrating Camelot
Author: Barbara Tepa Lupack
Publisher: Boydell & Brewer Ltd
ISBN: 1843841835
Category : Art
Languages : en
Pages : 282
Book Description
An account in words and pictures of how the world of Camelot and King Arthur's knights was reflected in, and shaped by, book illustration.
Publisher: Boydell & Brewer Ltd
ISBN: 1843841835
Category : Art
Languages : en
Pages : 282
Book Description
An account in words and pictures of how the world of Camelot and King Arthur's knights was reflected in, and shaped by, book illustration.
Beyond Camelot
Author: Edward L. Rubin
Publisher: Princeton University Press
ISBN: 1400826624
Category : Political Science
Languages : en
Pages : 479
Book Description
This book argues that many of the basic concepts that we use to describe and analyze our governmental system are out of date. Developed in large part during the Middle Ages, they fail to confront the administrative character of modern government. These concepts, which include power, discretion, democracy, legitimacy, law, rights, and property, bear the indelible imprint of this bygone era's attitudes, and Arthurian fantasies, about governance. As a result, they fail to provide us with the tools we need to understand, critique, and improve the government we actually possess. Beyond Camelot explains the causes and character of this failure, and then proposes a new conceptual framework, drawn from management science and engineering, which describes our administrative government more accurately, and identifies its weaknesses instead of merely bemoaning its modernity. This book's proposed framework envisions government as a network of connected units that are authorized by superior units and that supervise subordinate ones. Instead of using inherited, emotion-laden concepts like democracy and legitimacy to describe the relationship between these units and private citizens, it directs attention to the particular interactions between these units and the citizenry, and to the mechanisms by which government obtains its citizens' compliance. Instead of speaking about law and legal rights, it proposes that we address the way that the modern state formulates policy and secures its implementation. Instead of perpetuating outdated ideas that we no longer really believe about the sanctity of private property, it suggests that we focus on the way that resources are allocated in order to establish markets as our means of regulation. Highly readable, Beyond Camelot offers an insightful and provocative discussion of how we must transform our understanding of government to keep pace with the transformation that government itself has undergone.
Publisher: Princeton University Press
ISBN: 1400826624
Category : Political Science
Languages : en
Pages : 479
Book Description
This book argues that many of the basic concepts that we use to describe and analyze our governmental system are out of date. Developed in large part during the Middle Ages, they fail to confront the administrative character of modern government. These concepts, which include power, discretion, democracy, legitimacy, law, rights, and property, bear the indelible imprint of this bygone era's attitudes, and Arthurian fantasies, about governance. As a result, they fail to provide us with the tools we need to understand, critique, and improve the government we actually possess. Beyond Camelot explains the causes and character of this failure, and then proposes a new conceptual framework, drawn from management science and engineering, which describes our administrative government more accurately, and identifies its weaknesses instead of merely bemoaning its modernity. This book's proposed framework envisions government as a network of connected units that are authorized by superior units and that supervise subordinate ones. Instead of using inherited, emotion-laden concepts like democracy and legitimacy to describe the relationship between these units and private citizens, it directs attention to the particular interactions between these units and the citizenry, and to the mechanisms by which government obtains its citizens' compliance. Instead of speaking about law and legal rights, it proposes that we address the way that the modern state formulates policy and secures its implementation. Instead of perpetuating outdated ideas that we no longer really believe about the sanctity of private property, it suggests that we focus on the way that resources are allocated in order to establish markets as our means of regulation. Highly readable, Beyond Camelot offers an insightful and provocative discussion of how we must transform our understanding of government to keep pace with the transformation that government itself has undergone.
King Arthur in America
Author: Alan Lupack
Publisher: Boydell & Brewer
ISBN: 9780859916301
Category : Literary Criticism
Languages : en
Pages : 408
Book Description
King Arthur in America analyzes the tremendous appeal of the Arthurian legends in America by examining the ways that Americans have found to democratize the Matter of Britain and to incorporate aspects of it not only into America's own mythologies but also into literature, film, social history, and popular culture.
Publisher: Boydell & Brewer
ISBN: 9780859916301
Category : Literary Criticism
Languages : en
Pages : 408
Book Description
King Arthur in America analyzes the tremendous appeal of the Arthurian legends in America by examining the ways that Americans have found to democratize the Matter of Britain and to incorporate aspects of it not only into America's own mythologies but also into literature, film, social history, and popular culture.
Visions of Camelot
Author: Jeff A. Menges
Publisher: Courier Corporation
ISBN: 0486141381
Category : Design
Languages : en
Pages : 130
Book Description
This collection of 148 color and black-and-white illustrations presents unique interpretations of the enduringly popular Arthurian legends by a variety of artists, including Wyeth, Beardsley, Flint, and Pyle.
Publisher: Courier Corporation
ISBN: 0486141381
Category : Design
Languages : en
Pages : 130
Book Description
This collection of 148 color and black-and-white illustrations presents unique interpretations of the enduringly popular Arthurian legends by a variety of artists, including Wyeth, Beardsley, Flint, and Pyle.
The Nineteenth Century
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
A Companion to Arthurian Literature
Author: Helen Fulton
Publisher: John Wiley & Sons
ISBN: 0470672374
Category : Literary Criticism
Languages : en
Pages : 594
Book Description
This Companion offers a chronological sweep of the canon of Arthurian literature - from its earliest beginnings to the contemporary manifestations of Arthur found in film and electronic media. Part of the popular series, Blackwell Companions to Literature and Culture, this expansive volume enables a fundamental understanding of Arthurian literature and explores why it is still integral to contemporary culture. Offers a comprehensive survey from the earliest to the most recent works Features an impressive range of well-known international contributors Examines contemporary additions to the Arthurian canon, including film and computer games Underscores an understanding of Arthurian literature as fundamental to western literary tradition
Publisher: John Wiley & Sons
ISBN: 0470672374
Category : Literary Criticism
Languages : en
Pages : 594
Book Description
This Companion offers a chronological sweep of the canon of Arthurian literature - from its earliest beginnings to the contemporary manifestations of Arthur found in film and electronic media. Part of the popular series, Blackwell Companions to Literature and Culture, this expansive volume enables a fundamental understanding of Arthurian literature and explores why it is still integral to contemporary culture. Offers a comprehensive survey from the earliest to the most recent works Features an impressive range of well-known international contributors Examines contemporary additions to the Arthurian canon, including film and computer games Underscores an understanding of Arthurian literature as fundamental to western literary tradition
The Artist and Political Vision
Author: Benjamin R. Barber
Publisher: Transaction Publishers
ISBN: 9781412817530
Category : Language Arts & Disciplines
Languages : en
Pages : 432
Book Description
Art and politics are often regarded as denizens of different realms, but few artists have been comfortable with the notion of a purely aesthetic definition of art. The artist has a public and thus political vision of the world interpreted by his art no less than the statesman and the legislator have a creative vision of the world they wish to make. The sixteen original essays in this volume bear eloquent witness to this interpenetration of art and politics. Each confronts the intersection of the aesthetic and the social, each is concerned with the interface of poetic vision and political vision, of reflection and action. They take art in the broadest sense, ranging over poets, dramatists, novelists, essayists, and filmmakers. Their focus is on art and its political dilemmas, not simply on the artist. They consider the issues raised for politics and culture by alienation, violence, modernization, technology, democracy, progress, and revolution. And they debate the capacity of art to stimulate social change and incite revolution, the temptations of social control of culture and of political censorship, the uncertain relationship between art and history, the impact of economic structure on artistic creation and of economic class on artistic product, the common ground between art and legislation and between crea-tivitv and control.
Publisher: Transaction Publishers
ISBN: 9781412817530
Category : Language Arts & Disciplines
Languages : en
Pages : 432
Book Description
Art and politics are often regarded as denizens of different realms, but few artists have been comfortable with the notion of a purely aesthetic definition of art. The artist has a public and thus political vision of the world interpreted by his art no less than the statesman and the legislator have a creative vision of the world they wish to make. The sixteen original essays in this volume bear eloquent witness to this interpenetration of art and politics. Each confronts the intersection of the aesthetic and the social, each is concerned with the interface of poetic vision and political vision, of reflection and action. They take art in the broadest sense, ranging over poets, dramatists, novelists, essayists, and filmmakers. Their focus is on art and its political dilemmas, not simply on the artist. They consider the issues raised for politics and culture by alienation, violence, modernization, technology, democracy, progress, and revolution. And they debate the capacity of art to stimulate social change and incite revolution, the temptations of social control of culture and of political censorship, the uncertain relationship between art and history, the impact of economic structure on artistic creation and of economic class on artistic product, the common ground between art and legislation and between crea-tivitv and control.