The Cambridge Companion to the Lied

The Cambridge Companion to the Lied PDF Author: James Parsons
Publisher: Cambridge University Press
ISBN: 9780521804714
Category : Music
Languages : en
Pages : 446

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Book Description
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.

The Cambridge Companion to the Lied

The Cambridge Companion to the Lied PDF Author: James Parsons
Publisher: Cambridge University Press
ISBN: 9780521804714
Category : Music
Languages : en
Pages : 446

Get Book Here

Book Description
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.

The Cambridge Songs

The Cambridge Songs PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 120

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Book Description


The Cambridge Songs

The Cambridge Songs PDF Author: Karl Breul
Publisher: CUP Archive
ISBN:
Category : Goliards
Languages : en
Pages : 180

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Book Description
Cambridge, The University press, 1915.

The Cambridge Companion to Video Game Music

The Cambridge Companion to Video Game Music PDF Author: Melanie Fritsch
Publisher: Cambridge University Press
ISBN: 1108473024
Category : Computers
Languages : en
Pages : 483

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Book Description
A wide-ranging survey of video game music creation, practice, perception and analysis - clear, authoritative and up-to-date.

The Cambridge Songs (Carmina Cantabrigiensia)

The Cambridge Songs (Carmina Cantabrigiensia) PDF Author: Jan Ziolkowski
Publisher:
ISBN:
Category :
Languages : en
Pages : 401

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Book Description


The Cambridge Companion to Jewish Music

The Cambridge Companion to Jewish Music PDF Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 1107023459
Category : Music
Languages : en
Pages : 311

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Book Description
A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.

The Later Cambridge Songs

The Later Cambridge Songs PDF Author: John E. Stevens
Publisher: Oxford University Press, USA
ISBN: 9780198167259
Category : History
Languages : en
Pages : 220

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Book Description
This is an edition of Cambridge, University Library, MS Ff. I 17(1), a manuscript of 35 non-liturgical songs in Latin of English provenance dating from the 12th century. Apart from an edition in German and an edition published in Ottawa in 1989, the manuscript has not been widely studied. In this edition the late Professor Stevens challenges the assumption that everything of real cultural interest was happening on the continent, to be only palely imitated in "insular" Britain. A facsimile of the original manuscript is also included.

The Cambridge History of Medieval Music

The Cambridge History of Medieval Music PDF Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :

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Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Electronic Music

Electronic Music PDF Author: Nicholas Collins
Publisher: Cambridge University Press
ISBN: 1107010934
Category : Music
Languages : en
Pages : 241

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Book Description
This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.

The Cambridge History of Fifteenth-Century Music

The Cambridge History of Fifteenth-Century Music PDF Author: Anna Maria Busse Berger
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058

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Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.