Cambio de Piel. A Change of Skin ... Translated by Sam Hileman PDF Download
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Author: Carlos Fuentes
Publisher:
ISBN:
Category :
Languages : en
Pages : 462
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Author: Carlos Fuentes
Publisher:
ISBN:
Category :
Languages : en
Pages : 462
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Book Description
Author: Maarten Van Delden
Publisher: Vanderbilt University Press
ISBN: 9780826513458
Category : History
Languages : en
Pages : 276
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Book Description
In Carlos Fuentes, Mexico, and Modernity, Maarten van Delden argues that there is a fundamental paradox at the heart of Fuentes's vision of Mexico and in his role as novelist and critic in putting forth that vision. This paradox hinges on the tension between national identity and modernity. A significant internal conflict emerges in Fuentes's work from his attempt to stake out two different positions for himself, as experimental novelist and as politically engaged and responsible intellectual. Drawing from the fiction, literary essays, and political journalism, van Delden places these tensions in Fuentes's work in relation to the larger debates about modernity and postmodernity in Latin America. He concludes that Fuentes is fundamentally a modernist writer, in spite of the fact that he occasionally gravitates toward the postmodernist position in literature and politics. Van Delden's thorough command of the subject matter, his innovative and sometimes iconoclastic conclusions, and his clear and engaging writing style make this study more than just an interpretation of Fuentes's work. Carlos Fuentes, Mexico, and Modernity offers nothing less than a comprehensive analysis of Fuentes's work. Carlos Fuentes, Mexico, and Modernity offers nothing less than a comprehensive analysis of Fuentes's intellectual development in the context of modern Mexican political and cultural life.
Author: Mike Gonzalez
Publisher:
ISBN:
Category :
Languages : en
Pages : 18
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Author: Sergey Bodeló
Publisher: Lulu.com
ISBN: 1300606975
Category : Poetry
Languages : en
Pages : 60
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Book Description
Sergey Bodeló presenta una poesía fresca, atrevida, un tanto guarra para el gusto de los lectores. En ella plasma las metáforas eróticas del deseo homosexual a través del cuerpo y la mirada.
Author: Pedro Garcia-Caro
Publisher: Northwestern University Press
ISBN: 0810129957
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
After the Nation proposes a series of groundbreaking new approaches to novels, essays, and short stories by Carlos Fuentes and Thomas Pynchon within the framework of a hemispheric American studies. García-Caro offers a pioneering comparativist approach to the contemporary American and Mexican literary canons and their underlying nationalist encodement through the study of a wide range of texts by Pynchon and Fuentes which question and historicize in different ways the processes of national definition and myth-making deployed in the drawing of literary borders. After the Nation looks at these literary narratives as postnational satires that aim to unravel and denounce the combined hegemonic processes of modernity and nationalism while they start to contemplate the ensuing postnational constellations. These are texts that playfully challenge the temporal and spatial designs of national themes while they point to and debase “holy” borders, international borders as well as the internal lines where narratives of nation are embodied and consecrated. !--StartFragment--
Author: Steven Boldy
Publisher: Cambridge University Press
ISBN: 0521230977
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
This 1980 book is a clear and detailed study of Julio Cortázar's four major novels.
Author: Michael González
Publisher:
ISBN:
Category :
Languages : en
Pages : 13
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Author: C. Fuentes
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: John S. Brushwood
Publisher: University of Texas Press
ISBN: 0292771444
Category : Literary Criticism
Languages : en
Pages : 405
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Book Description
In The Spanish American Novel, John S. Brushwood analyzes the twentieth-century Spanish American novel as an artistic expression of social reality. In relating the generic history of the novel to extraliterary events in Spanish America, he shows how twentieth-century fiction sets forth the essence of such phenomena as the first Perón regime, the Mexican Revolution, the Che Guevara legend, indigenismo, and the strongman political type. In essence, he views the novel as art rather than as document, but not as art alienated from society. The discussion is organized chronologically, opening with the turn of the century and focusing on novels from 1900 to 1915 that exemplify various aspects of the nineteenth-century literary inheritance. Brushwood then highlights the avant-garde fiction (influenced by Proust and Joyce) of the 1920s as a precursory movement to the “new” Latin American novel, a phenomenon that came into its own during the 1940s. He then examines the “boom” in Spanish American fiction, the period of extensive international recognition of certain works, which he dates from 1962 or 1963. In each era considered, the development of the novel is placed in dual perspective. One view—that of particularly significant novels in light of others published during the same year—is a cross section of the genre at one particular moment. The second view—that of a panorama of novels published in intervals between significant moments in the history of the novel—is more general and selective in the number of books discussed. Combining the historical with the analytical approach, the author proposes that the experience of a novel in which reality has been transformed into art is essential to our understanding of that reality.
Author: Emily M. Baker
Publisher: Cambridge University Press
ISBN: 100907962X
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Addressing the question of why many Latin American fiction authors are writing about Nazism, the Second World War and the Holocaust now, this book charts the evolution of Latin American literary production from the 19th Century, through the late 20th century 'Boom', to the present day. Containing texts from Mexico, Colombia, Brazil, Argentina and Chile, it analyses work by some of the most well-known contemporary writers including Roberto Bolaño, Juan Gabriel Vásquez, Jorge Volpi, Lucía Puenzo, Patricio Pron and Michel Laub; as well as notable precursors such as Jorge Luis Borges, Carlos Fuentes and Ricardo Piglia. Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction argues that these authors find Nazism relevant to thinking through some of the most urgent contemporary challenges we face: from racism, to the unequal division of wealth and labour between the Global 'North' and 'South'; and, of course, the general failure of democracy to eliminate fascism.
