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Author: Frederick W. Mote
Publisher: Shambhala Publications
ISBN:
Category : Calligraphy
Languages : en
Pages : 280
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Book Description
By the time the Gutenberg Bible appeared in Germany in 1456, printing had already been known in the East for some five hundred years. The Chinese had made movable type from ceramic and from wood in the eleventh century, and the Koreans developed the technique of casting type in bronze, iron, and various alloys. In East Asia, this revolutionary technology was intimately connected with the art of calligraphy, which reached supreme aesthetic heights espeically in China. It is this aspect of East Asian printing that gives it an impressive place in the history of art. [This book] carefully examines the influence of the different styles of calligraphy on the making of books both before and after the advent of printing. First exploring early forms of writing such as inscriptions on bone, bamboo strips, and bronzes, the authors go on to trace the historic stages of bookmaking, from handwritten scrolls on silk and paper to block-printed books and, finally, the products of early modern times, printined with movable metal type. Illustrated with photographs of one hundred and twenty-nine items selected for exhibition at the Art Museum, Princeton University, this book is also a catalogue of treasures from the University's Gest Library, a collection of almost half a million rare and valuable volumes in Chinese, Japanese, Korean, and other languages.-- Book Jacket.
Author: Frederick W. Mote
Publisher: Shambhala Publications
ISBN:
Category : Calligraphy
Languages : en
Pages : 280
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Book Description
By the time the Gutenberg Bible appeared in Germany in 1456, printing had already been known in the East for some five hundred years. The Chinese had made movable type from ceramic and from wood in the eleventh century, and the Koreans developed the technique of casting type in bronze, iron, and various alloys. In East Asia, this revolutionary technology was intimately connected with the art of calligraphy, which reached supreme aesthetic heights espeically in China. It is this aspect of East Asian printing that gives it an impressive place in the history of art. [This book] carefully examines the influence of the different styles of calligraphy on the making of books both before and after the advent of printing. First exploring early forms of writing such as inscriptions on bone, bamboo strips, and bronzes, the authors go on to trace the historic stages of bookmaking, from handwritten scrolls on silk and paper to block-printed books and, finally, the products of early modern times, printined with movable metal type. Illustrated with photographs of one hundred and twenty-nine items selected for exhibition at the Art Museum, Princeton University, this book is also a catalogue of treasures from the University's Gest Library, a collection of almost half a million rare and valuable volumes in Chinese, Japanese, Korean, and other languages.-- Book Jacket.
Author: Abé Markus Nornes
Publisher: University of Michigan Press
ISBN: 0472902431
Category : Social Science
Languages : en
Pages : 175
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Book Description
Drawing on a millennia of calligraphy theory and history, Brushed in Light examines how the brushed word appears in films and in film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC cinemas. This includes silent era intertitles, subtitles, title frames, letters, graffiti, end titles, and props. Markus Nornes also looks at the role of calligraphy in film culture at large, from gifts to correspondence to advertising. The book begins with a historical dimension, tracking how calligraphy is initially used in early cinema and how it is continually rearticulated by transforming conventions and the integration of new technologies. These chapters ask how calligraphy creates new meaning in cinema and demonstrate how calligraphy, cinematography, and acting work together in a single film. The last part of the book moves to other regions of theory. Nornes explores the cinematization of the handwritten word and explores how calligraphers understand their own work.
Author: Kazuaki Tanahashi
Publisher: Shambhala Publications
ISBN: 1611801346
Category : Art
Languages : en
Pages : 401
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Book Description
Its history, techniques, aesthetics, and philosophy—with an in-depth practical guide to understanding and drawing 150 characters A guide to the history and enjoyment of Chinese and Japanese calligraphy that offers the possibility of appreciating it in a hands-on way—with step-by-step instructions for brushing 150 classic characters. This book is a comprehensive and accessible introduction to the history and art of calligraphy as it's been practiced for centuries in China, Japan, and elsewhere in Asia. It works as a guide for the beginner hoping to develop an appreciation for Asian calligraphy, for the person who wants to give calligraphy-creation a try, as well as for the expert or afficionado who just wants to browse through and exult in lovely examples. It covers the history and development of the art, then the author invites the reader to give it a try. The heart of the book, called "Master Samples and Study," presents 150 characters--from "action" to "zen"--each in a two-page spread. On each verso page the character is presented in three different styles, each one chosen for its beauty and identified by artist when possible. The character's meaning, pronunciation (in Chinese, Japanese, Korean, and Vietnamese), etymology, the pictograph from which it evolved, and other notes of interest are included. At the bottom of the page the stroke order is shown: the sequence of brush movements, numbered in their traditional order. On each facing recto page is Kaz's own interpretation of the character, full page.
Author: Frederick W. Mote
Publisher: Shambhala Publications
ISBN:
Category : Art
Languages : en
Pages : 274
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Book Description
By the time the Gutenberg Bible appeared in Germany in 1456, printing had already been known in the East for some five hundred years. The Chinese had made movable type from ceramic and from wood in the eleventh century, and the Koreans developed the technique of casting type in bronze, iron, and various alloys. In East Asia, this revolutionary technology was intimately connected with the art of calligraphy, which reached supreme aesthetic heights espeically in China. It is this aspect of East Asian printing that gives it an impressive place in the history of art. [This book] carefully examines the influence of the different styles of calligraphy on the making of books both before and after the advent of printing. First exploring early forms of writing such as inscriptions on bone, bamboo strips, and bronzes, the authors go on to trace the historic stages of bookmaking, from handwritten scrolls on silk and paper to block-printed books and, finally, the products of early modern times, printined with movable metal type. Illustrated with photographs of one hundred and twenty-nine items selected for exhibition at the Art Museum, Princeton University, this book is also a catalogue of treasures from the University's Gest Library, a collection of almost half a million rare and valuable volumes in Chinese, Japanese, Korean, and other languages.-- Book Jacket.
Author: Shigemi Komatsu
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 206
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Book Description
Author: Zhongshi Ouyang
Publisher:
ISBN: 9780300121070
Category : Calligraphy, Chinese
Languages : en
Pages : 0
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Book Description
A landmark reference volume devoted to Chinese calligraphy, a unique and beautiful art form with a three-thousand-year tradition Chinese calligraphy, with its artistic as well as utilitarian values, has been treasured for its formal beauty for more than three millennia. This lavishly illustrated book brings to English language readers for the first time a full account of calligraphy in China, including its history, theory, and importance in Chinese culture. Representing an unprecedented collaboration among leading Chinese and Western specialists, the book provides a definitive and up-to-date overview of the visual art form most revered in China. The book begins with the premise that the history of Chinese script writing represents the core development of the history of Chinese culture and civilization. Tracing the development of calligraphic criticism from the second century to the twenty-first, the fourteen contributors to the volume offer a well-balanced and readable account of this tradition. With more than 600 illustrations, including examples of extremely rare Chinese calligraphy from all over the world, and an informative prologue by Wen C. Fong, this book will make a welcome addition to the library of every Western reader interested in China and its premiere art form. Foreign Languages Press
Author: Lauren Arrington
Publisher: Cambridge University Press
ISBN: 1107693438
Category : Art
Languages : en
Pages : 211
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Book Description
This collection challenges conventional ideas of beauty by exploring unconventional approaches to the topic in the arts, sciences and mathematics.
Author: Perry Link
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629968797
Category : Literary Collections
Languages : en
Pages : 308
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Book Description
Professor Frederick W. Mote (1922–2006) has been widely recognized as a key figure in the field of Sinology. He taught at Princeton University for thirty-one years and was a founder of both Princeton's Department of East Asian Studies and its re-markable Gest (East Asian) Library. His distinguished record of scholarly publication includes the co-editing, with Professor Denis C. Twitchett, of volumes seven and eight of the Cambridge History of China. Although he is perhaps best known for his studies of the Ming dynasty, his special erudition, as demonstrated in his final book, Imperial China, 900-1800, spans the Song through Qing periods. Generations of his students and colleagues have admired him not only for his learning but for his generosity in sharing his broad understanding of China. This wide-ranging collection includes papers by David A. Sensabaugh, Geoff Wade, Hok-lam Chan, Tai-loi Ma, Martin Hei-jdra, Chen-main Wang, Thomas Bartlett, Paul R. Katz, Alfreda Murck and Perry Link. Its publication stands not only as a tribute to Professor Mote but as a major contribution to the field of Sinology.
Author: Henryk Sawoniak
Publisher: Walter de Gruyter
ISBN: 3110975068
Category : Reference
Languages : en
Pages : 1284
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Book Description
Author: Joseph P. McDermott
Publisher: Hong Kong University Press
ISBN: 988820808X
Category : History
Languages : en
Pages : 363
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Book Description
This volume provides the first comparative survey of the relations between the two most active book worlds in Eurasia between 1450 and 1850. Prominent scholars in book history explore different approaches to publishing, printing, and book culture. They discuss the extent of technology transfer and book distribution between the two regions and show how much book historians of East Asia and Europe can learn from one another by raising new questions, exploring remarkable similarities and differences in these regions’ production, distribution, and consumption of books. The chapters in turn show different ways of writing transnational comparative history. Whereas recent problems confronting research on European books can instruct researchers on East Asian book production, so can the privileged role of noncommercial publications in the East Asian textual record highlight for historians of the European book the singular contribution of commercial printing and market demands to the making of the European printed record. Likewise, although production growth was accompanied in both regions by a wider distribution of books, woodblock technology’s simplicity and mobility allowed for a shift in China of its production and distribution sites farther down the hierarchy of urban sites than was common in Europe. And, the different demands and consumption practices within these two regions’ expanding markets led to different genre preferences and uses as well as to the growth of distinctive female readerships. A substantial introduction pulls the work together and the volume ends with an essay that considers how these historical developments shape the present book worlds of Eurasia. “This splendid volume offers expert new insight into the ways of producing, financing, distributing, and reading printed books in early modern Europe and East Asia. This is comparative history at its best, which leaves us with a better understanding of each context and of the challenges common to book cultures across space and time.” —Ann Blair, author of Too Much to Know: Managing Scholarly Information before the Modern Age and professor of history, Harvard University “This engrossing account of the history of the book by leading specialists on the European and East Asian publishing worlds takes stock of what we know—and how much we still need to know—about the places that books had in the lives of our early modern forebears. Each chapter is masterful state-of-the-field coverage of its subject, and together they set a new standard for future studies of the book, East and West.” —Timothy Brook, author of The Troubled Empire: China in the Yuan and Ming Dynasties
