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Author: Kathryn S. Olmsted
Publisher: The New Press
ISBN: 1620970961
Category : Business & Economics
Languages : en
Pages : 338
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Book Description
In a major reassessment of modern conservatism, noted historian Kathryn S. Olmsted reexamines the explosive labor disputes in the agricultural fields of Depression-era California, the cauldron that inspired a generation of artists and writers and that triggered the intervention of FDR's New Deal. Right Out of California tells how this brief moment of upheaval terrified business leaders into rethinking their relationship to American politics--a narrative that pits a ruthless generation of growers against a passionate cast of reformers, writers, and revolutionaries. Olmsted reveals how California's businessmen learned the language of populism with the help of allies in the media and entertainment industries, and in the process created a new style of politics: corporate funding of grassroots groups, military-style intelligence gathering against political enemies, professional campaign consultants, and alliances between religious and economic conservatives. The business leaders who battled for the hearts and minds of Depression-era California, moreover, would go on to create the organizations that launched the careers of Richard Nixon and Ronald Reagan. A riveting history in its own right, Right Out of California is also a vital chapter in our nation's political transformation whose echoes are still felt today.
Author: Kathryn S. Olmsted
Publisher: The New Press
ISBN: 1620970961
Category : Business & Economics
Languages : en
Pages : 338
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Book Description
In a major reassessment of modern conservatism, noted historian Kathryn S. Olmsted reexamines the explosive labor disputes in the agricultural fields of Depression-era California, the cauldron that inspired a generation of artists and writers and that triggered the intervention of FDR's New Deal. Right Out of California tells how this brief moment of upheaval terrified business leaders into rethinking their relationship to American politics--a narrative that pits a ruthless generation of growers against a passionate cast of reformers, writers, and revolutionaries. Olmsted reveals how California's businessmen learned the language of populism with the help of allies in the media and entertainment industries, and in the process created a new style of politics: corporate funding of grassroots groups, military-style intelligence gathering against political enemies, professional campaign consultants, and alliances between religious and economic conservatives. The business leaders who battled for the hearts and minds of Depression-era California, moreover, would go on to create the organizations that launched the careers of Richard Nixon and Ronald Reagan. A riveting history in its own right, Right Out of California is also a vital chapter in our nation's political transformation whose echoes are still felt today.
Author: WPA Writers' Program of the Work Projects Administration in Southern California
Publisher: Univ of California Press
ISBN: 0520268830
Category : History
Languages : en
Pages : 584
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Book Description
Previously published: New York: Hastings House, 1941, under the title Los Angeles: a guide to the city and its environs, as part of the American guide series.
Author: Wendy Kaplan
Publisher: MIT Press
ISBN: 0262299860
Category : Art
Languages : en
Pages : 368
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Book Description
The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.
Author: James Noble Gregory
Publisher: Oxford University Press, USA
ISBN: 9780195071368
Category : History
Languages : en
Pages : 362
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Book Description
Gregory reaches into the migrants' lives to reveal both their economic trials and their impact on California's culture and society. He traces the development of an 'Okie subculture' which is now an essential element of California's cultural landscape.
Author: Federal Writers Project of the Works Progress Administration
Publisher: Univ of California Press
ISBN: 0520948866
Category : History
Languages : en
Pages : 583
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Book Description
Los Angeles in the 1930s returns to print an invaluable document of Depression-era Los Angeles, illuminating a pivotal moment in L.A.’s history, when writers like Raymond Chandler, Nathanael West, and F. Scott Fitzgerald were creating the images and associations—and the mystique—for which the City of Angels is still known. Many books in one, Los Angeles in the 1930s is both a genial guide and an addictively readable history, revisiting the Spanish colonial period, the Mexican period, the brief California Republic, and finally American sovereignty. It is also a compact coffee table book of dazzling monochrome photography. These whose haunting visions suggest the city we know today and illuminate the booms and busts that marked L.A.’s past and continue to shape its future.
Author: Dorothy Lockard Bristol
Publisher: Xlibris Corporation
ISBN: 9781469114644
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
Our 1935 black Oldsmobile and heavily-loaded trailer drew hostile looks as we drove into Bakersfield and stopped at a shady park to check the tires. When Mother, Daddy, we two girls and our young brother, Skippy, got out, two work-hardened men in ranch straw hats and short-sleeved cotton shirts stood staring suspiciously at our California license plates. "Had those plates on long?" the shorter man challenged Daddy. "Guess you'd say so," Daddy answered pleasantly. Mother's hands were settling on her hips, a sure sign her indignation would be expressed verbally at the first sign of an insult from the men. The taller man took a step toward Daddy. "Hope you're not looking for farm work in Bakersfield 'cause there isn't any." Deliberately the man spat on the curb. "Every damn fool in Texas, Missouri, Arkansas and Oklahoma is either here or on Route 66 trying to get here in some beat-up jalopy. Not enough cotton or potatoes in all of Kern County to keep half of them busy." "No," Daddy said evenly. "Not looking for work. Just looking to head out of here in a few minutes." While Daddy circled our car and trailer, Mother glared at the men, snapped open her white envelope purse and drew out a bottle of Coty's Emeraude, dabbing a drop behind each ear. "It's so much hotter here than in Lynwood," she said loftily. "I don't know how people can stand it." Turning her back on the Bakersfield men she added, "Come on, children, let's get back in the car. And don't step in that filth on the sidewalk." As Daddy pulled away from the curb, Mother fanned herself with her purse. "Imagine, Bruce, you, a civil engineer looking for farm work. I'd like to have given those Bakersfield men a piece of my mind, and I would have too if your work weren't so secret. They treated us as if we were Dust Bowl migrants!" In California in 1935 twenty percent of the country's labor force was unemployed, and hobos regularly knocked on back doors for handouts. To survive in the Great Depression, our father had taken a job with an oil exploration party in the San Joaquin Valley. Our family packed up and left southern California to join him. Between 1900 and 1936 California led the nation in petroleum production. Oil companies, certain that great reserves of oil still lay hidden, sent exploration crews, called doodlebug parties, throughout California to find new fields. The intense competition among oil companies mandated secrecy concerning doodlebug party movements. By setting explosives off in a series of holes, doodlebuggers would measure the echoes and make a seismic record that might indicate the presence of oil. Our new life was scary because we girls, Nancy, age 10 and Sunny, 12, had been allowed to make the decision whether to follow our father or remain in comfortably familiar Lynwood, just south of Los Angeles. Still, we knew that our father felt fortunate to be holding a job, even one that worked a hardship on his wife and children. We left our home in Southern California and headed north over the Ridge Route, towing our possessions behind our car in a small canvas-covered trailer. Even though the security of our family unit buffered us against hardships, we girls were apprehensive. Still, we were excited about the new life that was unfolding. DOODLEBUG DAYS takes place in a California with a population of only six million. The Valley towns in which we lived were small and agricultural with tight-knit established families. For the employed, life was less complicated than it is today. Radios, not televisions, were prominently enshrined in each living room. In the small towns up and down the Valley, people pulled their kitchen chairs close to their radio to listen to President Roosevelt's fireside chats as he discussed solutions to the problems that marked the era.
Author: Federal Writers' Project of the Works Progress Administration of Northern California
Publisher: Univ of California Press
ISBN: 0520268806
Category : History
Languages : en
Pages : 640
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Book Description
Originally published: New York: Hastings House, 1940, as part of the American guide series. Title of rev. 2d ed. (1947) was: San Francisco, the bay and its cities.
Author: Fred Glass
Publisher: Univ of California Press
ISBN: 0520288408
Category : History
Languages : en
Pages : 542
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Book Description
There is no better time than now to consider the labor history of the Golden State. While other states face declining union enrollment rates and the rollback of workersÕ rights, California unions are embracing working immigrants, and voters are protecting core worker rights. WhatÕs the difference? California has held an exceptional place in the imagination of Americans and immigrants since the Gold Rush, which saw the first of many waves of working people moving to the state to find work. From Mission to Microchip unearths the hidden stories of these people throughout CaliforniaÕs history. The difficult task of the stateÕs labor movement has been to overcome perceived barriers such as race, national origin, and language to unite newcomers and natives in their shared interest. As chronicled in this comprehensive history, workers have creatively used collective bargaining, politics, strikes, and varied organizing strategies to find common ground among CaliforniaÕs diverse communities and achieve a measure of economic fairness and social justice. This is an indispensible book for students and scholars of labor history and history of the West, as well as labor activists and organizers.Ê
Author: Ruth Lilly Westphal
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Author: Anne Loftis
Publisher: University of Nevada Press
ISBN: 0874174406
Category : History
Languages : en
Pages : 374
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Book Description
In this groundbreaking interdisciplinary study, Loftis examines the artists who put a human face on the farmworkers’ plight in California during the Great Depression, focusing on writer John Steinbeck, photographer Dorothea Lange, sociologist and author Paul Taylor, and journalist Carey McWilliams. Loftis probes the interplay between journalism and art in the 1930s, when both academics and artists felt an urgent need to be relevant in the face of enormous misery. The power of their work grew out of their personal involvement in both the labor struggles and the hardships endured by workers and their families. Steinbeck, Lange, and the other artists and intellectuals in their circles created the public images of their times. Works such as The Grapes of Wrath or Lange’s Migrant Mother actually helped mold public opinion and form government policies. Even today these works remain icons in our shared perception of that era. Loftis helps us understand why this art still seems the truest representation of those desperate times, three-quarters of a century later.
