Author: Bill Ashcroft
Publisher: Routledge
ISBN: 1134030061
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Caliban's Voice
Author: Bill Ashcroft
Publisher: Routledge
ISBN: 113403007X
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Publisher: Routledge
ISBN: 113403007X
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Caliban's Voice
Author: Bill Ashcroft
Publisher: Routledge
ISBN: 1134030061
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Publisher: Routledge
ISBN: 1134030061
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Mrs. Caliban
Author: Rachel Ingalls
Publisher: New Directions Publishing
ISBN: 081122709X
Category : Fiction
Languages : en
Pages : 115
Book Description
Now back in print, Mrs. Caliban is “totally unforgettable” (The New York Times Book Review) and “something of a miracle” (The New Yorker) In the quiet suburbs, while Dorothy is doing chores and waiting for her husband to come home from work, not in the least anticipating romance, she hears a strange radio announcement about a monster who has just escaped from the Institute for Oceanographic Research… Reviewers have compared Rachel Ingalls’s Mrs. Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.
Publisher: New Directions Publishing
ISBN: 081122709X
Category : Fiction
Languages : en
Pages : 115
Book Description
Now back in print, Mrs. Caliban is “totally unforgettable” (The New York Times Book Review) and “something of a miracle” (The New Yorker) In the quiet suburbs, while Dorothy is doing chores and waiting for her husband to come home from work, not in the least anticipating romance, she hears a strange radio announcement about a monster who has just escaped from the Institute for Oceanographic Research… Reviewers have compared Rachel Ingalls’s Mrs. Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.
Black Male Fiction and the Legacy of Caliban
Author: James W. Coleman
Publisher: University Press of Kentucky
ISBN: 0813193559
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
With The Tempest's Caliban, Shakespeare created an archetype in the modern era depicting black men as slaves and savages who threaten civilization. As contemporary black male fiction writers have tried to free their subjects and themselves from this legacy to tell a story of liberation, they often unconsciously retell the story, making their heroes into modern-day Calibans. Coleman analyzes the modern and postmodern novels of John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He traces the Caliban legacy to early literary influences, primarily Ralph Ellison, and then deftly demonstrates its contemporary manifestations. This engaging study challenges those who argue for the liberating possibilities of the postmodern narrative, as Coleman reveals the pervasiveness and influence of Calibanic discourse. At the heart of James Coleman's study is the perceived history of the black male in Western culture and the traditional racist stereotypes indigenous to the language. Calibanic discourse, Coleman argues, so deeply and subconsciously influences the texts of black male writers that they are unable to cast off the oppression inherent in this discourse. Coleman wants to change the perception of black male writers' struggle with oppression by showing that it is their special struggle with language. Black Male Fiction and the Legacy of Caliban is the first book to analyze a substantial body of black male fiction from a central perspective.
Publisher: University Press of Kentucky
ISBN: 0813193559
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
With The Tempest's Caliban, Shakespeare created an archetype in the modern era depicting black men as slaves and savages who threaten civilization. As contemporary black male fiction writers have tried to free their subjects and themselves from this legacy to tell a story of liberation, they often unconsciously retell the story, making their heroes into modern-day Calibans. Coleman analyzes the modern and postmodern novels of John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He traces the Caliban legacy to early literary influences, primarily Ralph Ellison, and then deftly demonstrates its contemporary manifestations. This engaging study challenges those who argue for the liberating possibilities of the postmodern narrative, as Coleman reveals the pervasiveness and influence of Calibanic discourse. At the heart of James Coleman's study is the perceived history of the black male in Western culture and the traditional racist stereotypes indigenous to the language. Calibanic discourse, Coleman argues, so deeply and subconsciously influences the texts of black male writers that they are unable to cast off the oppression inherent in this discourse. Coleman wants to change the perception of black male writers' struggle with oppression by showing that it is their special struggle with language. Black Male Fiction and the Legacy of Caliban is the first book to analyze a substantial body of black male fiction from a central perspective.
Caliban
Author: Lorina Stephens
Publisher: Five Rivers Publishing
ISBN: 1988274346
Category : Fiction
Languages : en
Pages : 193
Book Description
Tine is detective, bureaucrat, family member, an Active agent of the Interplanetary Criminal Investigation Bureau on a planet with no crime and a physiological barrier to travel or immigration. Tine is also a monster: a hooved, troll-like person looked down upon by any of the galaxy's aesthetes who even know that his people, the Caliban, exist at all. When his boss sends him, at Tine's great personal cost, to investigate a disappearance on a planet renowned for the beauty of its dreamweavers and the dreams they create, Tine is an intruder in Paradise: ugly, base, fallible, vulnerable, principled—and ultimately forced to go far beyond his mandate to solve the crime and bring about some semblance of Justice. Or he might die trying, an exile despised by almost all around him. Lorina Stephens's scientific detective fantasy is an allegory of a person out of place who brings their anchor with them in the form of deep strength and clarity of character. Tine, the monster who can be nothing else but his pure Self, is brought face to face with Others whose selves prove to be masking the monstrous. Justice, we discover, requires cleverness, understanding and sacrifice—and Tine the Caliban must exert all three beyond his utmost in his journey toward the truth. In the process, both Tine and the reader re-assess what is ugly and what is beautiful, what is dross and what is worthy.
Publisher: Five Rivers Publishing
ISBN: 1988274346
Category : Fiction
Languages : en
Pages : 193
Book Description
Tine is detective, bureaucrat, family member, an Active agent of the Interplanetary Criminal Investigation Bureau on a planet with no crime and a physiological barrier to travel or immigration. Tine is also a monster: a hooved, troll-like person looked down upon by any of the galaxy's aesthetes who even know that his people, the Caliban, exist at all. When his boss sends him, at Tine's great personal cost, to investigate a disappearance on a planet renowned for the beauty of its dreamweavers and the dreams they create, Tine is an intruder in Paradise: ugly, base, fallible, vulnerable, principled—and ultimately forced to go far beyond his mandate to solve the crime and bring about some semblance of Justice. Or he might die trying, an exile despised by almost all around him. Lorina Stephens's scientific detective fantasy is an allegory of a person out of place who brings their anchor with them in the form of deep strength and clarity of character. Tine, the monster who can be nothing else but his pure Self, is brought face to face with Others whose selves prove to be masking the monstrous. Justice, we discover, requires cleverness, understanding and sacrifice—and Tine the Caliban must exert all three beyond his utmost in his journey toward the truth. In the process, both Tine and the reader re-assess what is ugly and what is beautiful, what is dross and what is worthy.
Caliban by the Yellow Sands
Author: Percy MacKaye
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
Constellation Caliban
Author:
Publisher: BRILL
ISBN: 9004648259
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
We are now in the Age of Caliban rather than in the Time of Ariel or the Era of Prospero, Harold Bloom claimed in 1992. Bloom was specifically referring to Caliban's rising popularity as the prototype of the colonised or repressed subject, especially since the 1980s. However, already earlier the figure of Caliban had inspired artists from the most divergent backgrounds: Robert Browning, Ernest Renan, Aimé Césaire, and Peter Greenaway, to name only some of the better known. Much has already been published on Caliban, and there exist a number of excellent surveys of this character's appearance in literature and the other arts. The present collection does not aim to trace Caliban over the ages. Rather, Constellation Caliban intends to look at a number of specific refigurations of Caliban. What is the Caliban-figure's role and function within a specific work of art? What is its relation to the other signifiers in that work of art? What interests are invested in the Caliban-figure, what values does it represent or advocate? Whose interests and values are these? These and similar questions guided the contributors to the present volume. In other words, what one finds here is not a study of origins, not a genealogy, not a reception-study, but rather a fascinating series of case studies informed by current theoretical debate in areas such as women's studies, sociology of literature and of the intellectuals, nation-formation, new historicism, etc. Its interdisciplinary approach and its attention to matters of multi-culturalism make Constellation Caliban into an unusually wide ranging and highly original contribution to Shakespeare-studies. The book should appeal to students of English Literature, Modern European Literature, Comparative Literature, Drama or Theatre Studies, and Cultural Studies, as well as to anyone interested in looking at literature within a broad social and historical context while still appreciating detailed textual analyses.
Publisher: BRILL
ISBN: 9004648259
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
We are now in the Age of Caliban rather than in the Time of Ariel or the Era of Prospero, Harold Bloom claimed in 1992. Bloom was specifically referring to Caliban's rising popularity as the prototype of the colonised or repressed subject, especially since the 1980s. However, already earlier the figure of Caliban had inspired artists from the most divergent backgrounds: Robert Browning, Ernest Renan, Aimé Césaire, and Peter Greenaway, to name only some of the better known. Much has already been published on Caliban, and there exist a number of excellent surveys of this character's appearance in literature and the other arts. The present collection does not aim to trace Caliban over the ages. Rather, Constellation Caliban intends to look at a number of specific refigurations of Caliban. What is the Caliban-figure's role and function within a specific work of art? What is its relation to the other signifiers in that work of art? What interests are invested in the Caliban-figure, what values does it represent or advocate? Whose interests and values are these? These and similar questions guided the contributors to the present volume. In other words, what one finds here is not a study of origins, not a genealogy, not a reception-study, but rather a fascinating series of case studies informed by current theoretical debate in areas such as women's studies, sociology of literature and of the intellectuals, nation-formation, new historicism, etc. Its interdisciplinary approach and its attention to matters of multi-culturalism make Constellation Caliban into an unusually wide ranging and highly original contribution to Shakespeare-studies. The book should appeal to students of English Literature, Modern European Literature, Comparative Literature, Drama or Theatre Studies, and Cultural Studies, as well as to anyone interested in looking at literature within a broad social and historical context while still appreciating detailed textual analyses.
The Mask of Caliban
Author: Michael Pryor
Publisher: Lothian Children's Books
ISBN: 0734413343
Category : Juvenile Fiction
Languages : en
Pages : 173
Book Description
Australia, many years in the future. A place of darkness, overpopulation and environmental degradation. A rigidly stratified society controlled by Artificial Intelligences. Caliban, a street person and petty thief is given the chance to create a new life for himself. Drawn into a complex game by the Artificial Intelligences, Caliban suddenly discovers that he is not only fighting for his identity, but for his life... A finalist for the 1997 Aurealis Award for best young-adult novel, The Mask of Caliban was Australian speculative fiction master MICHAEL PRYOR’s breakthrough novel.
Publisher: Lothian Children's Books
ISBN: 0734413343
Category : Juvenile Fiction
Languages : en
Pages : 173
Book Description
Australia, many years in the future. A place of darkness, overpopulation and environmental degradation. A rigidly stratified society controlled by Artificial Intelligences. Caliban, a street person and petty thief is given the chance to create a new life for himself. Drawn into a complex game by the Artificial Intelligences, Caliban suddenly discovers that he is not only fighting for his identity, but for his life... A finalist for the 1997 Aurealis Award for best young-adult novel, The Mask of Caliban was Australian speculative fiction master MICHAEL PRYOR’s breakthrough novel.
Hugo, Pasternak, Brecht, Césaire
Author: Ruth Morse
Publisher: A&C Black
ISBN: 1472558553
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Victor-Marie Hugo, François-Victor Hugo, Boris Leonidivich Pasternak, Bertolt Brecht and Aimé Césaire to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.
Publisher: A&C Black
ISBN: 1472558553
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Victor-Marie Hugo, François-Victor Hugo, Boris Leonidivich Pasternak, Bertolt Brecht and Aimé Césaire to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.
Great Shakespeareans Set IV
Author: Adrian Poole
Publisher: Bloomsbury Publishing
ISBN: 1441145281
Category : Literary Criticism
Languages : en
Pages : 1168
Book Description
Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. An essential resource for students and scholars in Shakespeare studies.
Publisher: Bloomsbury Publishing
ISBN: 1441145281
Category : Literary Criticism
Languages : en
Pages : 1168
Book Description
Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. An essential resource for students and scholars in Shakespeare studies.