Byzantine Iconoclasm During the Reign of Leo III

Byzantine Iconoclasm During the Reign of Leo III PDF Author: Stephen Gero
Publisher: Peeters
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 260

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Book Description
(Peeters 1973)

Byzantine Iconoclasm During the Reign of Leo III

Byzantine Iconoclasm During the Reign of Leo III PDF Author: Stephen Gero
Publisher: Peeters
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 260

Get Book Here

Book Description
(Peeters 1973)

Byzantine Iconoclasm During the Reign of Leo III

Byzantine Iconoclasm During the Reign of Leo III PDF Author: Stephen Gero
Publisher: Peeters
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 260

Get Book Here

Book Description
(Peeters 1973)

Byzantine Iconoclasm During the Reign of Leo III

Byzantine Iconoclasm During the Reign of Leo III PDF Author: Stephen Gero
Publisher:
ISBN:
Category :
Languages : en
Pages : 220

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Book Description


Byzantine Iconoclasm During the Reign of Leo III.

Byzantine Iconoclasm During the Reign of Leo III. PDF Author: Stephen Gero
Publisher:
ISBN:
Category : Byzantine Empire
Languages : en
Pages :

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Book Description


A Companion to Byzantine Iconoclasm

A Companion to Byzantine Iconoclasm PDF Author: Mike Humphreys
Publisher: BRILL
ISBN: 9004462007
Category : Art
Languages : en
Pages : 648

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Book Description
Twelve scholars contextualize and critically examine the key debates about the controversy over icons and their veneration that would fundamentally shape Byzantium and Orthodox Christianity.

A History of Byzantium

A History of Byzantium PDF Author: Timothy E. Gregory
Publisher: John Wiley & Sons
ISBN: 1444359975
Category : History
Languages : en
Pages : 481

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Book Description
This revised and expanded edition of the widely-praised A History of Byzantium covers the time of Constantine the Great in AD 306 to the fall of Constantinople in 1453. Expands treatment of the middle and later Byzantine periods, incorporating new archaeological evidence Includes additional maps and photographs, and a newly annotated, updated bibliography Incorporates a new section on web resources for Byzantium studies Demonstrates that Byzantium was important in its own right but also served as a bridge between East and West and ancient and modern society Situates Byzantium in its broader historical context with a new comparative timeline and textboxes

Imagining the Byzantine Past

Imagining the Byzantine Past PDF Author: Elena N. Boeck
Publisher: Cambridge University Press
ISBN: 1107085810
Category : Art
Languages : en
Pages : 337

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Book Description
The first comparative, cross-cultural study of medieval illustrated histories that engages in a direct, confrontational dialogue with Byzantine historical memory.

Studies in the Byzantine Monetary Economy C.300-1450

Studies in the Byzantine Monetary Economy C.300-1450 PDF Author: Michael F. Hendy
Publisher: Cambridge University Press
ISBN: 9780521088527
Category : Antiques & Collectibles
Languages : en
Pages : 832

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Book Description
This is a major study of the Byzantine coinage set in the wider context of finance, administration and economy. The book consists of four main sections, on economy and society, on finance, and on the circulation and production of coinage, and has made an unrivalled contribution in the field of late classical, Byzantine and medieval economic history.

Inventing Byzantine Iconoclasm

Inventing Byzantine Iconoclasm PDF Author: Leslie Brubaker
Publisher: Bristol Classical Press
ISBN: 9781853997501
Category : Art
Languages : en
Pages : 0

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Book Description
Byzantine ‘iconoclasm' is famous and has influenced iconoclast movements from the English Reformation and French Revolution to Taliban, but it has also been woefully misunderstood: this book shows how and why the debate about images was more complicated, and more interesting, than it has been presented in the past. It explores how icons came to be so important, who opposed them, and how the debate about images played itself out over the years between c. 680 and 850. Many widely accepted assumptions about ‘iconoclasm' – that it was an imperial initiative that resulted in widespread destruction of images, that the major promoters of icon veneration were monks, and that the era was one of cultural stagnation – are shown to be incorrect. Instead, the years of the image debates saw technological advances and intellectual shifts that, coupled with a growing economy, concluded with the emergence of medieval Byzantium as a strong and stable empire.

Images, Iconoclasm, and the Carolingians

Images, Iconoclasm, and the Carolingians PDF Author: Thomas F. X. Noble
Publisher: University of Pennsylvania Press
ISBN: 0812202961
Category : History
Languages : en
Pages : 497

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Book Description
In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated. The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art. Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.