Author:
Publisher:
ISBN:
Category : Icons
Languages : en
Pages : 46
Book Description
Byzantine, Greek and Russian Icons: "image Picture God Likeness".
Masterpieces of Byzantine and Russian Icon Painting, 12th-16th Century
Author: Temple Gallery (London, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 102
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 102
Book Description
Icon
Author:
Publisher:
ISBN:
Category : Icons
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Icons
Languages : en
Pages : 48
Book Description
Icons
Author: Robin Cormack
Publisher: Harvard University Press
ISBN: 9780674026193
Category : Art
Languages : en
Pages : 156
Book Description
Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed--and one of the most mysterious. This book provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain's most important collection, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.
Publisher: Harvard University Press
ISBN: 9780674026193
Category : Art
Languages : en
Pages : 156
Book Description
Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed--and one of the most mysterious. This book provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain's most important collection, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.
Space, Time, and Presence in the Icon
Author: Dr Clemena Antonova
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409480593
Category : Religion
Languages : en
Pages : 210
Book Description
This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409480593
Category : Religion
Languages : en
Pages : 210
Book Description
This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.
Spirituality in the Christian East
Author: Bertrand Davezac
Publisher:
ISBN:
Category : Christian saints in art
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category : Christian saints in art
Languages : en
Pages : 288
Book Description
Visible Image of the Invisible God
Author: Dennis J. Sardella
Publisher: Paraclete Press
ISBN: 1640607307
Category : Religion
Languages : en
Pages : 175
Book Description
A comprehensive and beautifully illustrated guide to Russian icons — the "beating heart of the Christian East" Religious icons have been at the spiritual heart of the Christian East for nearly two thousand years. Their mysterious, peaceful quality and almost magnetic power can stop us in our tracks and draw our gaze, without us even knowing why. The sophisticated composition and symbolism of icons emphasize that their subjects are inhabitants of another, transcendent, world. They are not simply the art of the Christian East, but the expression and pulse of its spirituality. And on a personal level for many Christians of all backgrounds, icons are not only objects of admiration, but a deep wellspring of meditation, reflection, and veneration. A docent at the Museum of Russian Icons in Clinton, Massachusetts, for many years, Dennis J. Sardella now offers an inviting guide to the most famous icons in the collection. This vibrantly illustrated book will: • Introduce you to icons and instill a desire for a deeper appreciation of them • Teach you about their origin, their historical evolution, their complex symbolic language, and their role in the spiritual and liturgical life of the Eastern Churches, both Orthodox and Catholic • Answer your questions about when and where the first icons were created • Show the physical and spiritual steps in their creation • Explain the different types of icons, the symbolism that is key to deciphering them, as well as their role in Eastern Christian spirituality and liturgy. Those who are knowledgeable about Russian icons and Byzantine icons, as well as newcomers, will find Visible Image of the Invisible God to be a treasured resource.
Publisher: Paraclete Press
ISBN: 1640607307
Category : Religion
Languages : en
Pages : 175
Book Description
A comprehensive and beautifully illustrated guide to Russian icons — the "beating heart of the Christian East" Religious icons have been at the spiritual heart of the Christian East for nearly two thousand years. Their mysterious, peaceful quality and almost magnetic power can stop us in our tracks and draw our gaze, without us even knowing why. The sophisticated composition and symbolism of icons emphasize that their subjects are inhabitants of another, transcendent, world. They are not simply the art of the Christian East, but the expression and pulse of its spirituality. And on a personal level for many Christians of all backgrounds, icons are not only objects of admiration, but a deep wellspring of meditation, reflection, and veneration. A docent at the Museum of Russian Icons in Clinton, Massachusetts, for many years, Dennis J. Sardella now offers an inviting guide to the most famous icons in the collection. This vibrantly illustrated book will: • Introduce you to icons and instill a desire for a deeper appreciation of them • Teach you about their origin, their historical evolution, their complex symbolic language, and their role in the spiritual and liturgical life of the Eastern Churches, both Orthodox and Catholic • Answer your questions about when and where the first icons were created • Show the physical and spiritual steps in their creation • Explain the different types of icons, the symbolism that is key to deciphering them, as well as their role in Eastern Christian spirituality and liturgy. Those who are knowledgeable about Russian icons and Byzantine icons, as well as newcomers, will find Visible Image of the Invisible God to be a treasured resource.
The sensual icon
Author: Bissera V
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346
Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346
Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Russian Baptists and Orthodoxy, 1960-1990
Author: Constantine Prokhorov
Publisher: Langham Publishing
ISBN: 1783689889
Category : Religion
Languages : en
Pages : 511
Book Description
Russian Baptists and the Orthodox Church have had a difficult and – at times – dramatic relationship over the past century and a half. However, the purpose of this thesis is to examine certain internal connections between these two Christian bodies. Despite the evident dissimilarity – in theology, church practice and traditions – there is common ground which has been largely unexplored. A number of features inevitably brought them together, such as living in the same country over a long period of time, sharing a history and national roots, responding to the same civic concerns, and finally – until recently – using the same Russian (“Synodal”) translation of the Bible. This thesis explores, first of all, the roots of the issue of Orthodox-Baptist similarities and dissimilarities in the nineteenth century. The remainder of the thesis focuses on 1960 to 1990. There is a chapter analyzing the way in which, in significant areas, Russian Baptist theology resembled Orthodox thinking. This is followed by a study of church and sacraments, which again shows that Russian Baptist approaches had echoes of Orthodoxy. The thesis then explores Baptist liturgy, showing the Orthodox elements that were present. The same connections are then explored in the area of Russian Baptist communal spiritual traditions. The examination of the Bible, beliefs and behaviour also indicates the extent to which Russian Baptists mirrored Orthodoxy. Finally there is an analysis of the popular piety of the Russian Baptists and the way in which they constructed an alternative culture. The basic views of Russian Baptists between the 1960s and 1990 have been drawn from periodicals of the Russian Baptist communities and from interviews with pastors (presbyters) and church members who were part of these communities. This often yields insights into “primary theology”, which in relation to many issues differs from official Baptist declarations that tend to stress the more Protestant aspects of Russian Baptist life. The aim of the thesis is to show that in a period in the history of the USSR when the division between the Western world and the Soviet bloc was marked, there was a strong Eastern orientation among Russian Baptists. This changed when the USSR came to an end. Over a number of years there was mass emigration of Russian Baptists and, in addition, pro-Western thinking gained considerable ground within the Russian Baptist community. During the period examined here, however, it is possible to uncover a great deal of evidence of Russian Baptists participating in Orthodox theology, spiritual mentality and culture.
Publisher: Langham Publishing
ISBN: 1783689889
Category : Religion
Languages : en
Pages : 511
Book Description
Russian Baptists and the Orthodox Church have had a difficult and – at times – dramatic relationship over the past century and a half. However, the purpose of this thesis is to examine certain internal connections between these two Christian bodies. Despite the evident dissimilarity – in theology, church practice and traditions – there is common ground which has been largely unexplored. A number of features inevitably brought them together, such as living in the same country over a long period of time, sharing a history and national roots, responding to the same civic concerns, and finally – until recently – using the same Russian (“Synodal”) translation of the Bible. This thesis explores, first of all, the roots of the issue of Orthodox-Baptist similarities and dissimilarities in the nineteenth century. The remainder of the thesis focuses on 1960 to 1990. There is a chapter analyzing the way in which, in significant areas, Russian Baptist theology resembled Orthodox thinking. This is followed by a study of church and sacraments, which again shows that Russian Baptist approaches had echoes of Orthodoxy. The thesis then explores Baptist liturgy, showing the Orthodox elements that were present. The same connections are then explored in the area of Russian Baptist communal spiritual traditions. The examination of the Bible, beliefs and behaviour also indicates the extent to which Russian Baptists mirrored Orthodoxy. Finally there is an analysis of the popular piety of the Russian Baptists and the way in which they constructed an alternative culture. The basic views of Russian Baptists between the 1960s and 1990 have been drawn from periodicals of the Russian Baptist communities and from interviews with pastors (presbyters) and church members who were part of these communities. This often yields insights into “primary theology”, which in relation to many issues differs from official Baptist declarations that tend to stress the more Protestant aspects of Russian Baptist life. The aim of the thesis is to show that in a period in the history of the USSR when the division between the Western world and the Soviet bloc was marked, there was a strong Eastern orientation among Russian Baptists. This changed when the USSR came to an end. Over a number of years there was mass emigration of Russian Baptists and, in addition, pro-Western thinking gained considerable ground within the Russian Baptist community. During the period examined here, however, it is possible to uncover a great deal of evidence of Russian Baptists participating in Orthodox theology, spiritual mentality and culture.
National Union Catalog
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 614
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 614
Book Description
Includes entries for maps and atlases.