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Author: Anne Derbes
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 1288
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Book Description
Author: Anne Derbes
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 1288
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Book Description
Author: Cyril A. Mango
Publisher: University of Toronto Press
ISBN: 9780802066275
Category : Art
Languages : en
Pages : 292
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Book Description
Originally published by Prentice-Hall, 1972.
Author: Henry Maguire
Publisher: Taylor & Francis
ISBN: 1000949893
Category : Music
Languages : en
Pages : 442
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Book Description
The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm, especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium, especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law, both human and divine; and portrayals of the two Byzantine courts, the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media, including floor and wall mosaics, paintings in manuscripts and churches, ivory carvings, coins, and enamel work.
Author: Ernst Kitzinger
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 332
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Book Description
Author: Christa Schug-Wille
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 276
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Book Description
The high points are undoubtedly the glittering mosaics of Ravenna and the soaring architecture of Constantinople's Hagia Sophia; but the true artistic wealth of Byzantium becomes ever more apparent when one considers the abundance and variety of the less well-known treasures included among the reproductions.
Author: Angeliki Lymberopoulou
Publisher: Routledge
ISBN: 1351953869
Category : History
Languages : en
Pages : 307
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Book Description
Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.
Author: Ormonde Maddock Dalton
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 792
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Book Description
Author: Robin Cormack
Publisher: Oxford University Press
ISBN: 0198778791
Category : Art
Languages : en
Pages : 264
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Book Description
A beautifully illustrated, new edition of the best single-volume guide to Byzantine art, providing an introduction to the whole period and range of styles.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 030011141X
Category : Art, Byzantine
Languages : en
Pages : 13
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Book Description
This volume publishes twelve papers that were delivered at an academic symposium held at The Metropolitan Museum of Art, New York, on April 16-18, 2004, in conjunction with the exhibition, "Byzantium: Faith and Power (1261-1557)" (held at The Metropolitan Museum of Art from March 23 to July 5, 2004).
Author: Charles Bayet
Publisher: Parkstone International
ISBN: 178310385X
Category : Art
Languages : en
Pages : 200
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Book Description
For more than a millennium, from its creation in 330 CE until its fall in 1453, the Byzantine Empire was a cradle of artistic effervescence that is only beginning to be rediscovered. Endowed with the rich heritage of Roman, Eastern, and Christian cultures, Byzantine artists developed an architectural and pictorial tradition, marked by symbolism, whose influence extended far beyond the borders of the Empire. Today, Italy, North Africa, and the Near East preserve the vestiges of this sophisticated artistic tradition, with all of its mystical and luminous beauty. The magnificence of the palaces, churches, paintings, enamels, ceramics, and mosaics from this civilisation guarantees Byzantine art's powerful influence and timelessness.
