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Author: William Sapte
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 176
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Book Description
Author: William Sapte
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 176
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Book Description
Author: Will Boast
Publisher: University of Iowa Press
ISBN: 1609380436
Category : Fiction
Languages : en
Pages : 176
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Book Description
Real musicians don’t sign autographs, date models, or fly in private jets. They spend their lives in practice rooms and basement clubs or toiling in the obscurity of coffee-shop gigs, casino jobs, and the European festival circuit. The ten linked stories in Power Ballads are devoted to this unheard virtuoso: the working musician. From the wings of sold-out arenas to hip-hop studios to polka bars, these stories are born out of a nocturnal world where music is often simply work, but also where it can, in rare moments, become a source of grace and transcendence, speaking about the things we never seem to say to each other. A skilled but snobby jazz drummer joins a costumed heavy metal band to pay his rent. A country singer tries to turn her brutal past into a successful career. A vengeful rock critic reenters the life of an emerging singer-songwriter, bent on wreaking havoc. The characters in Power Ballads—aging head-bangers, jobbers, techno DJs, groupies, and the occasional rock star (and those who have to live with them)—need music to survive, yet find themselves lost when the last note is played, the lights go up, and it’s time to return to regular life. By turns melancholy and hilarious, Power Ballads is not only a deeply felt look at the lives of musicians but also an exploration of the secret music that plays inside us all.
Author: Aaron Carnes
Publisher: Clash Books
ISBN: 9781955904711
Category : Music
Languages : en
Pages : 0
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Book Description
In a mix of interviews, essays, personal stories, historical snapshots, obscure anecdotes, and think pieces, this second expanded edition dissects, analyzes and celebrates ska in exactly the way fans have been craving for decades. With the addition of 4 new sections, Aaron adds to the already extensive compendium that was the first edition: The Importance of Christian Ska; After ska died in the '90s, the music went underground and returned to its roots; The ska roots of Fall Out Boy lead singer Patrick Stump; How Katrina created a vibrant ska scene in New Orleans. Aaron expands on the original edition with exciting interviews with Patrick Stump from Fall Out Boy who he interviewed on his podcast of the same name. In Defense of Ska: Ska Now More Than Ever is the much-needed response to years of ska-mockery. Now the time to take to the streets and fight music snobbery, or at least crank up the ska without being teased ruthlessly, has come. This book will enlist ska-lovers as soldiers in the ska army and challenge ska-haters' prejudices to the core.
Author: David John Brennan
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
In 1798, William Wordsworth and Samuel Taylor Coleridge were engaged in a top secret experiment. This was not, as many assume, the creation of a book of poetry. A book emerged, to be sure--the landmark Lyrical Ballads. But in Murder Ballads, David John Brennan posits that the two poets were in fact pursuing far different ends: to birth from their poems a singular, idealized Poet. Despite their success, such Frankensteinian pursuits proved rife with consequence for the men. Doubts and questions plagued them: What does it mean to be a poet if your work is not your own? Who is best fit to lay claim to a parcel of poetic property that was collaboratively crafted and bequeathed to a fictitious Poet? How does one kill a Poet born of one's own hand? Blending critical examination with jocular playlets-in-verse featuring the authors of the two books in baffled conversation, Murder Ballads reopens a 200-year-old cold case that never received a proper investigation: Who was the first true Author of Lyrical Ballads, and how exactly did he die?
Author: Richard Owens
Publisher: punctum books
ISBN: 0615983936
Category : Poetry
Languages : en
Pages : 136
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Book Description
Originally published by eth co-editor David Hadbawnik's habenicht press in 2012, Ballads uses the lyric form to explore the effects of global Capitalism from a sharp Marxist perspective. Recognizing the congruence between folk song circulation and the circulation of money, the "currency" of the ballad alongside supply-side economics, Owens hails Wordworth's Lyric Ballads experiment (undertaken at the dawn of England's Industrial Age) as one touchstone. But he also understands the built-in obsolescence of the form, its tendency to hearken back to imaginary origins. "[E]veryone has an idea they know what a ballad is," Owens writes in his "Working Notes." "It's this degraded thing shot through with a sense of pastness, cultural infancy and a charming but sometimes dangerous rusticity that needs to be carefully framed and reined." Thus Owens' Ballads playfully engage with language, figures, and forms from medieval and early modern England, with nods to the caesura-based, alliterative line, and Barbara Allan, Thomas the Rhymer, and Piers Plowman making appearances in the book's brief lyrics.
Author: Gloria Gaither
Publisher: Dimensions for Living
ISBN: 9780687015856
Category :
Languages : en
Pages : 32
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Book Description
Author: Kendra Preston Leonard
Publisher: Scarecrow Press
ISBN: 0810877651
Category : Performing Arts
Languages : en
Pages : 332
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Book Description
When writer and director Joss Whedon created the character Buffy the Vampire Slayer, he could hardly have expected the resulting academic interest in his work. Yet almost six years after the end of Buffy on television, Buffy studies—and academic work on Whedon's expanding oeuvre—continue to grow. Now with three hugely popular television shows, Buffy the Vampire Slayer, Angel, and Firefly, and the film Serenity all available on DVD, scholars are evaluating countless aspects of the Whedon universe (or "Whedonverse"). Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon studies the significant role that music plays in these works, from Buffy the Vampire Slayer to the internet musical Dr. Horrible's Sing-Along Blog. Kendra Preston Leonard has collected a varying selection of essays that explore music and sound in Joss Whedon's works. The essays investigate both diegetic and non-diegetic music, considering music from various sources, including the shows' original scores, music performed by the characters themselves, and music contributed by such artists as Michelle Branch, The Sex Pistols, and Sarah McLachlan, as well as classical composers like Camille Saint-Saëns and Johannes Brahms. The approaches incorporate historical and theoretical musicology, feminist and queer musicology, media studies, cultural history, and interdisciplinary readings. The book also explores the compositions written by Whedon himself: the theme music for Firefly, and two fully integrated musicals, the Buffy episode "Once More, With Feeling" and Dr. Horrible's Sing-Along Blog. With several musical examples, a table with a full breakdown of the Danse Macabre scene from the acclaimed Buffy episode "Hush," and an index, this volume will be fascinating to students and scholars of science-fiction, television, film, and popular culture.
Author:
Publisher:
ISBN: 9781458411426
Category : Music
Languages : en
Pages : 0
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Book Description
Classroom Instructional Resources
Author: Jenni Hyde
Publisher: Routledge
ISBN: 1351372998
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Singing the News is the first study to concentrate on sixteenth-century ballads, when there was no regular and reliable alternative means of finding out news and information. It is a highly readable and accessible account of the important role played by ballads in spreading news during a period when discussing politics was treason. The study provides a new analytical framework for understanding the ways in which balladeers spread their messages to the masses. Jenni Hyde focusses on the melody as much as the words, showing how music helped to shape the understanding of texts. Music provided an emotive soundtrack to words which helped to shape sixteenth-century understandings of gendered monarchy, heresy and the social cohesion of the commonwealth. By combining the study of ballads in manuscript and print with sources such as letters and state records, the study shows that when their topics edged too close to sedition, balladeers were more than capable of using sophisticated methods to disguise their true meaning in order to safeguard themselves and their audience, and above all to ensure that their news hit home.
Author: David Atkinson
Publisher: Routledge
ISBN: 1351544810
Category : Music
Languages : en
Pages : 327
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Book Description
Ballads are a fascinating subject of study not least because of their endless variety. It is quite remarkable that ballads taken down or recorded from singers separated by centuries in time and by hundreds of kilometres in distance, should be both different and yet recognizably the same. In The English Traditional Ballad, David Atkinson examines the ways in which the body of ballads known in England make reference both to ballads from elsewhere and to other English folk songs. The book outlines current theoretical directions in ballad scholarship: structuralism, traditional referentiality, genre and context, print and oral transmission, and the theory of tradition and revival. These are combined to offer readers a method of approaching the central issue in ballad studies - the creation of meaning(s) out of ballad texts. Atkinson focuses on some of the most interesting problems in ballad studies: the 'wit-combat' in versions of The Unquiet Grave; variable perspectives in comic ballads about marriage; incest as a ballad theme; problems of feminine motivation in ballads like The Outlandish Knight and The Broomfield Hill; murder ballads and murder in other instances of early popular literature. Through discussion of these issues and themes in ballad texts, the book outlines a way of tracing tradition(s) in English balladry, while recognizing that ballad tradition is far from being simply chronological and linear.
