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Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1046
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Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1046
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Book Description
Author: Elias Colbert
Publisher:
ISBN:
Category : History
Languages : en
Pages : 562
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Author: Solon Justus Buck
Publisher:
ISBN:
Category : Illinois
Languages : en
Pages : 480
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Author: Charles Tilly
Publisher: Routledge
ISBN: 1317251938
Category : Education
Languages : en
Pages : 210
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Book Description
The updated and expanded third edition of Tilly's widely acclaimed book brings this analytical history of social movements fully up to date. Tilly and Wood cover such recent topics as the economic crisis and related protest actions around the globe while maintaining their attention to perennially important issues such as immigrants' rights, new media technologies, and the role of bloggers and Facebook in social movement activities. With new coverage of colonialism and its impact on movement formation as well as coverage and analysis of the 2011 Arab Spring, this new edition of Social Movements adds more historical depth while capturing a new cycle of contention today. New to the Third Edition Expanded discussion of the Facebook revolution-and the significance of new technologies for social movements Analysis of current struggles-including the Arab Spring and pro-democracy movements in Egypt and Tunisia, Arizona's pro- and anti-immigration movements, the Tea Party, and the movement inspired by Occupy Wall Street Expanded discussion of the way the emergence of capitalism affected the emergence of the social movement.
Author: Chicago Commission on Race Relations
Publisher:
ISBN:
Category : History
Languages : en
Pages : 866
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Author: Arleen Keylin
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 324
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Author: Ida B. Wells-Barnett
Publisher: University of Illinois Press
ISBN: 9780252067846
Category : African Americans
Languages : en
Pages : 136
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Book Description
Expressly intended to demonstrate America's national progress toward utopia, the 1893 World's Columbian Exposition in Chicago pointedly excluded the contributions of African Americans. For them, being left outside the gates of the "White City" merely underscored a more general exclusion from America's bright future. Exhibits at the fair were controlled by all-white committees, and those that acknowledged African Americans at all, such as the famous Aunt Jemima pancake exhibit, ridiculed and denigrated them. Many African Americans saw the racist policies of the World's Columbian Exposition as mirroring, framing, and reinforcing the larger horrors confronting blacks throughout the United States, where white supremacy meant segregation, second-class citizenship, and sometimes mob violence and lynching. In response to the politics of exclusion that governed the fair, and of its larger implications, several prominent African Americans resolved to publish a pamphlet that would catalog the achievements of African Americans since the abolition of slavery while articulating the persistent political economy of apartheid in the American South. The authors of this remarkable document included the antilynching crusader Ida B. Wells, the former slave and abolitionist Frederick Douglass, the educator Irvine Garland Penn, and the lawyer and newspaper publisher Ferdinand L. Barnett. An eloquent statement of protest and pride, The Reason Why the Colored American Is Not in the World's Columbian Exposition reminds us that struggles over cultural representation are nothing new in American life. Robert Rydell's introduction provides insight into the sometimes conflicting strategies employed by African Americans as they strove to represent themselves at a cultural event that was widely regarded as a defining moment in American history.
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author: John H. Binford
Publisher:
ISBN:
Category : Greenfield (Ind.)
Languages : en
Pages : 588
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Author: Ernst Wilhelm Olson
Publisher:
ISBN:
Category : Illinois
Languages : en
Pages : 944
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