But We Still End Up Dead: Effects of Mainstream Hollywood Film on Queer Identity Development PDF Download
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Author: Gretchen Jung
Publisher:
ISBN:
Category :
Languages : en
Pages : 386
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Book Description
Queer youth are killing themselves at a rate three times as great as their non-Queer counterparts are. There are many possible reasons for this disparity; the one identified here is the effect of mainstream Hollywood's film portrayal of Queer characters. Queer youth tend to be more isolated and in need of positive role models than are non-Queer youth. The stereotypical portrayals of Queers in Hollywood film do not provide such models. Historically, in many films the Queer character, who is rarely a hero, ends up dead before the end of the film; sometimes at the hand of another, or from disease but most often by his her own hand. Sources of Data: Questionnaires were distributed to 35 adult individuals primarily, within the greater Sacramento area, 27 were returned and analyzed. In addition, five participants were contacted requesting supplement dialogue. Three individuals were able to participate in the additional conversations. Both the questionnaires and the dialogue focused on the influence the participant felt film had in their identity development as Queer people. Although the concern of this study is the prevalence of Queer youth suicide, adults were used in this study due to the problems associated in finding an adequate sample of Queer youth. The adults were asked to reflect on early films viewed and the feeling generated by those films. Conclusions Reached: The responses from the participants while not conclusive, build a strong case for the negative effect seeing demeaning and deadly portrayals of Queer people in film had on the self-image of these Queer respondents.
Author: Gretchen Jung
Publisher:
ISBN:
Category :
Languages : en
Pages : 386
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Book Description
Queer youth are killing themselves at a rate three times as great as their non-Queer counterparts are. There are many possible reasons for this disparity; the one identified here is the effect of mainstream Hollywood's film portrayal of Queer characters. Queer youth tend to be more isolated and in need of positive role models than are non-Queer youth. The stereotypical portrayals of Queers in Hollywood film do not provide such models. Historically, in many films the Queer character, who is rarely a hero, ends up dead before the end of the film; sometimes at the hand of another, or from disease but most often by his her own hand. Sources of Data: Questionnaires were distributed to 35 adult individuals primarily, within the greater Sacramento area, 27 were returned and analyzed. In addition, five participants were contacted requesting supplement dialogue. Three individuals were able to participate in the additional conversations. Both the questionnaires and the dialogue focused on the influence the participant felt film had in their identity development as Queer people. Although the concern of this study is the prevalence of Queer youth suicide, adults were used in this study due to the problems associated in finding an adequate sample of Queer youth. The adults were asked to reflect on early films viewed and the feeling generated by those films. Conclusions Reached: The responses from the participants while not conclusive, build a strong case for the negative effect seeing demeaning and deadly portrayals of Queer people in film had on the self-image of these Queer respondents.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Author: Kristin Thompson
Publisher: Harvard University Press
ISBN: 9780674839755
Category : Language Arts & Disciplines
Languages : en
Pages : 428
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Book Description
Drawing on a wide range of films from the 1920s to the 1990s—from Keaton’s Our Hospitality to Casablanca to Terminator 2, Kristin Thompson offers the first in-depth analysis of Hollywood’s storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films.
Author: Andrew Grossman
Publisher: Routledge
ISBN: 1317992903
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Explore queer themes in films from Hong Kong gangster flicks to Bollywood melodramas! Although Asian films have reached a new height in popularity worldwide, Queer Asian Cinema: Shadows in the Shade is the first full-length book in English solely devoted to examining the aesthetics and politics of homosexuality in Asian films. This unique book presents multiple points of view on the portrayal of gay, lesbian, and transgendered people in film throughout Asia. From the subversive sadomasochism of Japan's ”pink films” to the hard-boiled world of Hong Kong's gangster movies, Queer Asian Cinema analyzes and discusses attitudes toward homosexuality in the full spectrum of Asian film. In addition to studies of the representation of identified gay men, lesbians, and transgendered individuals, it reveals the hidden homoerotic subtext of otherwise conventional films. Queer Asian Cinema: Shadows in the Shade examines diverse aspects of Asian films, including: the political and psychological links between feudal and sadomasochist hierarchies the inevitable punishment of homoerotic bonds in gangster films the integration of the homosexual couple into the Confucian family structure in Korean films the complexities of cross-gender casting the differences between transvestism and cross-dressing the definition of male genitalia as obscene Queer Asian Cinema: Shadows in the Shade brings together experts in both film-making and movie criticism, providing a balanced viewpoint to unite the worlds of academic and popular perceptions on this subject. It opens an exciting discussion of this important and largely neglected area of cinematic discourse.
Author: Lisa Purse
Publisher: Edinburgh University Press
ISBN: 0748688404
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
This book is an authoritative account of post-1990s US action cinema.
Author: Christopher Bram
Publisher:
ISBN: 9780753808658
Category : British
Languages : en
Pages : 276
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Book Description
James Whale was the most brilliant director of horror films Hollywood has ever seen, director of such classics as Frankenstein and Bride of Frankenstein (and indeed every horror film rated with four stars in Halliwell's Film Guide). But he was by no means a typical Hollywood product, both because he was English and because he was openly gay in the Hollywood of the 30s. Christopher Bram's moving and powerful novel portrays Whale in his last weeks of life in 1957, overwhelmed by images of his past, his working class childhood in Britain, Hollywood premieres in the 30s, friendships with Elsa Lanchester, Charles Laughton and Elizabeth Taylor. Consumed by the contrast between his past and his present obscurity, he conspires with his young gardener to provide his life with the dramatic ending it deserves.
Author: Aaron Michele Aaron
Publisher: Edinburgh University Press
ISBN: 1474463762
Category : Gays in motion pictures
Languages : en
Pages : 224
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Book Description
Coined in the early 1990s to describe a burgeoning film movement, 'New Queer Cinema' has turned the attention of film theorists, students and audiences to the proliferation of intelligent, stylish and daring work by lesbian and gay filmmakers within independent cinema, and to the proliferation of 'queer' images and themes within the mainstream. But what constituted New Queer Cinema then and now? And was it political gains, cultural momentum or market forces that determined its evolution? New Queer Cinema is divided into sections on the definition, the filmmakers, the geography, and the spectator of New Queer Cinema. Chapters address the pivotal directors (e.g. Todd Haynes and Gregg Araki) and the salient films (e.g. Paris is Burning and Boys Don't Cry) but also non-mainstream and non-Anglo-American work (e.g. experimental film and third cinema). With a critical eye to its uneasy relationship to the mainstream, the volume explores the aesthetic, socio-cultural, political and, necessarily, commercial investments of New Queer Cinema. This book, the first full-length study of the subject, offers the definitive guide to New Queer Cinema combining indispensable discussions of its central issues with exciting new work by key writers. Features*Provides a definitive introduction to New Queer Cinema (NQC)*Clear structure with each section addressing a key topic in the study of NQC*Themes covered include genre, gender and race, politics, media, and the relationship between NQC and the mainstream.
Author: Matt Brim
Publisher: University of Michigan Press
ISBN: 0472052349
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
The central figure in black gay literary history, James Baldwin has become a familiar touchstone for queer scholarship in the academy. Matt Brim’s James Baldwin and the Queer Imagination draws on the contributions of queer theory and black queer studies to critically engage with and complicate the project of queering Baldwin and his work. Brim argues that Baldwin animates and, in contrast, disrupts both the black gay literary tradition and the queer theoretical enterprise that have claimed him. More paradoxically, even as Baldwin’s fiction brilliantly succeeds in imagining queer intersections of race and sexuality, it simultaneously exhibits striking queer failures, whether exploiting gay love or erasing black lesbian desire. Brim thus argues that Baldwin’s work is deeply marked by ruptures of the “unqueer” into transcendent queer thought—and that readers must sustain rather than override this paradoxical dynamic within acts of queer imagination.
