Author: Stephen Burge Johnson
Publisher: Univ of Massachusetts Press
ISBN: 1558499342
Category : Biography & Autobiography
Languages : en
Pages : 282
Book Description
Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
Burnt Cork
Author: Stephen Burge Johnson
Publisher: Univ of Massachusetts Press
ISBN: 1558499342
Category : Biography & Autobiography
Languages : en
Pages : 282
Book Description
Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
Publisher: Univ of Massachusetts Press
ISBN: 1558499342
Category : Biography & Autobiography
Languages : en
Pages : 282
Book Description
Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
Behind the Burnt Cork Mask
Author: William John Mahar
Publisher: University of Illinois Press
ISBN: 9780252066962
Category : History
Languages : en
Pages : 476
Book Description
The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Behind the Burnt Cork Mask not only explores the racist practices of these entertainers but considers their performances as troubled representations of ethnicity, class, gender, and culture in the nineteenth century. William J. Mahar's unprecedented archival study of playbills, newspapers, sketches, monologues, and music engages new sources previously not considered in twentieth-century scholarship. More than any other study of its kind, Behind the Burnt Cork Mask investigates the relationships between blackface comedy and other Western genres and traditions; between the music of minstrel shows and its European sources; and between "popular" and "elite" constructions of culture. By locating minstrel performances within their complex sites of production, Mahar offers a significant reassessment of the historiography of the field. Behind the Burnt Cork Mask promises to redefine the study of blackface minstrelsy, charting new directions for future inquiries by scholars in American studies, popular culture, and musicology.
Publisher: University of Illinois Press
ISBN: 9780252066962
Category : History
Languages : en
Pages : 476
Book Description
The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Behind the Burnt Cork Mask not only explores the racist practices of these entertainers but considers their performances as troubled representations of ethnicity, class, gender, and culture in the nineteenth century. William J. Mahar's unprecedented archival study of playbills, newspapers, sketches, monologues, and music engages new sources previously not considered in twentieth-century scholarship. More than any other study of its kind, Behind the Burnt Cork Mask investigates the relationships between blackface comedy and other Western genres and traditions; between the music of minstrel shows and its European sources; and between "popular" and "elite" constructions of culture. By locating minstrel performances within their complex sites of production, Mahar offers a significant reassessment of the historiography of the field. Behind the Burnt Cork Mask promises to redefine the study of blackface minstrelsy, charting new directions for future inquiries by scholars in American studies, popular culture, and musicology.
Burnt Cork and Tambourines
Author: William L. Slout
Publisher: Wildside Press LLC
ISBN: 089370458X
Category :
Languages : en
Pages : 282
Book Description
Includes the seminal "Early History of Negro Minstrelsy," by Col. T. Allston Brown, together with pen-and-ink portraits of the major minstrels, and a comprehensive index.
Publisher: Wildside Press LLC
ISBN: 089370458X
Category :
Languages : en
Pages : 282
Book Description
Includes the seminal "Early History of Negro Minstrelsy," by Col. T. Allston Brown, together with pen-and-ink portraits of the major minstrels, and a comprehensive index.
An African American Miscellany Selections from a Quarter Century of Collecting, 1970-1995
Author: Library Company of Philadelphia
Publisher: The Library Company of Phil
ISBN: 9780914076919
Category : Social Science
Languages : en
Pages : 52
Book Description
Publisher: The Library Company of Phil
ISBN: 9780914076919
Category : Social Science
Languages : en
Pages : 52
Book Description
Goin' to Kansas City
Author: Nathan W. Pearson
Publisher: University of Illinois Press
ISBN: 9780252064388
Category : Jazz
Languages : en
Pages : 322
Book Description
"A big juicy wedge of jazz history. . . . Lots of wonderful stories." -- Los Angeles Daily News "Kansas City was a hub for Jazz bands that crisscrossed the country in the 1930s. . . . The interviews go beyond jazz into the infamous political machinery that made Kansas City a wide-open and corrupt town where jazz could flourish." -- Choice "A wealth of stories, a good measure of entertainment and a valuable stab at history -- not to mention some great pictures." -- The Kansas City Star
Publisher: University of Illinois Press
ISBN: 9780252064388
Category : Jazz
Languages : en
Pages : 322
Book Description
"A big juicy wedge of jazz history. . . . Lots of wonderful stories." -- Los Angeles Daily News "Kansas City was a hub for Jazz bands that crisscrossed the country in the 1930s. . . . The interviews go beyond jazz into the infamous political machinery that made Kansas City a wide-open and corrupt town where jazz could flourish." -- Choice "A wealth of stories, a good measure of entertainment and a valuable stab at history -- not to mention some great pictures." -- The Kansas City Star
Billy Andrews' Comic Songster
Author:
Publisher:
ISBN:
Category : Clowns
Languages : en
Pages : 274
Book Description
Publisher:
ISBN:
Category : Clowns
Languages : en
Pages : 274
Book Description
The Life and Campaigns of U.S. Grant, ... Comprising a Full and Authentic Account of the Illustrious Soldier from His Earliest Boyhood to the Present Time
Author: James Grant Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Meyer Brothers Druggist
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
Book Description
Druggists' Circular
Author:
Publisher:
ISBN:
Category : Pharmacy
Languages : en
Pages : 854
Book Description
Publisher:
ISBN:
Category : Pharmacy
Languages : en
Pages : 854
Book Description
N.A.R.D. Journal
Author:
Publisher:
ISBN:
Category : Pharmaceutical industry
Languages : en
Pages : 1422
Book Description
Publisher:
ISBN:
Category : Pharmaceutical industry
Languages : en
Pages : 1422
Book Description