Author: University of Michigan. Museum of Art
Publisher: UM Libraries
ISBN:
Category : Archaeology
Languages : en
Pages : 470
Book Description
Bulletin - Museums of Art and Archaeology, University of Michigan
Author: University of Michigan. Museum of Art
Publisher: UM Libraries
ISBN:
Category : Archaeology
Languages : en
Pages : 470
Book Description
Publisher: UM Libraries
ISBN:
Category : Archaeology
Languages : en
Pages : 470
Book Description
Bulletin
Author: University of Michigan. Museum of Art
Publisher: UM Libraries
ISBN:
Category : Archaeology
Languages : en
Pages : 172
Book Description
Publisher: UM Libraries
ISBN:
Category : Archaeology
Languages : en
Pages : 172
Book Description
Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology
Author: University of Pennsylvania. Museum of Archaeology and Anthropology
Publisher: UPenn Museum of Archaeology
ISBN: 9781931707527
Category : Education
Languages : en
Pages : 372
Book Description
This well-presented volume presents a catalogue of all 324 Etruscan and Italic objects held by the Museum preceded by eight essays which examine the historical and cultural background to the objects as well as an overview of the archaeology of early central Italy.
Publisher: UPenn Museum of Archaeology
ISBN: 9781931707527
Category : Education
Languages : en
Pages : 372
Book Description
This well-presented volume presents a catalogue of all 324 Etruscan and Italic objects held by the Museum preceded by eight essays which examine the historical and cultural background to the objects as well as an overview of the archaeology of early central Italy.
National Union Catalog
Author:
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 938
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 938
Book Description
Includes entries for maps and atlases.
To Inspire and Instruct
Author: Christina Nielsen
Publisher: Cambridge Scholars Publishing
ISBN: 1527565572
Category : Art
Languages : en
Pages : 260
Book Description
This collection of essays, which derive from a symposium held at the Art Institute of Chicago in 2005, tells the story of how medieval art was collected by both individuals and institutions in the American Midwest. This book will appeal to both medievalists and scholars of nineteenth- and twentieth century American history. In addition, it will also appeal to scholars who are interested in museum studies and the history of collecting. The essays in the first section, “Collecting and Displaying Medieval Art,” consider the formation of medieval art collections at influential cultural institutions in three of the most important centers of industry and culture in the Midwest: Chicago, Detroit and Cleveland. The second section, “Medieval Art as Inspiration and Education,” examines the motives of both private donors and museum professionals in forming collections and establishing period rooms and cloistered spaces at museums in Toledo, Kansas City, and St. Louis, among others. At the opposite end of the spectrum was a new trend in curatorial practice, beginning in the 1930s, that favored the dismantling of period rooms and espoused displaying historical works of art in more distinctly modern settings, a theme that pervades section three, “Medieval Art and Modernism.” An essay on medieval art in Midwestern university art museums and another one that considers the impact of works from medieval collections in special exhibitions serve as a remarkable coda to the rest of the volume. Two appendices follow this, one that provides an overview of medieval art collections in Midwestern university museums and another which provides a biographical sketch of prominent dealers of medieval art from 1900-1950.
Publisher: Cambridge Scholars Publishing
ISBN: 1527565572
Category : Art
Languages : en
Pages : 260
Book Description
This collection of essays, which derive from a symposium held at the Art Institute of Chicago in 2005, tells the story of how medieval art was collected by both individuals and institutions in the American Midwest. This book will appeal to both medievalists and scholars of nineteenth- and twentieth century American history. In addition, it will also appeal to scholars who are interested in museum studies and the history of collecting. The essays in the first section, “Collecting and Displaying Medieval Art,” consider the formation of medieval art collections at influential cultural institutions in three of the most important centers of industry and culture in the Midwest: Chicago, Detroit and Cleveland. The second section, “Medieval Art as Inspiration and Education,” examines the motives of both private donors and museum professionals in forming collections and establishing period rooms and cloistered spaces at museums in Toledo, Kansas City, and St. Louis, among others. At the opposite end of the spectrum was a new trend in curatorial practice, beginning in the 1930s, that favored the dismantling of period rooms and espoused displaying historical works of art in more distinctly modern settings, a theme that pervades section three, “Medieval Art and Modernism.” An essay on medieval art in Midwestern university art museums and another one that considers the impact of works from medieval collections in special exhibitions serve as a remarkable coda to the rest of the volume. Two appendices follow this, one that provides an overview of medieval art collections in Midwestern university museums and another which provides a biographical sketch of prominent dealers of medieval art from 1900-1950.
Subject Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 1004
Book Description
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 1004
Book Description
Unruly Nature
Author: Scott Allan
Publisher: Getty Publications
ISBN: 1606064770
Category : Art
Languages : en
Pages : 228
Book Description
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.
Publisher: Getty Publications
ISBN: 1606064770
Category : Art
Languages : en
Pages : 228
Book Description
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 880
Book Description
Metalwork in Medieval Islamic Art
Author: Eva Baer
Publisher: State University of New York Press
ISBN: 0791495574
Category : History
Languages : en
Pages : 400
Book Description
Publisher: State University of New York Press
ISBN: 0791495574
Category : History
Languages : en
Pages : 400
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 628
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 628
Book Description