Bulletin, Section of Painting and Sculpture PDF Download
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Author: Procurement Division
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
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Author: Procurement Division
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
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Book Description
Author: Sharon Ann Musher
Publisher: University of Chicago Press
ISBN: 022624718X
Category : Art
Languages : en
Pages : 306
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Book Description
At its height in 1935, the New Deal devoted roughly $27 million ($320 million today) to supporting tens of thousands of needy writers, dancers, actors, musicians, and visual artists, who created over 100,000 worksbooks, murals, plays, concertsthat were performed for or otherwise imbibed by millions of Americans. But why did the government get so involved with the arts in the first place? Musher addresses this question and many others by exploring the political and aesthetic concerns of the 1930s, as well as the range of responsesfrom politicians, intellectuals, artists, and taxpayersto the idea of active government involvement in the arts. In the process, she raises vital questions about the roles that the arts should play in contemporary society."
Author: Elizabeth Wyckoff
Publisher:
ISBN: 9780891780021
Category :
Languages : en
Pages :
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Author: Richard Megraw
Publisher: Univ. Press of Mississippi
ISBN: 9781578064175
Category : Art
Languages : en
Pages : 332
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Book Description
Confronting Modernity: Art and Society in Louisiana examines how the conflicts and benefits of modernity's nationalizing influences were reflected and resisted by the state's artists in the first half of the twentieth century. In Louisiana, such change not only produced the turbulent politics of the Huey Long era but also provoked debate over new ideas on art and social roles for artists. By using two of Louisiana's most prominent cultural figures of the era as lenses, Megraw reveals the state's complex relationship with modernity. Artist Ellsworth Woodward and writer Lyle Saxon battled to retain artistic control over what they considered the exceptional character of Louisiana. Woodward defended localized assumptions through art in the world-renowned pottery program he established in 1892 and directed for more than forty years at Sophie Newcomb College. Saxon, on the other hand, fought against modernity's encroachment from within, serving as director of the Federal Writers Project in Louisiana. He used his position to promote literature and culture that preserved local place and historic structure from the transformations wrought by industrialism, consumerism, and the mass media. Confronting Modernity vividly explores how Louisiana's struggles with America's rush to modernize mirrored battles for autonomy happening between artists and governments across the country. Richard Megraw is associate professor of American studies at the University of Alabama in Tuscaloosa. His work has been published in Prospects: An Annual of American Cultural Studies.
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Author: Worcester Art Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 472
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Author: Lenore Clark
Publisher: Kent State University Press
ISBN: 9780873387101
Category : Art
Languages : en
Pages : 286
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Book Description
This is a biography of Forbes Watson, art commentator for the New York Evening Post and New York World but probably best known as the editor of The Arts, an influential art magazine of the 1920s.
![Catalogue of the Public Documents of the [the Fifty-third] Congress [to the 76th Congress] and of All Departments of the Government of the United States PDF](https://books.google.com/books/content/images/frontcover/YUwLkyg9iq0C?fife=w80-h100)
Author: United States. Superintendent of Documents
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 2636
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Author: Mia Fineman
Publisher: Metropolitan Museum of Art
ISBN: 1588396843
Category : Art
Languages : en
Pages : 195
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Book Description
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} On July 20, 1969, half a billion viewers around the world watched as the first television footage of American astronauts on the moon was beamed back to earth—a thrilling turning point in the history of images, satisfying an age-old curiosity about our planet’s only natural satellite. To celebrate the fiftieth anniversary of the Apollo 11 moon landing, this captivating volume surveys the role photography has played in the scientific study and artistic interpretation of the moon from the dawn of the medium to the present, highlighting not only stunning photographic works but also related prints, drawings, paintings, and astronomical instruments. Apollo’s Muse traces the history of lunar photography, from newly discovered daguerreotypes of the 1840s to contemporary film and video works. Along the way, it explores nineteenth century efforts to map the lunar surface, whimsical fantasies of life on the moon, the visual language of the Cold War space race, and work created in response to the moon landing by artists such as Robert Rauschenberg, Nancy Graves, and Aleksandra Mir. A delightful introduction by Tom Hanks, star of the award winning 1995 film Apollo 13, delves into the universal fascination with representations of the cosmos and the ways in which space travel has radically expanded the limits of human vision.
Author: Michael J. Pearce
Publisher: Cambridge Scholars Publishing
ISBN: 1527594122
Category : Political Science
Languages : en
Pages : 435
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Book Description
This book details the dramatic history of the weaponization of avant-garde art as propaganda, from its violent origins selling the idealistic communism of revolutionary France to its use as an American weapon wielded against the Nazi and Soviet threat as World War II began. It shows how art became ammunition in the war of ideas as the protagonists of the Second World War attempted to control the minds of their people. The text highlights how the avant-garde was the battlefield for the epic struggle between collectivism and American individualism, and will appeal to the reader with an interest in vivid stories of art, history, and politics.
