Author: James F. Wilson
Publisher: University of Michigan Press
ISBN: 0472026968
Category : Performing Arts
Languages : en
Pages : 273
Book Description
"James F. Wilson uncovers fascinating new material on the Harlem Renaissance, shedding light on the oft-forgotten gay and lesbian contributions to the era's creativity and Civil Rights. Extremely well researched, compellingly written, and highly informative." ---David Krasner, author of A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927 Bulldaggers, Pansies, and Chocolate Babies shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment. Many of the plays and performances explored here, central to the cultural debates of their time, had been previously overlooked by theater historians. Among the performances discussed are David Belasco's controversial production of Edward Sheldon and Charles MacArthur's Lulu Belle (1926), with its raucous, libidinous view of Harlem. The title character, as performed by a white woman in blackface, became a symbol of defiance for the gay subculture and was simultaneously held up as a symbol of supposedly immoral black women. African Americans Florence Mills and Ethel Waters, two of the most famous performers of the 1920s, countered the Lulu Belle stereotype in written statements and through parody, thereby reflecting the powerful effect this fictional character had on the popular imagination. Bulldaggers, Pansies, and Chocolate Babies is based on historical archival research including readings of eyewitness accounts, newspaper reports, songs, and playscripts. Employing a cultural studies framework that incorporates queer and critical race theory, it argues against the widely held belief that the stereotypical forms of black, lesbian, and gay show business of the 1920s prohibited the emergence of distinctive new voices. Specialists in American studies, performance studies, African American studies, and gay and lesbian studies will find the book appealing, as will general readers interested in the vivid personalities and performances of the singers and actors introduced in the book. James F. Wilson is Professor of English and Theatre at LaGuardia Community College and the Graduate Center of the City University of New York.
Bulldaggers, Pansies, and Chocolate Babies
A Blackqueer Sexual Ethics
Author: Elyse Ambrose
Publisher: Bloomsbury Publishing
ISBN: 0567707946
Category : Religion
Languages : en
Pages : 271
Book Description
In A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive Elyse Ambrose looks to an archive of blackqueerness as an authoritative source for religious ethical reflection. This approach counters the disintegrative norms of anti-black and anti-body traditionalism in Christian sexual ethics, even those that strive to be liberative. It builds upon a tradition of black queer and LGBTQ+-centered critique at the intersections of race, sexuality, gender, and religion through exploring the moral imagination of sexual and gender non-conformist communities in 1920's Harlem (their rent parties, blues environments, and Hamilton Lodge Ball); ethics and theology blackqueering the disciplines; and contemporary oral histories (including photographs of the subjects by the scholar-artist) of those doing ethics in their blackqueerness. These serve as integrative sites that signal blackqueer ethical counter-patterns of communal belonging, individual and collective becoming, goodness, embodied spirit/inspirited bodies, and shared thriving. Emphases on both personal and social right-relatedness mark a shift from Christian sexual ethics based on rules, toward a communal relations-based transreligious ethics of sexuality.
Publisher: Bloomsbury Publishing
ISBN: 0567707946
Category : Religion
Languages : en
Pages : 271
Book Description
In A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive Elyse Ambrose looks to an archive of blackqueerness as an authoritative source for religious ethical reflection. This approach counters the disintegrative norms of anti-black and anti-body traditionalism in Christian sexual ethics, even those that strive to be liberative. It builds upon a tradition of black queer and LGBTQ+-centered critique at the intersections of race, sexuality, gender, and religion through exploring the moral imagination of sexual and gender non-conformist communities in 1920's Harlem (their rent parties, blues environments, and Hamilton Lodge Ball); ethics and theology blackqueering the disciplines; and contemporary oral histories (including photographs of the subjects by the scholar-artist) of those doing ethics in their blackqueerness. These serve as integrative sites that signal blackqueer ethical counter-patterns of communal belonging, individual and collective becoming, goodness, embodied spirit/inspirited bodies, and shared thriving. Emphases on both personal and social right-relatedness mark a shift from Christian sexual ethics based on rules, toward a communal relations-based transreligious ethics of sexuality.
Bulldaggers, Pansies, and Chocolate Babies
Author: James F. Wilson
Publisher: University of Michigan Press
ISBN: 0472034898
Category : Performing Arts
Languages : en
Pages : 273
Book Description
"James F. Wilson uncovers fascinating new material on the Harlem Renaissance, shedding light on the oft-forgotten gay and lesbian contributions to the era's creativity and Civil Rights. Extremely well researched, compellingly written, and highly informative." ---David Krasner, author of A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927 Bulldaggers, Pansies, and Chocolate Babies shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment. Many of the plays and performances explored here, central to the cultural debates of their time, had been previously overlooked by theater historians. Among the performances discussed are David Belasco's controversial production of Edward Sheldon and Charles MacArthur's Lulu Belle (1926), with its raucous, libidinous view of Harlem. The title character, as performed by a white woman in blackface, became a symbol of defiance for the gay subculture and was simultaneously held up as a symbol of supposedly immoral black women. African Americans Florence Mills and Ethel Waters, two of the most famous performers of the 1920s, countered the Lulu Belle stereotype in written statements and through parody, thereby reflecting the powerful effect this fictional character had on the popular imagination. Bulldaggers, Pansies, and Chocolate Babies is based on historical archival research including readings of eyewitness accounts, newspaper reports, songs, and playscripts. Employing a cultural studies framework that incorporates queer and critical race theory, it argues against the widely held belief that the stereotypical forms of black, lesbian, and gay show business of the 1920s prohibited the emergence of distinctive new voices. Specialists in American studies, performance studies, African American studies, and gay and lesbian studies will find the book appealing, as will general readers interested in the vivid personalities and performances of the singers and actors introduced in the book. James F. Wilson is Professor of English and Theatre at LaGuardia Community College and the Graduate Center of the City University of New York.
Publisher: University of Michigan Press
ISBN: 0472034898
Category : Performing Arts
Languages : en
Pages : 273
Book Description
"James F. Wilson uncovers fascinating new material on the Harlem Renaissance, shedding light on the oft-forgotten gay and lesbian contributions to the era's creativity and Civil Rights. Extremely well researched, compellingly written, and highly informative." ---David Krasner, author of A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927 Bulldaggers, Pansies, and Chocolate Babies shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment. Many of the plays and performances explored here, central to the cultural debates of their time, had been previously overlooked by theater historians. Among the performances discussed are David Belasco's controversial production of Edward Sheldon and Charles MacArthur's Lulu Belle (1926), with its raucous, libidinous view of Harlem. The title character, as performed by a white woman in blackface, became a symbol of defiance for the gay subculture and was simultaneously held up as a symbol of supposedly immoral black women. African Americans Florence Mills and Ethel Waters, two of the most famous performers of the 1920s, countered the Lulu Belle stereotype in written statements and through parody, thereby reflecting the powerful effect this fictional character had on the popular imagination. Bulldaggers, Pansies, and Chocolate Babies is based on historical archival research including readings of eyewitness accounts, newspaper reports, songs, and playscripts. Employing a cultural studies framework that incorporates queer and critical race theory, it argues against the widely held belief that the stereotypical forms of black, lesbian, and gay show business of the 1920s prohibited the emergence of distinctive new voices. Specialists in American studies, performance studies, African American studies, and gay and lesbian studies will find the book appealing, as will general readers interested in the vivid personalities and performances of the singers and actors introduced in the book. James F. Wilson is Professor of English and Theatre at LaGuardia Community College and the Graduate Center of the City University of New York.
What Can We Learn from the Great Depression?
Author: Dana Frank
Publisher: Beacon Press
ISBN: 0807046949
Category : History
Languages : en
Pages : 346
Book Description
Four stories of resilience, mutual aid, and radical rebellion that will transform how we understand the Great Depression Drawing on little-known stories of working people, What Can We Learn from the Great Depression? amplifies voices that have been long omitted from standard histories of the Depression era. In four tales, Professor Dana Frank explores how ordinary working people in the US turned to collective action to meet the crisis of the Great Depression and what we can learn from them today. Readers are introduced to * the 7 daring Black women who worked as wet nurses and staged a sit-down strike to demand better pay and an end to racial discrimination * the groups who used mutual aid, cooperatives, eviction protests, and demands for government relief to meet their basic needs * the million Mexican and Mexican American repatriados who were erased from mainstream historical memory, while (often fictitious) white “Dust Bowl migrants” became enshrined * the Black Legion, a white supremacist fascist organization that saw racism, antisemitism, anti-Catholicism, and fascism as the cure to the Depression While capitalism crashed during the Great Depression, racism did not and was, in fact, wielded by some to blame and oppress their neighbors. Patriarchy persisted, too, undermining the power of social movements and justifying women’s marginalization within them. For other ordinary people, collective action gave them the means to survive and fight against such hostilities. What resulted were powerful new forms of horizontal reciprocity and solidarity that allowed people to provide each other with the bread, beans, and comradeship of daily life. The New Deal, when it arrived, provided vital resources to many, but others were cut off from its full benefits, especially if they were women or people of color. What Can We Learn from the Great Depression? shows us how we might look to the past to think about how we can shape the future of our own failed economy. These lessons can also help us imagine and build movements to challenge such an economy—and to transform the state as a whole—in service to the common good without replicating racism and patriarchy.
Publisher: Beacon Press
ISBN: 0807046949
Category : History
Languages : en
Pages : 346
Book Description
Four stories of resilience, mutual aid, and radical rebellion that will transform how we understand the Great Depression Drawing on little-known stories of working people, What Can We Learn from the Great Depression? amplifies voices that have been long omitted from standard histories of the Depression era. In four tales, Professor Dana Frank explores how ordinary working people in the US turned to collective action to meet the crisis of the Great Depression and what we can learn from them today. Readers are introduced to * the 7 daring Black women who worked as wet nurses and staged a sit-down strike to demand better pay and an end to racial discrimination * the groups who used mutual aid, cooperatives, eviction protests, and demands for government relief to meet their basic needs * the million Mexican and Mexican American repatriados who were erased from mainstream historical memory, while (often fictitious) white “Dust Bowl migrants” became enshrined * the Black Legion, a white supremacist fascist organization that saw racism, antisemitism, anti-Catholicism, and fascism as the cure to the Depression While capitalism crashed during the Great Depression, racism did not and was, in fact, wielded by some to blame and oppress their neighbors. Patriarchy persisted, too, undermining the power of social movements and justifying women’s marginalization within them. For other ordinary people, collective action gave them the means to survive and fight against such hostilities. What resulted were powerful new forms of horizontal reciprocity and solidarity that allowed people to provide each other with the bread, beans, and comradeship of daily life. The New Deal, when it arrived, provided vital resources to many, but others were cut off from its full benefits, especially if they were women or people of color. What Can We Learn from the Great Depression? shows us how we might look to the past to think about how we can shape the future of our own failed economy. These lessons can also help us imagine and build movements to challenge such an economy—and to transform the state as a whole—in service to the common good without replicating racism and patriarchy.
Queering Drag
Author: Meredith Heller
Publisher: Indiana University Press
ISBN: 0253045673
Category : Social Science
Languages : en
Pages : 222
Book Description
Theatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending: male impersonation in variety and vaudeville (1860–1920); the "sexless" gender-bending of El Teatro Campesino (1960–1980); queer butch acts performed by black nightclub singers, such as Stormé DeLarverie, instigator of the Stonewall riots (1910–1970); and the range of acts that compose contemporary drag king shows. Heller highlights how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods, nor do they provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity, and it models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. This new drag discourse not only allows for more complete and accurate descriptions of drag acts, but it also facilitates more ethical discussions about the bodies, identities, and products of drag performers.
Publisher: Indiana University Press
ISBN: 0253045673
Category : Social Science
Languages : en
Pages : 222
Book Description
Theatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending: male impersonation in variety and vaudeville (1860–1920); the "sexless" gender-bending of El Teatro Campesino (1960–1980); queer butch acts performed by black nightclub singers, such as Stormé DeLarverie, instigator of the Stonewall riots (1910–1970); and the range of acts that compose contemporary drag king shows. Heller highlights how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods, nor do they provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity, and it models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. This new drag discourse not only allows for more complete and accurate descriptions of drag acts, but it also facilitates more ethical discussions about the bodies, identities, and products of drag performers.
Drag
Author: Jacob Bloomfield
Publisher: Univ of California Press
ISBN: 0520409655
Category : History
Languages : en
Pages : 265
Book Description
"A must-read for anyone interested in the history of drag performance."--Publishers Weekly A rich and provocative history of drag's importance in modern British culture. Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.
Publisher: Univ of California Press
ISBN: 0520409655
Category : History
Languages : en
Pages : 265
Book Description
"A must-read for anyone interested in the history of drag performance."--Publishers Weekly A rich and provocative history of drag's importance in modern British culture. Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.
The Tastemaker
Author: Edward White
Publisher: Macmillan
ISBN: 0374201579
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
New York City in the early twentieth century was a hotbed of vice and creativity, and the critic, novelist, and photographer Carl Van Vechten was at the centre of it all. The Tastemaker explores the many lives of the era's most influential cultural impresario: the critic who brought Gertrude Stein to the nation's attention; the patron of the Harlem Renaissance; the photographer who captured the age's icons; and the novelist who created some of the Jazz Age's most salacious stories. A confidant of Langston Hughes and F. Scott Fitzgerald, Van Vechten frolicked with the 1920s New York demimonde, finding himself in Harlem jazz clubs, Hell's Kitchen speakeasies, and the Greenwich Village underground gay scene. Edward White's revealing biography depicts a controversial figure who defined an age. Embodying many of the contradictions of modern America, Van Vechten was a devoted husband with a coterie of boys by his side, a supporter of difficult art who also loved lowbrow entertainment, and a promoter of the Harlem Renaissance who believed in racial difference. The first full biography of this great American original in nearly half a century, The Tastemaker encompasses its subject's private fears and longings as well as raucous parties fuelled by booze and lust. It is a remarkable portrait of a man whose brave journeys across boundaries of race, sexuality, and taste helped make America fully modern.
Publisher: Macmillan
ISBN: 0374201579
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
New York City in the early twentieth century was a hotbed of vice and creativity, and the critic, novelist, and photographer Carl Van Vechten was at the centre of it all. The Tastemaker explores the many lives of the era's most influential cultural impresario: the critic who brought Gertrude Stein to the nation's attention; the patron of the Harlem Renaissance; the photographer who captured the age's icons; and the novelist who created some of the Jazz Age's most salacious stories. A confidant of Langston Hughes and F. Scott Fitzgerald, Van Vechten frolicked with the 1920s New York demimonde, finding himself in Harlem jazz clubs, Hell's Kitchen speakeasies, and the Greenwich Village underground gay scene. Edward White's revealing biography depicts a controversial figure who defined an age. Embodying many of the contradictions of modern America, Van Vechten was a devoted husband with a coterie of boys by his side, a supporter of difficult art who also loved lowbrow entertainment, and a promoter of the Harlem Renaissance who believed in racial difference. The first full biography of this great American original in nearly half a century, The Tastemaker encompasses its subject's private fears and longings as well as raucous parties fuelled by booze and lust. It is a remarkable portrait of a man whose brave journeys across boundaries of race, sexuality, and taste helped make America fully modern.
A Short History of Queer Women
Author: Kirsty Loehr
Publisher: Simon and Schuster
ISBN: 0861542851
Category : Humor
Languages : en
Pages : 158
Book Description
No, they weren’t ‘just friends’! Queer women have been written out of history since, well, forever. ‘But historians famously care about women!’, said no one. From Anne Bonny and Mary Read who sailed the seas together disguised as pirates, to US football captain Megan Rapinoe declaring ‘You can’t win a championship without gays on your team’, via countless literary salons and tuxedos, A Short History of Queer Women sets the record straight on women who have loved other women through the ages. Who says lesbians can’t be funny?
Publisher: Simon and Schuster
ISBN: 0861542851
Category : Humor
Languages : en
Pages : 158
Book Description
No, they weren’t ‘just friends’! Queer women have been written out of history since, well, forever. ‘But historians famously care about women!’, said no one. From Anne Bonny and Mary Read who sailed the seas together disguised as pirates, to US football captain Megan Rapinoe declaring ‘You can’t win a championship without gays on your team’, via countless literary salons and tuxedos, A Short History of Queer Women sets the record straight on women who have loved other women through the ages. Who says lesbians can’t be funny?
Queer Nightlife
Author: Kemi Adeyemi
Publisher: University of Michigan Press
ISBN: 0472128582
Category : Social Science
Languages : en
Pages : 307
Book Description
The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book’s four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).
Publisher: University of Michigan Press
ISBN: 0472128582
Category : Social Science
Languages : en
Pages : 307
Book Description
The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book’s four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).
The Famous Lady Lovers
Author: Cookie Woolner
Publisher: UNC Press Books
ISBN: 1469675498
Category : History
Languages : en
Pages : 211
Book Description
Black queer women have shaped American culture since long before the era of gay liberation. Decades prior to the Stonewall Uprising, in the 1920s and 1930s, Black "lady lovers"—as women who loved women were then called—crafted a queer world. In the cabarets, rent parties, speakeasies, literary salons, and universities of the Jazz Age and Great Depression, communities of Black lady lovers grew, and queer flirtations flourished. Cookie Woolner here uncovers the intimate lives of performers, writers, and educators such as Bessie Smith, Ethel Waters, Gladys Bentley, Alice Dunbar-Nelson, and Lucy Diggs Slowe, along with the many everyday women she encountered in the archives. Examining blues songs, Black newspapers, vice reports, memoirs, sexology case studies, and more, Woolner illuminates the unconventional lives Black lady lovers formed to suit their desires. In the urban North, as the Great Migration gave rise to increasingly racially mixed cities, Black lady lovers fashioned and participated in emerging sexual subcultures. During this time, Black queer women came to represent anxieties about the deterioration of the heteronormative family. Negotiating shifting notions of sexuality and respectability, Black lady lovers strategically established queer networks, built careers, created families, and were vital cultural contributors to the US interwar era.
Publisher: UNC Press Books
ISBN: 1469675498
Category : History
Languages : en
Pages : 211
Book Description
Black queer women have shaped American culture since long before the era of gay liberation. Decades prior to the Stonewall Uprising, in the 1920s and 1930s, Black "lady lovers"—as women who loved women were then called—crafted a queer world. In the cabarets, rent parties, speakeasies, literary salons, and universities of the Jazz Age and Great Depression, communities of Black lady lovers grew, and queer flirtations flourished. Cookie Woolner here uncovers the intimate lives of performers, writers, and educators such as Bessie Smith, Ethel Waters, Gladys Bentley, Alice Dunbar-Nelson, and Lucy Diggs Slowe, along with the many everyday women she encountered in the archives. Examining blues songs, Black newspapers, vice reports, memoirs, sexology case studies, and more, Woolner illuminates the unconventional lives Black lady lovers formed to suit their desires. In the urban North, as the Great Migration gave rise to increasingly racially mixed cities, Black lady lovers fashioned and participated in emerging sexual subcultures. During this time, Black queer women came to represent anxieties about the deterioration of the heteronormative family. Negotiating shifting notions of sexuality and respectability, Black lady lovers strategically established queer networks, built careers, created families, and were vital cultural contributors to the US interwar era.