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Author: Johan Kugelberg
Publisher:
ISBN: 9781938265068
Category :
Languages : en
Pages : 0
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Book Description
Known as the "King of the Flyer," Buddy Esquire was the premier show flyer artist in the Bronx during the earliest days of hip hop. Combining influences ranging from Bronx Art Deco architecture to superhero comics and Japanese anime, and teaching himself the fundamentals of lettering and graphic design, Esquire created a new artistic style, which has been often borrowed but rarely credited today. "I would take the letters and I would cut them out", he told an interviewer, "and I would take a ruler and measure them and I would then glue them on the piece of paper where I would want them. Once everything was glued down on the paper I would then draw the background around the letters." Esquire's flyers advertised the earliest performances of legends like Grandmaster Flash, Afrika Bambaataa, Kurtis Blow, the Cold Crush Brothers, Spoonie Gee and the Treacherous Three. Edited by Johan Kugelberg, Buddy Esquire: King of the Hip Hop Flyer reveals one of the key sources for hip hop's visual language, presenting a catalogue raisonné of Esquire's flyers, visual art and hand-painted clothing. Also featured are never-before-seen photographs of Esquire, his crew and the street art and hip hop culture of the late 1970s and early 80s.
Author: Johan Kugelberg
Publisher:
ISBN: 9781938265068
Category :
Languages : en
Pages : 0
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Book Description
Known as the "King of the Flyer," Buddy Esquire was the premier show flyer artist in the Bronx during the earliest days of hip hop. Combining influences ranging from Bronx Art Deco architecture to superhero comics and Japanese anime, and teaching himself the fundamentals of lettering and graphic design, Esquire created a new artistic style, which has been often borrowed but rarely credited today. "I would take the letters and I would cut them out", he told an interviewer, "and I would take a ruler and measure them and I would then glue them on the piece of paper where I would want them. Once everything was glued down on the paper I would then draw the background around the letters." Esquire's flyers advertised the earliest performances of legends like Grandmaster Flash, Afrika Bambaataa, Kurtis Blow, the Cold Crush Brothers, Spoonie Gee and the Treacherous Three. Edited by Johan Kugelberg, Buddy Esquire: King of the Hip Hop Flyer reveals one of the key sources for hip hop's visual language, presenting a catalogue raisonné of Esquire's flyers, visual art and hand-painted clothing. Also featured are never-before-seen photographs of Esquire, his crew and the street art and hip hop culture of the late 1970s and early 80s.
Author: Justin A. Williams
Publisher: Cambridge University Press
ISBN: 1107037468
Category : Music
Languages : en
Pages : 370
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Book Description
This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.
Author: Sharon Jackson
Publisher:
ISBN: 9780977825844
Category : Women rap musicians
Languages : en
Pages : 0
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Book Description
Author: Richard Zoglin
Publisher: Simon & Schuster
ISBN: 1501151207
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
*The inspiration for the CNN original series Vegas: The Story of Sin City* “Outstanding pop-culture history.” —Newsday The “smart and zippy account” (The Wall Street Journal) of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time. Elvis’s 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour—bad movies, mediocre pop songs that no longer made the charts—and he’d been dismissed by most critics as over-the-hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews; “Suspicious Minds,” the song he introduced there, gave him his first number-one hit in seven years; and Elvis became Vegas’s biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed, too. By the end of the ‘60s, Vegas’ golden age—when the Rat Pack led a glittering array of stars who made it the nation’s premier live-entertainment center—was losing its luster. Elvis created a new kind of Vegas show: an over-the-top, rock-concert extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. He opened the door to a new generation of pop/rock artists and brought a new audience to Vegas—not the traditional well-heeled older gamblers, but a mass audience from Middle America that Vegas depends on for its success to this day. At once “a fascinating history of Vegas as gambling capital, celebrity playground, mob hangout, [and] entertainment Valhalla” (Rolling Stone) and the incredible “tale of how the King got his groove back” (Associated Press), Elvis in Vegas is a classic feel-good story for the ages.
Author: Mark Yarm
Publisher: Crown Archetype
ISBN: 0307464458
Category : Music
Languages : en
Pages : 610
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Book Description
Twenty years after the release of Nirvana’s landmark album Nevermind comes Everybody Loves Our Town: An Oral History of Grunge, the definitive word on the grunge era, straight from the mouths of those at the center of it all. In 1986, fledgling Seattle label C/Z Records released Deep Six, a compilation featuring a half-dozen local bands: Soundgarden, Green River, Melvins, Malfunkshun, the U-Men and Skin Yard. Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion. Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley. Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more—and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.
Author: Mellonee V. Burnim
Publisher: Routledge
ISBN: 1317934423
Category : Music
Languages : en
Pages : 544
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Book Description
American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
Author: Ernie Paniccioli
Publisher: Harper Collins
ISBN: 006230691X
Category : Music
Languages : en
Pages : 275
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Book Description
Nearly thirty years ago, Ernie Paniccioli, considered by many to be the James Van Der Zee of the hiphop generation, began photographing graffiti art throughout New York City as well as the young people creating it. Armed with a 35-millimeter camera, Paniccioli literally recorded the beginning salvos of hiphop, today the most dominant youth culture on the planet. Be it Grandmaster Flash at the Roxy, a summer block party in the Bronx, the fresh faces of Jay-Z and Will Smith, the cocksure personas of Tupac Shakur, The Notorious B.I.G., and Eminem, or the regal grace of Lauryn Hill, Ernie Paniccioli has been there to showcase hiphop’s emerging talent. With more than 200 photographs that have been culled from a vast archive, Who Shot Ya? is the first major pictorial history of hiphop culture.
Author: Ralph Ellison
Publisher: Penguin Books Limited
ISBN: 9780241970560
Category : Fiction
Languages : en
Pages : 0
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Book Description
The invisible man is the unnamed narrator of this impassioned novel of black lives in 1940s America. Embittered by a country which treats him as a non-being he retreats to an underground cell.
Author: John Szwed
Publisher: Duke University Press
ISBN: 1478012056
Category : Music
Languages : en
Pages : 330
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Book Description
Considered by many to be a founder of Afrofuturism, Sun Ra—aka Herman Blount—was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz. John Szwed's Space is the Place is the definitive biography of this musical polymath, who was one of the twentieth century's greatest avant-garde artists and intellectuals. Charting the whole of Sun Ra's life and career, Szwed outlines how after years in Chicago as a blues and swing band pianist, Sun Ra set out in the 1950s to impart his views about the galaxy, black people, and spiritual matters by performing music with the Arkestra that was as vital and innovative as it was mercurial and confounding. Szwed's readers—whether they are just discovering Sun Ra or are among the legion of poets, artists, intellectuals, and musicians who consider him a spiritual godfather—will find that, indeed, space is the place.
Author: Josephine C. George
Publisher: iUniverse
ISBN: 0595618154
Category : Fiction
Languages : en
Pages : 269
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Book Description
The e-mail Danny and Allison read on their new computer in 1996 looks no different from the millions of others received by Web users around the world, with one glaring exception--it was sent by their dads who died during the 1970s. While residing in the afterworld at an amenity-laden paradise called Midway Manor, guitar-strumming Mickey Parks and piano-playing Lloyd Wallace monitor and manipulate the lives of their adult children on earth from the mid-'70s through the 1990s. Tampering with the facility's sophisticated computer, the dads thrust Mickey's daughter Allison and Lloyd's son Danny into a passionate but sometimes stormy relationship-a relationship steeped in Danny's heavy drinking and entangled in the often-zany world of men's adventure magazine publishing. After carefully implementing a plan to send their son and daughter a gift of knowledge that could enrich their lives forever, the dads' brief contact is cut short. They are banished to another destination in the afterworld, but not before they impart indisputable proof of life after death--and unwittingly put Danny's and Allison's earthbound lives on the line.
