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Author: Mary D. Garrard
Publisher: Univ of California Press
ISBN: 0520261526
Category : Art
Languages : en
Pages : 442
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Book Description
"Garrard, one of a small handful of truly distinguished feminist art historians, presents a detailed and visually convincing account of the relationship between nature and art in all its fraught and gendered cultural meaning from antiquity on. Brunelleschi's Egg constitutes an exemplary feat of interdisciplinary study that requires no specialized theoretical baggage to follow and emulate."--Mieke Bal, author of Of What One Cannot Speak: Doris Salcedo's Political Art "Mary Garrard's discerning eye and deep knowledge of Renaissance art informs this fascinating book. She offers a sophisticated exploration of a rich artistic conversation on the relationship of nature and art, describing the central role of gender in structuring artists' complex and changing attitudes toward nature. Brunelleschi's Egg is so much more than a history of style; it maps the changing mindsets of Renaissance society in the several centuries during which scientific developments gradually seized masculine authority, relegating both art and nature to mastered femininity. This book provides new perspective on Italian Renaissance masterworks; it will be central to future discussion of Renaissance art." --Margaret R. Miles, author of A Complex Delight: The Secularization of the Breast, 1350-1750 "In this sweeping study, the magnum opus of one of feminist art history's founding mothers, Mary Garrard extends the gendered critique of art into the realms of philosophy and science, psychology and myth. Her eloquently prophetic and richly detailed synthesis chronicles western culture's increasing feminization of nature and art, and its parallel masculinization of the human mind (both male and female), as a Renaissance tragedy on an epic scale. The book is a must-read for historians of the early modern period, with a theme also of urgent contemporary concern."--James M. Saslow, author of Pictures and Passions: A History of Homosexuality and Art "A completely new and thoroughly convincing way of looking at the major monuments of the Italian Renaissance. The ideas in Brunelleschi's Egg are so compelling that it is hard to imagine a reader who would not be drawn into the analysis."--Jacqueline Marie Musacchio, author of Art, Marriage, and Family in the Italian Renaissance Palace "Garrard offers an unprecedented perspective on an amazing plethora of seminal works. Written beautifully, Brunelleschi's Egg is nothing but exemplary."--Yael Even, University of Missouri, St. Louis
Author: Mary D. Garrard
Publisher: Univ of California Press
ISBN: 0520261526
Category : Art
Languages : en
Pages : 442
Get Book Here
Book Description
"Garrard, one of a small handful of truly distinguished feminist art historians, presents a detailed and visually convincing account of the relationship between nature and art in all its fraught and gendered cultural meaning from antiquity on. Brunelleschi's Egg constitutes an exemplary feat of interdisciplinary study that requires no specialized theoretical baggage to follow and emulate."--Mieke Bal, author of Of What One Cannot Speak: Doris Salcedo's Political Art "Mary Garrard's discerning eye and deep knowledge of Renaissance art informs this fascinating book. She offers a sophisticated exploration of a rich artistic conversation on the relationship of nature and art, describing the central role of gender in structuring artists' complex and changing attitudes toward nature. Brunelleschi's Egg is so much more than a history of style; it maps the changing mindsets of Renaissance society in the several centuries during which scientific developments gradually seized masculine authority, relegating both art and nature to mastered femininity. This book provides new perspective on Italian Renaissance masterworks; it will be central to future discussion of Renaissance art." --Margaret R. Miles, author of A Complex Delight: The Secularization of the Breast, 1350-1750 "In this sweeping study, the magnum opus of one of feminist art history's founding mothers, Mary Garrard extends the gendered critique of art into the realms of philosophy and science, psychology and myth. Her eloquently prophetic and richly detailed synthesis chronicles western culture's increasing feminization of nature and art, and its parallel masculinization of the human mind (both male and female), as a Renaissance tragedy on an epic scale. The book is a must-read for historians of the early modern period, with a theme also of urgent contemporary concern."--James M. Saslow, author of Pictures and Passions: A History of Homosexuality and Art "A completely new and thoroughly convincing way of looking at the major monuments of the Italian Renaissance. The ideas in Brunelleschi's Egg are so compelling that it is hard to imagine a reader who would not be drawn into the analysis."--Jacqueline Marie Musacchio, author of Art, Marriage, and Family in the Italian Renaissance Palace "Garrard offers an unprecedented perspective on an amazing plethora of seminal works. Written beautifully, Brunelleschi's Egg is nothing but exemplary."--Yael Even, University of Missouri, St. Louis
Author: George L. Hersey
Publisher: MIT Press
ISBN: 9780262582032
Category : Architecture
Languages : en
Pages : 272
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Book Description
A highly original view of the relationship between architecture and the biological sciences.
Author: Ross King
Publisher: Bloomsbury Publishing USA
ISBN: 1620401940
Category : Architecture
Languages : en
Pages : 210
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Book Description
The New York Times bestselling, award winning story of the construction of the dome of Santa Maria del Fiore in Florence and the Renaissance genius who reinvented architecture to build it. On August 19, 1418, a competition concerning Florence's magnificent new cathedral, Santa Maria del Fiore was announced: "Whoever desires to make any model or design for the vaulting of the main Dome....shall do so before the end of the month of September." The proposed dome was regarded far and wide as all but impossible to build: not only would it be enormous, but its original and sacrosanct design shunned the flying buttresses that supported cathedrals all over Europe. The dome would literally need to be erected over thin air. Of the many plans submitted, one stood out--a daring and unorthodox solution to vaulting what is still the largest dome in the world. It was offered not by a master mason or carpenter, but by a goldsmith and clockmaker named Filippo Brunelleschi, then forty-one, who would dedicate the next twenty-eight years to solving the puzzles of the dome's construction. In the process, he reinvented the field of architecture. Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Award-winning, bestselling author Ross King weaves this drama amid a background of the plagues, wars, political feuds, and the intellectual ferments of Renaissance Florence to bring the dome's creation to life in a fifteenth-century chronicle with twenty-first-century resonance.
Author: Lizzie Stark
Publisher: W. W. Norton & Company
ISBN: 0393531511
Category : Cooking
Languages : en
Pages : 184
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Book Description
“Endlessly surprising.… Like the egg itself, this book is a perfect, miraculous package.” —Mary Roach, best-selling author of Fuzz An unconventional history of the world’s largest cellular workhorse, from chickens to penguins, from art to crime, and more. The egg is a paradox—both alive and not alive—and a symbol as old as culture itself. In this wide-ranging and delightful journey through its natural and cultural history, Lizzie Stark explores the egg’s deep meanings, innumerable uses, and metabolic importance through a dozen dazzling specimens. From Mali to Finland, mythologies around the globe have invested the egg with powers of regeneration and fecundity, often ascribing the origin of the world to a cosmic egg. An oracle to Romans, fought over by Gold Rush gangs, used as the foundation of the Clown Egg Registry, and blasted into space, the egg has taken on larger proportions than, say, the ovum of an ostrich. It has starred in global dishes from the Korean comfort food ttukbaegi gyeranjjim to the less regaled yet iconic soft-boiled egg. Stark writes a biography of French-born chef Jacques Pépin through his egg creations, and weaves in her personal experiences, like attempting to make the perfect omelet or trying her hand at pysanky—the Ukrainian art of egg decoration. She also explores her fraught relationship to the eggs in her body due to a familial link to cancer, and shares her delight in becoming a mother. Filled with colorful characters and fascinating morsels, Egg is playful, informative, and guarantees that you’ll never take this delicate ovoid for granted again.
Author: Bernard Comment
Publisher: Deep Vellum Publishing
ISBN: 1564788229
Category : Fiction
Languages : en
Pages : 155
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Book Description
In this eerie, compelling, and playful novel, a young man tormented by his feeble memory meets an elderly man, Robert, endowed with the recall of an elephant. Soon, in exchange for becoming his live-in servant, Robert agrees to allow his young protégé to inherit his prodigious memory upon his death. While this might seem a fair if absurd exchange, Robert's demands become progressively more macabre, until the narrator is forced to decide what he is truly willing to sacrifice for the ability to remember. The debut novel of Bernard Comment, acclaimed author and editor, now available in English for the first time, The Shadow of Memory brings a fairy-tale premise into the modern world, where information—and its loss—can be a matter of life and death.
Author: Luke Morgan
Publisher: University of Pennsylvania Press
ISBN: 0812247558
Category : Architecture
Languages : en
Pages : 256
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Book Description
In The Monster in the Garden, Luke Morgan develops a new conceptual model of Renaissance landscape design, arguing that the monster was a key figure in Renaissance culture and that the incorporation of the monstrous into gardens was not incidental but an essential feature.
Author: Arthur J. DiFuria
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513451
Category : Art
Languages : en
Pages : 435
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Book Description
The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.
Author: Garrett Hongo
Publisher: Knopf
ISBN: 0375712046
Category : Poetry
Languages : en
Pages : 121
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Book Description
Garrett Hongo’s long-awaited third collection of poems is a beautiful, elegiac gathering of his Japanese-American ancestors in their Hawaiian landscape and a testament to the power of poetry, as it brings their marginalized yet heroic narratives into the realm of art. In Coral Road Hongo explores the history of the impermanent homeland his ancestors found on the island of O‘ahu after their immigration from southern Japan, and meditates on the dramatic tales of the islands. In sumptuous narrative poems he takes up strands of family stories and what he calls “a long legacy of silence” about their experience as contract laborers along the North Shore of the island. In the opening sequence, he brings to life the story of his great-grandparents fleeing from one plantation to another, finding their way by moonlight along coral roads and railroad tracks. As his grandmother, a girl of ten with an infant on her back, traverses “twelve-score stands of cane / chittering like small birds, nocturnal harpies in the feral constancies of wind,” Hongo asks, “Where is the Virgil who might lead me through the shallow underworld of this history?” In fact, it is Hongo who guides himself—and us—as, in these devoted acts of recollection, he seeks to dispel the dislocation at the center of his legacy. The love of art—making beauty in however provisional a culture—has clearly been a guiding principle in Hongo’s poetry. In this content-rich verse, Hongo hearkens to and delivers “the luminous and the anecdotal,” bringing forth a complete aesthetic experience from the shards that make up a life.
Author: Susan L. Ball
Publisher: Rutgers University Press
ISBN: 0813547873
Category : Art
Languages : en
Pages : 345
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Book Description
The Eye, the Hand, the Mind, celebrating the centennial of the College Art Association, is filled with pictorial mementos and enlivening stories and anecdotes that connects the organization's sixteen goals and tells its rich, sometimes controversial, story. Readers will discover its role in major issues in higher education, preservation of world monuments, workforce issues and market equity, intellectual property and free speech, capturing conflicts and reconciliations inherent among artists and art historians, pedagogical approaches and critical interpretations/interventions as played out in association publications, annual conferences, advocacy efforts, and governance.
Author: Jane Caputi
Publisher: Oxford University Press
ISBN: 0190902736
Category : Political Science
Languages : en
Pages : 353
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Book Description
The ecocide and domination of nature that is the Anthropocene does not represent the actions of all humans, but that of Man, the Western and masculine identified corporate, military, intellectual, and political class that long has masked itself as the civilized and the human. In this book, Jane Caputi looks at two major "myths" of the Earth, one ancient and one contemporary, and uses them to devise a manifesto for the survival of nature--which includes human beings--in our current ecological crisis. These are the myths of Mother Earth and the Anthropocene. The former personifies nature as a figure with the power to give life or death, and one who shares a communal destiny with all other living things. The latter myth sees humans as exceptional for exerting an implicitly sexual domination of Mother Earth through technological achievement, from the plow to synthetic biology and artificial intelligence. Much that we take for granted as inferior or taboo is based in a splitting apart of inherent unities: culture-nature; up-down, male-female; spirit-matter; mind-body; life-death; sacred-profane; reason-madness; human-beast; light-dark. The first is valued and the second reviled. This provides the framework for any number of related injustices--sexual, racial, and ecological. This book resists this pattern, in part, by deliberately putting the dirty back into the mind, the obscene back into the sacred, and vice versa. Ecofeminism and Environmental Justice argue for the significance and reality of the Earth Mother. Caputi engages specifically with the powers of that Mother, ones made taboo and even obscene throughout heteropatriarchal traditions. Jane Caputi rejects misogynist and colonialist stereotypes, and examines the potency of the Earth Mother in order to deepen awareness of how our relationship to the Earth went astray and what might be done to address this. Drawing upon Indigenous and African American, ecofeminism, ecowomanism, green activism, femme, queer and gender non-binary philosophies, literature and arts, Afrofuturism, and popular culture images, Call Your "Mutha" contends that the Anthropocene is not evidence so much of Man's supremacy, but instead a sign that Mother Nature-Earth, faced with disrespect, is turning away, withdrawing the support systems necessary for life and continuance. Caputi looks at contemporary narratives and artwork to consider the ways in which respect for the autonomous and potent Earth Mother and a call for their return has already reasserted itself into our political and popular culture.
