Author: George W. T. Omond
Publisher:
ISBN: 9781330948446
Category : Social Science
Languages : en
Pages : 350
Book Description
Excerpt from Bruges and West Flanders There is no part of Europe more wanting in what is known as 'scenery' than Flanders; and those who journey there must spend most of their time in the old towns which are still so strangely medieval in their aspect, or in country places which are worth seeing only because of their connection with some event in history - Nature has done so little for them. Thus the interest and the attraction of Flanders and the Flemish towns are chiefly historical. But it would be impossible to compress the history of such places as Bruges, Ypres, Furnes, or Nieuport within the limits of a few pages, except at the cost of loading them with a mass of dry facts. Accordingly the plan adopted in preparing the letterpress which accompanies Mr. Forestier's drawings has been to select a few leading incidents, and give these at some length. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Bruges and West Flanders (Classic Reprint)
Author: George W. T. Omond
Publisher:
ISBN: 9781330948446
Category : Social Science
Languages : en
Pages : 350
Book Description
Excerpt from Bruges and West Flanders There is no part of Europe more wanting in what is known as 'scenery' than Flanders; and those who journey there must spend most of their time in the old towns which are still so strangely medieval in their aspect, or in country places which are worth seeing only because of their connection with some event in history - Nature has done so little for them. Thus the interest and the attraction of Flanders and the Flemish towns are chiefly historical. But it would be impossible to compress the history of such places as Bruges, Ypres, Furnes, or Nieuport within the limits of a few pages, except at the cost of loading them with a mass of dry facts. Accordingly the plan adopted in preparing the letterpress which accompanies Mr. Forestier's drawings has been to select a few leading incidents, and give these at some length. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher:
ISBN: 9781330948446
Category : Social Science
Languages : en
Pages : 350
Book Description
Excerpt from Bruges and West Flanders There is no part of Europe more wanting in what is known as 'scenery' than Flanders; and those who journey there must spend most of their time in the old towns which are still so strangely medieval in their aspect, or in country places which are worth seeing only because of their connection with some event in history - Nature has done so little for them. Thus the interest and the attraction of Flanders and the Flemish towns are chiefly historical. But it would be impossible to compress the history of such places as Bruges, Ypres, Furnes, or Nieuport within the limits of a few pages, except at the cost of loading them with a mass of dry facts. Accordingly the plan adopted in preparing the letterpress which accompanies Mr. Forestier's drawings has been to select a few leading incidents, and give these at some length. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Bruges and West Flanders
Author: George W.T. Omond
Publisher: BoD – Books on Demand
ISBN: 3732684164
Category : Fiction
Languages : en
Pages : 134
Book Description
Reproduction of the original: Bruges and West Flanders by George W.T. Omond
Publisher: BoD – Books on Demand
ISBN: 3732684164
Category : Fiction
Languages : en
Pages : 134
Book Description
Reproduction of the original: Bruges and West Flanders by George W.T. Omond
Galbert of Bruges and the Historiography of Medieval Flanders
Author: Jeff Rider
Publisher: CUA Press
ISBN: 0813217199
Category : Biography & Autobiography
Languages : en
Pages : 313
Book Description
Edited by two of the world's most prominent specialists on Galbert today, Jeff Rider and Alan V. Murray, this book brings together essays by established scholars who have been largely responsible for the radical changes in the understanding of Galbert and his work that have occurred over the last thirty years and essays by younger scholars.
Publisher: CUA Press
ISBN: 0813217199
Category : Biography & Autobiography
Languages : en
Pages : 313
Book Description
Edited by two of the world's most prominent specialists on Galbert today, Jeff Rider and Alan V. Murray, this book brings together essays by established scholars who have been largely responsible for the radical changes in the understanding of Galbert and his work that have occurred over the last thirty years and essays by younger scholars.
Whitman's Print-collector's Handbook
Author: Alfred Whitman
Publisher:
ISBN:
Category : Collectors and collecting
Languages : en
Pages : 538
Book Description
Publisher:
ISBN:
Category : Collectors and collecting
Languages : en
Pages : 538
Book Description
The Outlook
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 672
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 672
Book Description
The Cumulative Book Index
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 592
Book Description
A world list of books in the English language.
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 592
Book Description
A world list of books in the English language.
Bruges, Cradle of Capitalism, 1280-1390
Author: James M. Murray
Publisher: Cambridge University Press
ISBN: 9780521819213
Category : Business & Economics
Languages : en
Pages : 430
Book Description
Teeming with merchants from all over Europe, medieval Bruges provides an early model of a great capitalist city. Bruges established a sophisticated money market and an elaborate network of agents and brokers. Moreover, it promoted co-operation between merchants of various nations. In this book James Murray explores how Bruges became the commercial capital of northern Europe in the late fourteenth century. He argues that a combination of fortuitous changes such as the shift to sea-borne commerce and the extraordinary efforts of the city's population served to shape a great commercial centre. Areas explored include the political history of Bruges, its position as a node and network, the wool, cloth and gold trade and the role of women in the market. This book serves not only as a case-study in medieval economic history, but also as a social and cultural history of medieval Bruges.
Publisher: Cambridge University Press
ISBN: 9780521819213
Category : Business & Economics
Languages : en
Pages : 430
Book Description
Teeming with merchants from all over Europe, medieval Bruges provides an early model of a great capitalist city. Bruges established a sophisticated money market and an elaborate network of agents and brokers. Moreover, it promoted co-operation between merchants of various nations. In this book James Murray explores how Bruges became the commercial capital of northern Europe in the late fourteenth century. He argues that a combination of fortuitous changes such as the shift to sea-borne commerce and the extraordinary efforts of the city's population served to shape a great commercial centre. Areas explored include the political history of Bruges, its position as a node and network, the wool, cloth and gold trade and the role of women in the market. This book serves not only as a case-study in medieval economic history, but also as a social and cultural history of medieval Bruges.
The Monthly Cumulative Book Index
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 574
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 574
Book Description
A Brief History of Printing in England
Author: Frederick W. Hamilton
Publisher: BEYOND BOOKS HUB
ISBN:
Category : History
Languages : en
Pages : 63
Book Description
A BRIEF HISTORY of PRINTING IN ENGLAND England was slow to take up printing and slow and backward in the development of it. It was 25 years after the invention of printing before any printing was done in England. It was many years after that before the work of the English printers could compare with that done on the continent. The reason for this is to be found in the conditions of the country itself. Although the two great universities had long been in existence, Oxford dating back to 1167 and Cambridge to 1209, England as a whole was a backward country. In culture and the refinements of civilization, as well as in many more practical things, England was not so far advanced as the rest of Europe nor was it to be so for many years to come. England at this time was an agricultural and grazing country. A colony of Flemings had been brought over to start the cloth industry. There was still, nevertheless, a large export of wool to Flanders, which was there woven and sent back as cloth. The English nobles lived largely on their estates, looking after their tenants, hunting for diversion, and doing a little fighting occasionally when life became otherwise unbearably uninteresting. They were not an educated class and the peasantry were profoundly ignorant. The cities which, as always, depended upon manufacture and commerce were just beginning to grow, with the exception of some of the seaport towns which were already prosperous and wealthy. Not only was this general condition true, but there were special conditions which rendered the middle of the fifteenth century unfavorable to culture and to the introduction of a new invention auxiliary to culture. In 1450 England was shaken and horrified by the bloody insurrection of peasants, with its attendant outrages, known as Jack Cade’s Revolt. Scarcely had order been restored when a disputed succession to the crown plunged the country into the bloody civil war between the adherents of the Houses of York and Lancaster, known as the Wars of the Roses. This period of civil strife lasted for thirty years and affected the general welfare of England very seriously. It was especially marked by mortality among the noblest families in the realm, many of which were actually exterminated. Some time within this bloody half-century the art of printing was introduced into England. There is in existence a book printed in Oxford and dated on the title page 1468. Upon the existence of this book, and upon a somewhat doubtful legend, has been built a claim that English printing originated in Oxford. This claim, however, has practically ceased to be maintained. The legend appears to be baseless, and it has been generally concluded that the date is a misprint and that it should be 1478, an X having been dropped in writing the Roman date, a not uncommon error in publications of this period. Historians have now generally agreed that the introduction of printing in England is due to William Caxton, one of the most interesting figures in the whole annals of printing. A BRIEF HISTORY of PRINTING IN ENGLAND
Publisher: BEYOND BOOKS HUB
ISBN:
Category : History
Languages : en
Pages : 63
Book Description
A BRIEF HISTORY of PRINTING IN ENGLAND England was slow to take up printing and slow and backward in the development of it. It was 25 years after the invention of printing before any printing was done in England. It was many years after that before the work of the English printers could compare with that done on the continent. The reason for this is to be found in the conditions of the country itself. Although the two great universities had long been in existence, Oxford dating back to 1167 and Cambridge to 1209, England as a whole was a backward country. In culture and the refinements of civilization, as well as in many more practical things, England was not so far advanced as the rest of Europe nor was it to be so for many years to come. England at this time was an agricultural and grazing country. A colony of Flemings had been brought over to start the cloth industry. There was still, nevertheless, a large export of wool to Flanders, which was there woven and sent back as cloth. The English nobles lived largely on their estates, looking after their tenants, hunting for diversion, and doing a little fighting occasionally when life became otherwise unbearably uninteresting. They were not an educated class and the peasantry were profoundly ignorant. The cities which, as always, depended upon manufacture and commerce were just beginning to grow, with the exception of some of the seaport towns which were already prosperous and wealthy. Not only was this general condition true, but there were special conditions which rendered the middle of the fifteenth century unfavorable to culture and to the introduction of a new invention auxiliary to culture. In 1450 England was shaken and horrified by the bloody insurrection of peasants, with its attendant outrages, known as Jack Cade’s Revolt. Scarcely had order been restored when a disputed succession to the crown plunged the country into the bloody civil war between the adherents of the Houses of York and Lancaster, known as the Wars of the Roses. This period of civil strife lasted for thirty years and affected the general welfare of England very seriously. It was especially marked by mortality among the noblest families in the realm, many of which were actually exterminated. Some time within this bloody half-century the art of printing was introduced into England. There is in existence a book printed in Oxford and dated on the title page 1468. Upon the existence of this book, and upon a somewhat doubtful legend, has been built a claim that English printing originated in Oxford. This claim, however, has practically ceased to be maintained. The legend appears to be baseless, and it has been generally concluded that the date is a misprint and that it should be 1478, an X having been dropped in writing the Roman date, a not uncommon error in publications of this period. Historians have now generally agreed that the introduction of printing in England is due to William Caxton, one of the most interesting figures in the whole annals of printing. A BRIEF HISTORY of PRINTING IN ENGLAND
The Ultimate SF Collection: 150 Classics
Author: Jules Verne
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 13569
Book Description
The Ultimate SF Collection: 150 Classics is an unparalleled compilation that traverses the broad spectrum of science fiction, showcasing the rich diversity and profound depth of this genre. From the proto-science fiction elements of Mary Shelley's groundbreaking work to the complex social commentaries of H.G. Wells, and the pioneering space operas of E.E. Smith, this anthology celebrates the multifaceted nature of science fiction. It navigates through various literary styles, from adventure-laden narratives and speculative technological wonders to dystopian visions and philosophical explorations, offering readers a comprehensive journey through the evolution of the genre. Standout pieces include timeless classics that have become cornerstones of science fiction, reflective of the era's technological aspirations and societal fears. The contributing authors and editors, a constellation of literary luminaries, bring together an extraordinary range of perspectives, each infusing the collection with unique insights grounded in their distinct historical and cultural contexts. Authors like Jules Verne and H.G. Wells are credited with the genesis of speculative fiction, while pioneers like Mary Shelley and Edgar Allan Poe introduced elements that would define the genre. This anthology not only highlights seminal works that contributed to the development of science fiction but also aligns with various literary movements, from Romanticism to Modernism, enriching the readers' understanding of its thematic diversity. The Ultimate SF Collection: 150 Classics offers a unique opportunity to immerse oneself in the expansive universe of science fiction. It is an essential read for aficionados and newcomers alike, providing a broad compilation that celebrates the genre's ability to question the known and imagine the unknown. This anthology encourages readers to explore the depths of human imagination, the ethical dilemmas of science and technology, and the endless possibilities of alternative realities. It is an invitation to traverse time, space, and dimension through a literary lens, fostering a deeper appreciation of the genre's contribution to culture and society.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 13569
Book Description
The Ultimate SF Collection: 150 Classics is an unparalleled compilation that traverses the broad spectrum of science fiction, showcasing the rich diversity and profound depth of this genre. From the proto-science fiction elements of Mary Shelley's groundbreaking work to the complex social commentaries of H.G. Wells, and the pioneering space operas of E.E. Smith, this anthology celebrates the multifaceted nature of science fiction. It navigates through various literary styles, from adventure-laden narratives and speculative technological wonders to dystopian visions and philosophical explorations, offering readers a comprehensive journey through the evolution of the genre. Standout pieces include timeless classics that have become cornerstones of science fiction, reflective of the era's technological aspirations and societal fears. The contributing authors and editors, a constellation of literary luminaries, bring together an extraordinary range of perspectives, each infusing the collection with unique insights grounded in their distinct historical and cultural contexts. Authors like Jules Verne and H.G. Wells are credited with the genesis of speculative fiction, while pioneers like Mary Shelley and Edgar Allan Poe introduced elements that would define the genre. This anthology not only highlights seminal works that contributed to the development of science fiction but also aligns with various literary movements, from Romanticism to Modernism, enriching the readers' understanding of its thematic diversity. The Ultimate SF Collection: 150 Classics offers a unique opportunity to immerse oneself in the expansive universe of science fiction. It is an essential read for aficionados and newcomers alike, providing a broad compilation that celebrates the genre's ability to question the known and imagine the unknown. This anthology encourages readers to explore the depths of human imagination, the ethical dilemmas of science and technology, and the endless possibilities of alternative realities. It is an invitation to traverse time, space, and dimension through a literary lens, fostering a deeper appreciation of the genre's contribution to culture and society.