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Author: Margaret A. Sullivan
Publisher: Routledge
ISBN: 1351162268
Category : Art
Languages : en
Pages : 272
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Book Description
The art Bruegel produced between 1559 and 1563 presents a rare opportunity to investigate a concentrated period of productivity by one of the world's greatest artists. In this brief period Bruegel produced some of his most original works-the first pictorial collection of contemporary customs in Carnival and Lent, the first painting with children's activities as its subject in Children's Games, the first large-scale painting of a proverb collection, the unique and enigmatic Dulle Griet (Mad Meg), and the extraordinary Triumph of Death, his disturbing vision of men and women fighting off the onslaught of death. In this comprehensive study, Margaret A. Sullivan accounts for this burst of creativity, its intensity, innovation and brevity, by taking all aspects of the creative process into consideration-from the technical demands of picture-making to the constraints imposed by the dangerous religious and political situation.
Author: Margaret A. Sullivan
Publisher: Routledge
ISBN: 1351162268
Category : Art
Languages : en
Pages : 272
Get Book Here
Book Description
The art Bruegel produced between 1559 and 1563 presents a rare opportunity to investigate a concentrated period of productivity by one of the world's greatest artists. In this brief period Bruegel produced some of his most original works-the first pictorial collection of contemporary customs in Carnival and Lent, the first painting with children's activities as its subject in Children's Games, the first large-scale painting of a proverb collection, the unique and enigmatic Dulle Griet (Mad Meg), and the extraordinary Triumph of Death, his disturbing vision of men and women fighting off the onslaught of death. In this comprehensive study, Margaret A. Sullivan accounts for this burst of creativity, its intensity, innovation and brevity, by taking all aspects of the creative process into consideration-from the technical demands of picture-making to the constraints imposed by the dangerous religious and political situation.
Author: Barbara A. Kaminska
Publisher: BRILL
ISBN: 9004408401
Category : History
Languages : en
Pages : 254
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Book Description
Barbara Kaminska’s Pieter Bruegel the Elder: Religious Art for the Urban Community is the first book-length study focusing on religious paintings by one of the most captivating Netherlandish artists, long celebrated for his secular imagery. In a period marked by a profound religious, economic, and cultural transformation, Bruegel offered his sophisticated urban audience complex biblical images that required an engaged, active viewing, not only sparking learned dinner conversations, but facilitating the negotiation of values seen as critical to maintaining a harmonious society. By considering the novelty of Bruegel’s panels used in convivia alongside his small, intimate grisaille compositions, this study ultimately shows that Bruegel renewed the idiom of religious painting, successfully preserving its ritualistic and meditative functions.
Author:
Publisher: BRILL
ISBN: 9004367578
Category : Art
Languages : en
Pages : 298
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Book Description
Pieter Bruegel the Elder and Religion offers new insight into the religious dimension of Bruegel’s art. With a number of highly original and thorough case studies, the volume illuminates Bruegel’s inventive and multifaceted engagement with the contemporary religious concepts and practices of his day and age. Religion remains a vital question in the life and career of Bruegel, because it was so long believed to be more or less absent from his work. As a pioneer of the new genres of landscape and peasant scenes, Bruegel was heralded as a ground-breaking “secular” painter. This volume highlights the most recent scholarship on the artist, offering a much more nuanced portrait of Bruegel’s engagement with the dynamic religious landscape of the mid-sixteenth century. Contributors are: Jessica Buskirk, Ralph Dekoninck, Bertram Kaschek, Walter S. Melion, Jürgen Müller, Anna Pawlak, Gerd Schwerhoff, Larry Silver, and Michel Weemans.
Author: Vanda Zajko
Publisher: John Wiley & Sons
ISBN: 1119072115
Category : Literary Criticism
Languages : en
Pages : 548
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Book Description
A Handbook to the Reception of Classical Mythology presents a collection of essays that explore a wide variety of aspects of Greek and Roman myths and their critical reception from antiquity to the present day. Reveals the importance of mythography to the survival, dissemination, and popularization of classical myth from the ancient world to the present day Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Offers a series of carefully selected in-depth readings, including both popular and less well-known examples
Author: Stephanie Porras
Publisher: Penn State Press
ISBN: 0271084553
Category : Art
Languages : en
Pages : 441
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Book Description
The question of how to understand Bruegel’s art has cast the artist in various guises: as a moralizing satirist, comedic humanist, celebrator of vernacular traditions, and proto-ethnographer. Stephanie Porras reorients these apparently contradictory accounts, arguing that the debate about how to read Bruegel has obscured his pictures’ complex relation to time and history. Rather than viewing Bruegel’s art as simply illustrating the social realities of his day, Porras asserts that Bruegel was an artist deeply concerned with the past. In playing with the boundaries of the familiar and the foreign, history and the present, Bruegel’s images engaged with the fraught question of Netherlandish history in the years just prior to the Dutch Revolt, when imperial, religious, and national identities were increasingly drawn into tension. His pictorial style and his manipulation of traditional iconographies reveal the complex relations, unique to this moment, among classical antiquity, local history, and art history. An important reassessment of Renaissance attitudes toward history and of Renaissance humanism in the Low Countries, this volume traces the emergence of archaeological and anthropological practices in historical thinking, their intersections with artistic production, and the developing concept of local art history.
Author: Todd M. Richardson
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668169
Category : Art
Languages : en
Pages : 280
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Book Description
Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands examines Bruegel's later paintings in the context of two contemporary discourses-art theoretical and convivial. Taking a multi-disciplinary approach, the author analyzes a variety of images, texts and historical records to offer a broader understanding of not only the artist, but also of the vibrant artistic dialogue occurring in the Netherlands during the sixteenth century.
Author: Claudia Goldstein
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754667322
Category : Art
Languages : en
Pages : 192
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Book Description
Claudia Goldstein mines a rich, interdisciplinary mix of sources to shed new light on the cultural history of sixteenth-century Antwerp. Recontextualizing some of Bruegel's work within the cultural nexus of the dining room, she offers a critical and entirely original examination of the function of early modern images for the people who owned and viewed them.
Author: Walter Melion
Publisher: BRILL
ISBN: 9004275037
Category : History
Languages : en
Pages : 549
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Book Description
Anthropomorphism – the projection of the human form onto the every aspect of the world – closely relates to early modern notions of analogy and microcosm. What had been construed in Antiquity as a ready metaphor for the order of creation was reworked into a complex system relating the human body to the body of the world. Numerous books and images - cosmological diagrams, illustrated treatises of botany and zoology, maps, alphabets, collections of ornaments, architectural essays – are entirely constructed on the anthropomorphic analogy. Exploring the complexities inherent in such work, the interdisciplinary essays in this volume address how the anthropomorphic model is fraught with contradictions and tensions, between magical and rational, speculative and practical thought. Contributors include Pamela Brekka, Anne-Laure van Bruaene, Ralph Dekoninck, Agnès Guiderdoni, Christopher P. Heuer, Sarah Kyle, Walter S. Melion, Christina Normore, Elizabeth Petcu, Bertrand Prevost, Bret Rothstein, Paul Smith, Miya Tokumitsu, Michel Weemans, and Elke Werner.
Author: ElizabethA. Sutton
Publisher: Routledge
ISBN: 1351569058
Category : Art
Languages : en
Pages : 297
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Book Description
Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tradition, intellectual inquiry, and Dutch mercantilism. At the same time, by analyzing the marketing tactics of the publisher, Cornelis Claesz, this study illuminates how early modern epistemological processes were influenced by the commodification of knowledge. Sutton examines the book's construction and marketing to shed new light on the social milieus that shared interests in ethnography, trade, and travel. Exploring how the images and text function together, Sutton suggests that Dutch visual and intellectual traditions informed readers' choices for translating De Marees' text visually. Through the examination of early modern Dutch print culture, Early Modern Dutch Prints of Africa expands the boundaries of our understanding of the European imperial enterprise.
Author: Edward H. Wouk
Publisher: BRILL
ISBN: 9004343253
Category : Art
Languages : en
Pages : 858
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Book Description
Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liège and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris’s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print.
