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Author: Eng-Beng Lim
Publisher: NYU Press
ISBN: 0814759408
Category : History
Languages : en
Pages : 256
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Book Description
Honorable Mention for the 2015 Cultural Studies Best Book presented by the Association of Asian American Studies Winner of the 2013 CLAGS Fellowship Award for Best First Book Project in LGBT Studies A transnational study of Asian performance shaped by the homoerotics of orientalism, Brown Boys and Rice Queens focuses on the relationship between the white man and the native boy. Eng-Beng Lim unpacks this as the central trope for understanding colonial and cultural encounters in 20th and 21st century Asia and its diaspora. Using the native boy as a critical guide, Lim formulates alternative readings of a traditional Balinese ritual, postcolonial Anglophone theatre in Singapore, and performance art in Asian America. Tracing the transnational formation of the native boy as racial fetish object across the last century, Lim follows this figure as he is passed from the hands of the colonial empire to the postcolonial nation-state to neoliberal globalization. Read through such figurations, the traffic in native boys among white men serves as an allegory of an infantilized and emasculated Asia, subordinate before colonial whiteness and modernity. Pushing further, Lim addresses the critical paradox of this entrenched relationship that resides even within queer theory itself by formulating critical interventions around “Asian performance.”
Author: Eng-Beng Lim
Publisher: NYU Press
ISBN: 0814759408
Category : History
Languages : en
Pages : 256
Get Book Here
Book Description
Honorable Mention for the 2015 Cultural Studies Best Book presented by the Association of Asian American Studies Winner of the 2013 CLAGS Fellowship Award for Best First Book Project in LGBT Studies A transnational study of Asian performance shaped by the homoerotics of orientalism, Brown Boys and Rice Queens focuses on the relationship between the white man and the native boy. Eng-Beng Lim unpacks this as the central trope for understanding colonial and cultural encounters in 20th and 21st century Asia and its diaspora. Using the native boy as a critical guide, Lim formulates alternative readings of a traditional Balinese ritual, postcolonial Anglophone theatre in Singapore, and performance art in Asian America. Tracing the transnational formation of the native boy as racial fetish object across the last century, Lim follows this figure as he is passed from the hands of the colonial empire to the postcolonial nation-state to neoliberal globalization. Read through such figurations, the traffic in native boys among white men serves as an allegory of an infantilized and emasculated Asia, subordinate before colonial whiteness and modernity. Pushing further, Lim addresses the critical paradox of this entrenched relationship that resides even within queer theory itself by formulating critical interventions around “Asian performance.”
Author: Daniel Gawthrop
Publisher: ReadHowYouWant.com
ISBN: 145878035X
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
In this moving autobiography, Daniel Gawthrop writes about the politics and pleasures of being a self-identified ''rice queen''; a gay man who is attracted to Asians. Navigating through the urban jungles of Western cities like Vancouver and London, as well as the humid streets of Bangkok and Saigon, Daniel explores the multicultural minefields of sexuality and culture as he articulates the manners and contradictions of his desires. The politics of race, and the unspoken rules of gay Asian culture in both Western and Eastern settings, underscore Daniel's personal journey in which he recalls his teen years spent idolizing Bruce Lee and his fixation on an Asian schoolmate whose hazing becomes a sexual spectacle for him. As he enters adulthood, his desires become manifest as he explores the subcultures of Long Yang Clubs (where gay Asians and ''their admirers'' can meet) before departing for Asia, where his encounters often become transactions, and he learns the hard way that sexual desire has a human and emotional cost. Evoking the themes of Edward Said's Orientalism, The Rice Queen Diaries is as much a personal statement about culture and otherness as it is about gay desire. Traversing three continents, these diaries are a personal reckoning, a bold coming to terms with the nuances of sexuality that has relevance for all of us.
Author: Tan Hoang Nguyen
Publisher: Duke University Press
ISBN: 0822376601
Category : Social Science
Languages : en
Pages : 305
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Book Description
A View from the Bottom offers a major critical reassessment of male effeminacy and its racialization in visual culture. Examining portrayals of Asian and Asian American men in Hollywood cinema, European art film, gay pornography, and experimental documentary, Nguyen Tan Hoang explores the cultural meanings that accrue to sexual positions. He shows how cultural fantasies around the position of the sexual "bottom" overdetermine and refract the meanings of race, gender, sexuality, and nationality in American culture in ways that both enable and constrain Asian masculinity. Challenging the association of bottoming with passivity and abjection, Nguyen suggests ways of thinking about the bottom position that afford agency and pleasure. A more capacious conception of bottomhood—as a sexual position, a social alliance, an affective bond, and an aesthetic form—has the potential to destabilize sexual, gender, and racial norms, suggesting an ethical mode of relation organized not around dominance and mastery but around the risk of vulnerability and shame. Thus reconceived, bottomhood as a critical category creates new possibilities for arousal, receptiveness, and recognition, and offers a new framework for analyzing sexual representations in cinema as well as understanding their relation to oppositional political projects.
Author: Daphne Palasi Andreades
Publisher: Random House
ISBN: 0593243439
Category : Fiction
Languages : en
Pages : 257
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Book Description
NEW YORK TIMES EDITORS’ CHOICE • A “boisterous and infectious debut novel” (The Guardian) about a group of friends and their immigrant families from Queens, New York—a tenderly observed, fiercely poetic love letter to a modern generation of brown girls. “An acute study of those tender moments of becoming, this is an ode to girlhood, inheritance, and the good trouble the body yields.”—Raven Leilani, author of Luster FINALIST: The New American Voices Award, The Carol Shields Prize for Fiction, The VCU Cabell First Novelist Award, The New American Voices Award, The Center for Fiction First Novel Prize ONE OF THE BEST BOOKS OF THE YEAR: PopSugar, Kirkus Reviews If you really want to know, we are the color of 7-Eleven root beer. The color of sand at Rockaway Beach when it blisters the bottoms of our feet. Color of soil . . . Welcome to Queens, New York, where streets echo with languages from all over the globe, subways rumble above dollar stores, trees bloom and topple over sidewalks, and the funky scent of the Atlantic Ocean wafts in from Rockaway Beach. Within one of New York City’s most vibrant and eclectic boroughs, young women of color like Nadira, Gabby, Naz, Trish, Angelique, and countless others, attempt to reconcile their immigrant backgrounds with the American culture in which they come of age. Here, they become friends for life—or so they vow. Exuberant and wild, together they roam The City That Never Sleeps, sing Mariah Carey at the tops of their lungs, yearn for crushes who pay them no mind—and break the hearts of those who do—all while trying to heed their mothers’ commands to be obedient daughters. But as they age, their paths diverge and rifts form between them, as some choose to remain on familiar streets, while others find themselves ascending in the world, beckoned by existences foreign and seemingly at odds with their humble roots. A blazingly original debut novel told by a chorus of unforgettable voices, Brown Girls illustrates a collective portrait of childhood, adulthood, and beyond, and is a striking exploration of female friendship, a powerful depiction of women of color attempting to forge their place in the world today. For even as the conflicting desires of ambition and loyalty, freedom and commitment, adventure and stability risk dividing them, it is to one another—and to Queens—that the girls ultimately return.
Author: Tena V. Baker
Publisher: Even Me Imprinting
ISBN: 9781733243605
Category : Juvenile Fiction
Languages : en
Pages : 28
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Book Description
"Dear black boy, you can be anything because you were born with everything you need."When faced with bullying, low self-esteem, and self-doubt, how can black boys push through to find success in today's society? This is the story of a boy losing his innocence and finding his power.
Author: John Stowell
Publisher:
ISBN: 9786029658804
Category : Artists
Languages : en
Pages : 0
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Book Description
When he died 70 years ago, the artist Walter Spies was known to only a few close friends. Now he is prized as one of the finest painters of the tropical landscape. This was one of many gifts that he made available to the people of Bali in the years between 1927, when he first settled there, and 1940 when he was interned as an enemy alien. In the turmoil of war and the turbulence of the post-war years, his fate remained for a time unknown and his life and deeds in Bali gradually took on mythic proportions. He was remembered almost as a founding figure, one who had taken the arts of Bali to unprecedented heights. There was some truth in this hyperbole; he had indeed made a massive contribution to the reputation of the island as a centre of special artistic excellence during the 1930s. He was not alone in this endeavour.
Author: Kyla Wazana Tompkins
Publisher: NYU Press
ISBN: 1479819204
Category : Literary Collections
Languages : en
Pages : 296
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Book Description
"A deeply historicized engagement with the new materialism, and a reading of the aesthetics of state biopower in the context of the rise of microbiology, Deviant Matter looks at the history of food, science, medicine and intoxication to explain how particular kinds of matter, including jelly, rot, intoxicants, and ferment, became figures for deviant life as new sciences of hygiene and energy management became tools of state power"--
Author: Stephen Hong Sohn
Publisher: Stanford University Press
ISBN: 1503605930
Category : Literary Criticism
Languages : en
Pages : 445
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Book Description
Inscrutable Belongings brings together formalist and contextual modes of critique to consider narrative strategies that emerge in queer Asian North American literature. Stephen Hong Sohn provides extended readings of fictions involving queer Asian North American storytellers, looking to texts including Russell Leong's "Camouflage," Lydia Kwa's Pulse, Alexander Chee's Edinburgh, Nina Revoyr's Wingshooters, and Noël Alumit's Letters to Montgomery Clift. Despite many antagonistic forces, these works' protagonists achieve a revolutionary form of narrative centrality through the defiant act of speaking out, recounting their "survival plots," and enduring to the very last page. These feats are made possible through their construction of alternative social structures Sohn calls "inscrutable belongings." Collectively, the texts that Sohn examines bring to mind foundational struggles for queer Asian North Americans (and other socially marginalized groups) and confront a broad range of issues, including interracial desire, the AIDS/HIV epidemic, transnational mobility, and postcolonial trauma. In these texts, Asian North American queer people are often excluded from normative family structures and must contend with multiple histories of oppression, erasure, and physical violence, involving homophobia, racism, and social death. Sohn's work makes clear that for such writers and their imagined communities, questions of survival, kinship, and narrative development are more than representational—they are directly tied to lived experience.
Author: Kara Keeling
Publisher: NYU Press
ISBN: 1479820423
Category : Social Science
Languages : en
Pages : 289
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Book Description
Finalist, 2019 Lambda Literary Award in LGBTQ Studies A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and black freedom. Keeling reads selected works, such as Sun Ra’s 1972 film Space is the Place and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar “speculations” of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and black futures, and the previously unimagined spaces that they can conjure.
Author: Avgi Saketopoulou
Publisher: NYU Press
ISBN: 1479820253
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Radical alternatives to consent and trauma Contemporary discourse on sex and sexuality is fixated on consent as a means of mitigating danger and avoiding forms of sexual trauma. Sexuality Beyond Consent dares us to step into a different territory, where we do not guard the self but risk experience. Avgi Saketopoulou maintains that we are overly focused on healing trauma and need to reroute our attention to what subjects do with their trauma, in the process taking up a series of provocative questions: Why is sexuality beyond consent worth risking, and how does risk become a way of soliciting the future? Why might surrendering to the fact that your pain is not going away enable you to do things with pain? In what ways are race and racism shot through with the erotic? How can something proximal to violation become a site of flourishing? Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about maintaining control but risks sexuality beyond consent. Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to show us how the force of the erotic surges through the aesthetic domain. Grounding its arguments in the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the rousing of the strange in ourselves, not in order to master trauma but to rub up against it, may open us up to encounters with opacity and unique forms of care.
