The Great Age of British Watercolours, 1750-1880

The Great Age of British Watercolours, 1750-1880 PDF Author: Andrew Wilton
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0

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Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.

The Great Age of British Watercolours, 1750-1880

The Great Age of British Watercolours, 1750-1880 PDF Author: Andrew Wilton
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0

Get Book Here

Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.

British Watercolors: 1750-1950

British Watercolors: 1750-1950 PDF Author: Katherine Coombs
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 152

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Book Description
British Watercolours explores the many ways in which British artists have employed this versatile medium.

Great British Watercolors

Great British Watercolors PDF Author: Matthew Hargraves
Publisher: Yale University Press
ISBN: 0300116586
Category : Art
Languages : en
Pages : 244

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Book Description
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.

British Watercolours and Drawings from Rowlandson to Riley

British Watercolours and Drawings from Rowlandson to Riley PDF Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 70

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Book Description


British Watercolours, 1750 to 1850

British Watercolours, 1750 to 1850 PDF Author: Andrew Wilton
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 216

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Book Description
William Blake, John Constable, and Joseph Mallord William Turner are among the ten British watercolorists whose works are analyzed and reproduced in color and black and white.

British Watercolours

British Watercolours PDF Author: Tate Gallery
Publisher:
ISBN:
Category : Watercolor painting
Languages : en
Pages : 52

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Book Description


Concise Catalogue of British Watercolours and Drawings: Text

Concise Catalogue of British Watercolours and Drawings: Text PDF Author: Manchester City Art Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 242

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Book Description


The Watercolorist's Complete Guide to Color

The Watercolorist's Complete Guide to Color PDF Author: Tom Hill
Publisher: North Light Books
ISBN: 9780891348542
Category : Color guides
Languages : en
Pages : 0

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Book Description
Starting with the principles of colour theory, Hill presents an analysis of 40 popular pigments with important descriptions of colour temperature, transparency or opacity and degree of stain.'

British Watercolours from the Oppé Collection

British Watercolours from the Oppé Collection PDF Author: Tate Gallery
Publisher:
ISBN:
Category : Artists' preparatory studies
Languages : en
Pages : 246

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Book Description
Published to accompany exhibition held at the Tate Gallery 10/9 - 30/11 1997.

The Spooner Collection of British Watercolours at the Courtauld Institute Gallery

The Spooner Collection of British Watercolours at the Courtauld Institute Gallery PDF Author: Michael Broughton
Publisher: Paul Holberton Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 288

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Book Description
The Spooner Collection of watercolours is one of the finest of its kind, featuring all the leading artists of the period 1750 - 1850. Notable among them are watercolours of the Lake District by John White Abbott, and rural scenes by several artists - Gainsborough, Turner, Cozens, Rowlandson, Francis Towne, Samuel Palmer. Architecture dominates the setting, in works by Girtin, Cotman and Sandby. The essays accompanying the catalogue discuss outdoor painting and the role of memory in watercolour painting, the connoisseurship, and attitudes towards watercolours; and give a brief biography of William Wycliffe Spooner himself. This complete catalogue of the collection, bequeathed by Spooner to the Courtauld Institute, is published on the occasion of a touring exhibition of select works from the collection, showing at The Worsworth Trust, Grasmere; The Huntingdon Library, California; and the Courtauld Institute Gallery, London, 2005 - 2006.