British Theatre Companies: 1965-1979: CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 Theatre Companies PDF Download
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Author: John Stanley Bull
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :
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Book Description
"This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies."--Publisher.
Author: John Stanley Bull
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :
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Book Description
"This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies."--Publisher.
Author: John Bull
Publisher: Bloomsbury Publishing
ISBN: 1408175460
Category : Performing Arts
Languages : en
Pages : 335
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Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced. 1965–1979, covers the period often accepted as the 'golden age' of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of 'alternative' performance venues. Leading academics provide case studies of six of the most important companies, including: * CAST, by Bill McDonnell (University of Sheffield, UK) * The People Show, by Grant Tyler Peterson (Brunel University London, UK) * Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK) * Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK) * Welfare State International, by Gillian Whitely (Loughborough University, UK) * 7:84 Theatre Companies, by David Pattie (University of Chester, UK).
Author: John Stanley Bull
Publisher:
ISBN: 9781408175422
Category : Theater
Languages : en
Pages : 320
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Book Description
Each volume in this series provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of some of the major companies. This volume covers the period often accepted as the 'golden age' of British fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of 'alternative' performance venues.
Author: John Bull
Publisher:
ISBN:
Category : PERFORMING ARTS
Languages : en
Pages : 0
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Book Description
"This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies." --Publisher.
Author: John Bull
Publisher:
ISBN:
Category :
Languages : en
Pages : 335
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Book Description
Author: John Bull
Publisher: Bloomsbury Publishing
ISBN: 1408175452
Category : Performing Arts
Languages : en
Pages : 335
Get Book Here
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced. 1965–1979, covers the period often accepted as the 'golden age' of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of 'alternative' performance venues. Leading academics provide case studies of six of the most important companies, including: * CAST, by Bill McDonnell (University of Sheffield, UK) * The People Show, by Grant Tyler Peterson (Brunel University London, UK) * Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK) * Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK) * Welfare State International, by Gillian Whitely (Loughborough University, UK) * 7:84 Theatre Companies, by David Pattie (University of Chester, UK).
Author: Jen Harvie
Publisher: Cambridge University Press
ISBN: 1108421806
Category : Drama
Languages : en
Pages : 325
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Book Description
The definitive guide to post-war British theatre's huge variety and expansion, exploring the diverse contexts that shaped it.
Author: Catherine Love
Publisher: Taylor & Francis
ISBN: 1000839788
Category : Performing Arts
Languages : en
Pages : 132
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Book Description
Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, artistic intention, and the apparent incompleteness of plays as both written and performed phenomena. Text and Performance in Contemporary British Theatre also explores the implications of changing technologies of page and stage, analysing the impact of recent developments in theatre-making, editing, and publishing on the status of the theatre text. Written for scholars, students, and practitioners alike, Text and Performance in Contemporary British Theatre provides an original perspective on one of the most enduring problems to occupy theatre practice and scholarship.
Author: Graham Saunders
Publisher:
ISBN:
Category : PERFORMING ARTS
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 752
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Book Description